Observed | January 23

Is the future of design ... circular? [JH]

The Guardian’s list of emerging design stars for 2017 is vibrant and multi-disciplinary. [JH]

Design Observer alum Rob Walker launches Political Objects, featuring an all-star cast of 25 writers telling new stories of “political” objects they own, and why these objects matter. [MB]

Lena Dunham, T-shirt designer! [JH]


Observed | January 20

Five months after becoming director of the Museum of Arts and Design, Jorge Daniel Veneciano is stepping down on Jan. 31 to turn his attention to the cultural sector. [JH]

From Portland-based designer Ilisha Helfman, a color palette tool for fountain pens with a custom-cut Canson paper top so you can make notes for each pen or sample ink vial. [JH]

On this historic day in America, as we struggle to honor truth, tolerance, and a deeply uncertain future, let us remember that inclusiveness is not only a matter of race and gender and nationality, but also a question of mutual respect and cross-disciplinary freedom. Ladies and gentlemen, I give you: doctors who create! [JH]

The day has come. Here’s a reading list for designers in Trump‘s America. [MPL]

“Taking cues from the Girl Scouts, Soviet-era Constructivism, the WPA, and Kara Walker…” Behind the branding of the Women’s March on Washington. [MB]


Observed | January 19

Design as a proactive response to disaster, and the challenges for climate change. [JH]

In a design exploration that has taken nearly two years and six significant iterations of the prototype—during which the app’s usage has grown eightfold to 4 million daily active users—Slack introduces threaded conversations. Meanwhile, Mozilla (remember them, before Netscape?) introduces a revamped design identity. [JH]

In the US, nuclear plant design goes modular. [JH]

The lost signs of Montreal. [MB]

Paula Scher, Christoph Niemann and more visionary designers: coming soon on Netflix. Watch the trailer here! [JH]

Apple vs.Samsung: it‘s not over! [JH]

Design, detente—and defiance. [JH]

“Trump sits for hours with architects and designers, instinctively pointing to what he likes and doesn’t like.” The President-elect as design client. Sad! [JH]


Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]



Jobs | January 24