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<title>What can designers, architects and writers learn from the art of film editing? : Responses</title>
<description>Design Observer ::Â Join the Discussion</description>
<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/</link>
<dc:language>en-us</dc:language>
<dc:creator>Design Observer Group</dc:creator>
<dc:date>2011-08-20T12:55:04-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "What can designers, architects and writers learn from the art of film editing?"]]></title>
	<description><![CDATA[Fantastic, helpful story. It's precisely the exact same with making an important audio function or creating complete- duration hype, wherever snipping a passage can totally alter the experience and circulation or injectinga four- club transition or two- lines of dialogue can move the task together far better. I am going through very similar kind of process as this motion picture publisher when I am performing discussion style to have an auto user interface or composing a book. In fact, when working on a past due draft of my very first story, Bashert (Gesher Push, 2010), I needed an experience closely paralleling the one inside the account, when a larger compare was necessary in between areas for it to feel smoother for the audience. ]]></description>
	<author>John Fisher</author>
	<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/#comments</link>
	<dc:date>2011-08-20T12:55:04-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "What can designers, architects and writers learn from the art of film editing?"]]></title>
	<description><![CDATA[Thanks for a terrific piece. Two follow-up questions: is it true [or an urban legend] that, in a documentary, one minute ends up being used for every 60 that are shot? And: is there a contradiction between the minute attention to detail you describe here, and the fact that most people will watch the film in a world filled with distractions? otherwise stated, is there an equivalent in film of the 'dynamic white space' that's so important in newspaper design or the unprogrammed liminal space office designers talk about??]]></description>
	<author>John Thackara</author>
	<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/#comments</link>
	<dc:date>2011-07-21T01:43:37-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "What can designers, architects and writers learn from the art of film editing?"]]></title>
	<description><![CDATA[Wonderful, informative anecdote. It is precisely the same with composing a major musical work or writing full-length fiction, where snipping a passage can completely alter the feel and flow or injecting a four-bar transition or two-lines of dialogue can move the work along better. I go through much the same kind of process as this film editor when I am doing interaction design for an automotive interface or writing a novel. In fact, when working on a late draft of my first novel, Bashert (Gesher Press, 2010), I had an experience closely paralleling the one in the story, where a bigger contrast was needed between sections in order for it to feel smoother to the reader. And, of course, I always draw in readers like Adam Levy who, because they are not writers, can see and experience a manuscript with "ignorant eyes."]]></description>
	<author>Larry Constantine AKA Lior Samson</author>
	<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/#comments</link>
	<dc:date>2011-07-11T14:24:57-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "What can designers, architects and writers learn from the art of film editing?"]]></title>
	<description><![CDATA[Well said. I myself have always been fascinated by the disproportional influence the parts that the editor leaves out often have on the the final product. There's surely a lesson in there for all of us.]]></description>
	<author>Ithateng Mokgoro</author>
	<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/#comments</link>
	<dc:date>2011-07-09T12:51:17-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "What can designers, architects and writers learn from the art of film editing?"]]></title>
	<description><![CDATA[Gr8 post, i felt like jumping on to the editing table,<br />
Its really gr8 how any art or craft elates an individual to a greater awareness, that editors respect for your innocence and how the doors shut before u once you were learned, thats very humbling.<br />
Thanx for the good work.<br />
<br />
about the controversy... DO pls don't do this... ths is suicidal.]]></description>
	<author>sarath</author>
	<link>http://observatory.designobserver.com/feature/jump-cut-thoughts-on-editing/27988/#comments</link>
	<dc:date>2011-07-08T03:26:43-05:00</dc:date>
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