2011 | 50 Covers Selections

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2011 Covers

AIGA Archives
3001: A Lunar Odyssey
Mike Uphoff
(Lulu)

A Man of Parts
David Lodge
(Viking)

A Relíquia (Relic); A Queda de um Anjo (The Fall of an Angel); De Profundis (De Profundis); ; Coração (Heart)
Célia Pessegueiro
(Nova Delphi)

Adam and Evelyn
Ingo Schulze
(Alfred A. Knopf)

Adventures in the Orgasmatron
Christopher Turner
(Farrar, Straus and Giroux)

Bed
David Whitehouse
(Scribner)

Better By Mistake
Alina Tugend
(Riverhead Books)

Black Boy White School
Brian F. Walker
(HarperCollins Children's Books)

C
Tom McCarthy
(Vintage Books)

Checking In/Checking Out
Chris Schaberg/Mark Yakich
(NO Books)

Contradance
John Peck
(The University of Chicago Press)

Darwin's Finches
Edited, with Commentary, by Kathleen Donohue
(The University of Chicago Press)

Death and the Penguin
Andrey Kurkov
(Melville House)

Debt
David Graeber
(Melville House)

Do the Movies Have a Future
David Denby
(Simon & Schuster)

Fever
Sonia Shah
(Picador)

He Died with His Eyes Open
Derek Raymond
(Melville House)

I Belong to This Band, Hallelujah!
Laura Clawson
(The University of Chicago Press)

I Know I Am But What Are You?
Samantha Bee
(Gallery Books)

In Trouble
Ellen Levine
(Carolrhoda Lab, an imprint of Lerner Publishing group)

Influencing Machine
Author: Brooke Gladstone / Josh Neufeld; Editor: Tom Mayer
(W. W. Norton & Company)

IQ84
Haruki Murakami
(Random House)

Kerouac Series (2011 REPACKAGE)
Jack Kerouac
(Penguin Group (USA))

Kwadraat Bladen A series of graphic experiments 1955—74
Adrian Shaughnessy and Tony Brook
(Unit Editions)

Linguagem e Comunicação (Language and Communication) from the book series Celga.
Paula Valente
(Almedina)

Londoners
Craig Taylor
(Granta)

Mensagem de Fernando Pessoa (The Message of Fernando Pessoa)
Paula Valente
(Almedina)

My Dyslexia
Philip Schultz
(W. W. Norton & Company)

Nom de Plume
Carmela Ciuraru
(Harper Collins)

Oliver Sacks paperback repackage (Migrane; Awakenings; The Island of the Colorblind; Uncle Tugnsten; An Anthropologist on Mars; Seeing Voices)
Oliver Sacks
(Vintage)

Operation Bonnet: A Novel
Kimberly Stuart
(David C. Cook)

Orientation and Other Stories
Daniel Orozco
(Faber and Faber)

Poetry After 9/11
Dennis Loy Johnson and Valerie Merians
(Melville House)

Red Autobiographies
Igal Halfin
(University of Washington Press)

Seeing Double
Françoise Meltzer
(The University of Chicago Press)

Snowdrops
A.D. Miller
(Doubleday)

Tell the Wolves I’m Home
Carol Rifka Brunt
(Random House)

The Bauhaus Group
Nicholas Fox Weber
(Yale University Press)

The Enigma of the Aerofoil
David Bloor
(The University of Chicago Press)

The Information: A History, A Theory, A FLood
James Gleick
(Pantheon)

The Meaning of Disgust
Colin McGinn
(Oxford University Press)

The Next Hundred Million: America in 2050
Joel Kotkin
(Penguin)

The Old Romantic
Louise Dean
(Riverhead Books)

The Pale King
David Foster Wallace
(Hamish Hamilton)

The Pint Man
Steve Rushin
(Vintage Books)

The Real Holden Caulfield
Michael Moats
(Fiction Advocate)

The Works of Franz Kafka
F. Kafka
(Schocken Books)

Tourquai
Tim Davys
(Harper Collins)

Vault
David Rose
(Salt Publishing)

Works of Clarice Lispector
Clarice Lispector
(New Directions)




Observed | January 20

Five months after becoming director of the Museum of Arts and Design, Jorge Daniel Veneciano is stepping down on Jan. 31 to turn his attention to the cultural sector. [JH]

From Portland-based designer Ilisha Helfman, a color palette tool for fountain pens with a custom-cut Canson paper top so you can make notes for each pen or sample ink vial. [JH]

On this historic day in America, as we struggle to honor truth, tolerance, and a deeply uncertain future, let us remember that inclusiveness is not only a matter of race and gender and nationality, but also a question of mutual respect and cross-disciplinary freedom. Ladies and gentlemen, I give you: doctors who create! [JH]

The day has come. Here’s a reading list for designers in Trump‘s America. [MPL]

“Taking cues from the Girl Scouts, Soviet-era Constructivism, the WPA, and Kara Walker…” Behind the branding of the Women’s March on Washington. [MB]


Observed | January 19

Design as a proactive response to disaster, and the challenges for climate change. [JH]

In a design exploration that has taken nearly two years and six significant iterations of the prototype—during which the app’s usage has grown eightfold to 4 million daily active users—Slack introduces threaded conversations. Meanwhile, Mozilla (remember them, before Netscape?) introduces a revamped design identity. [JH]

In the US, nuclear plant design goes modular. [JH]

The lost signs of Montreal. [MB]

Paula Scher, Christoph Niemann and more visionary designers: coming soon on Netflix. Watch the trailer here! [JH]

Apple vs.Samsung: it‘s not over! [JH]

Design, detente—and defiance. [JH]

“Trump sits for hours with architects and designers, instinctively pointing to what he likes and doesn’t like.” The President-elect as design client. Sad! [JH]


Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]



Jobs | January 22