Jessica Helfand | Essays

Ezra Winter Project: Chapter One



Observed | September 28

The relationship between design environments and cognitive function. Here’s the original study. [JH]

An exhibition in New York celebrates the accomplishments of the working designer while framing a larger conversation about a defining moment of creative syncretism. [JH]

Design fans? Look no further! [JH]

"When you start tinkering with things ... the consumer kind of gets a little testy.” A plea to return to the "vastly superior design" of Target (pill) bottles. [JH]

“Visually, anyway, there was a discernible arc to the event, with Mr. Trump growing more agitated as the night wore on, and Mrs. Clinton becoming almost giddy with what felt increasingly like genuine pleasure.” One reporter watches the first US Presidential debate—with the sound off. [JH]


Observed | September 27

Audi’s longstanding design flaw—and its failure to admit it. [JH]

Le Corbusier once said, “If you want to see bad taste, go into the houses of the rich.” On design—and disease. [JH]

Cory Doctorow explains design fiction. [JH]

Times Higher Education explains what a design degree is actually worth. [JH]


Observed | September 26

Design. And desire! [JH]

“The future is already here,” says Fiat design chief Ralph Gilles. ”It’s just not here. It’s in different places.” [JH]

The Art Directors Club, a fixture on the New York advertising and design scene since 1920, is closing down to be acquired by The One Club. [MB]

The Comic Book Legal Defense Fund fights censorship, protects First Amendment rights, and provides legal representation for comic creators facing prosecution. [JH]

One word: plastics! [JH]

A fashion guide for today’s stylish federal employee. [MB]


Observed | September 23

The reason your neighborhood increasingly resembles a boring shopping mall is because somebody’s banker prefers it that way [MB]

A pantheon of record sleeve designers pick their favorites. [MB]

Molly Young and Teddy Blanks team up to produce a periodic table of NYC trash. [JH]

The Financial Times, on the comfort—and value—of Gerrit Rietveld’s classic zig-zag chair. [JH]

A new book suggests that design is at the core of all innovation. [JH]

90% of information transmitted to the brain is visual, and visual content is processed 60,000 times faster than text. [JH]

“In just a few years, understanding programming will be an indispensable part of active citizenship.” Reflections on the ethical dimensions of coding. [JH]


Observed | September 22

Farewell, Rollo Tamasi. Remembering the remarkably versatile director Curtis Hanson and his best movie, L.A. Confidential. [MB]

“Design to me is about improving our daily life—it is not about creating another lamp or another chair.” Dutch designer Daan Roosegaarde wins the design innovation medal in London. [JH]

A deepening interest in helping to define what design in China actually means. [JH]

The EpiPen is just one more example in a long tradition of designers “solving” design problems by adding instructions, rather than fixing the underlying design itself. [JH]

TestLab Berlin—an immersive design program from ArtCenter in California. [JH]

The art schools Fidel Castro built—and then neglected. [MB]


Observed | September 21

In December, DC Comics and IDW Publishing will publish “Love Is Love,” a 144-page comic book whose proceeds will benefit Equality Florida and its fund for those affected by the June 12 attack at the Pulse nightclub in Florida. [JH]

Disney characters with a military aesthetic: painting as propaganda in (North!) Korea. [JH]



Jobs | September 29