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<title>Streets: Into the Sunset : Responses</title>
<description>Design Observer ::Â Join the Discussion</description>
<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/</link>
<dc:language>en-us</dc:language>
<dc:creator>Design Observer Group</dc:creator>
<dc:date>2010-06-03T16:51:54-05:00</dc:date>
<copyright>http://creativecommons.org/licenses/by-sa/1.0</copyright>




<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[In response to James, Yes, the original photographs â from which these photo-fabrications were assembled â were taken in the Sunset in San Francisco.]]></description>
	<author>Nancy  Levinson</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-06-03T16:51:54-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[taking it to the streets! well played merrill, well played.]]></description>
	<author>Brian</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-06-02T02:31:32-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[Beautiful. The skewed perspective is subtle enough to give the feeling of a dream; it seems natural but then, not quite. These all seem to be taken in San Francisco's Sunset district... hence the title?]]></description>
	<author>James</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-06-01T12:36:08-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[ You are the Diane Arbus of street photos.  The street images capture a normality that is not beautiful.  Like many Arbus photos there is a sense of unreality that is distinctive.<br />
<br />
Congratulations on creating a disconcerting body of images that speak to a particular aspect of American culture.]]></description>
	<author>Kate D. Timmerman</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-29T15:37:20-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[The images evoke the hyperreal environments that us as a culture are becoming so use to seeing. Your blog entry gave these visuals an interesting context to consider while viewing!]]></description>
	<author>Ayn Roberts</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T21:32:06-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[bored to death here.]]></description>
	<author>wayne</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T18:02:40-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[Your comments on unconcious desires related to space called to mind the words of Paul Tillich...<br />
<br />
"Men create systems of security in order to protect their space. But they can only repress their anxiety; they cannot banish it, for this anxiety anticipates the final spacelessness which is implied in finitude."]]></description>
	<author>Thomas</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T15:30:55-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[I love the window detail in "Christmas". Your compositing skills are very impressive.]]></description>
	<author>Thomas</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T15:16:49-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[Fascinating -- your hyperreal reconstructions of our constructed spaces are eerily free of human presence, but speak volumes about human nature. Well done.]]></description>
	<author>sarah</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T12:56:15-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[guess i don't get it...this is where i live. and it looks like where i live, but some took pictures of where i live and spliced them in photoshop. nice retouching work, struggling to see the point oitherwise]]></description>
	<author>rynot</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-28T12:24:04-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Streets: Into the Sunset"]]></title>
	<description><![CDATA[An excellent essay for excellent body of photographs. Great job, Leigh!]]></description>
	<author>Stu</author>
	<link>http://places.designobserver.com/feature/streets-into-the-sunset/13548/#comments</link>
	<dc:date>2010-05-27T23:30:15-05:00</dc:date>
</item>



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