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<title>New Belle-Lettrism and the Future of Architectural Criticism : Responses</title>
<description>Design Observer ::Â Join the Discussion</description>
<link>http://places.designobserver.com/feature/future-of-architectural-criticism/34538/</link>
<dc:language>en-us</dc:language>
<dc:creator>Design Observer Group</dc:creator>
<dc:date>2012-07-09T20:37:37-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "New Belle-Lettrism and the Future of Architectural Criticism"]]></title>
	<description><![CDATA[I like the author's idea of exploring "the genre and mode of the belle-lettre as one model for architectural writing, and architectural criticism" through the the frame of popul(ism).<br />
<br />
She is of course right that the new digitized masses can be seen as a sort of little guy anti-literariness. An everyman culture.<br />
<br />
What i find interesting though would be a more political reading of populist. Rather than the elite vs mainstream in a cultural sense. Populist in an original sense of "the masses", civic engagement, a la the American show "Spontaneous Interventions: Design Actions for the Common Good" at the  Biennale this year.<br />
<br />
I also think there is a not that recent turn towards criticism situated as/in praxis along the lines of the discussion at the Critical and Activist practice<br />
http://dsgnagnc.com/the-critical-and-activist-practice-a-discussion/ <br />
<br />
Either way what i do think is that the form of criticism has changed away from explicit literary criticism and into a notion of the expanded field either more open to other voices and/or doing/making as criticism.<br />
<br />
Finally, @faslanyc I word say no to your questions has "the time has come to let architectural criticism pass away"? I think it is if anything more needed necessary than ever. In fact i started a thread re: Criticism a couple of years over at Archinect, to help me understand the topic and my thoughts on it better. Some really good discussion there by and for architects re: criticism/crisis/bad crits etc...<br />
<br />
http://archinect.com/forum/thread/103010/on-criticism-an-aggregate-thread/]]></description>
	<author></author>
	<link>http://places.designobserver.com/feature/future-of-architectural-criticism/34538/#comments</link>
	<dc:date>2012-07-09T20:37:37-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "New Belle-Lettrism and the Future of Architectural Criticism"]]></title>
	<description><![CDATA[If anything should be allowed to die, it's the fallacy that there is some definite thing as "hipster values" or, indeed, such a thing as a "hipster," outside of youth and other-ness. (Youth clique affectation is always scoffed upon by anxious observers outside of it, and that scoffing is in retrospect usually more embarrassing than the affectation.)<br />
<br />
And I would argue "New Criticism" should be retired as a too ragged straw-man. Apart from Wimsatt/Beardsley, this term is largely an illusion. Do Yvor Winters and Allen Tate and F. R. Leavis and William Empson actually believe in "objectivity," and if they do (which is debatable) do they mean the same thing by the term? It's a good way of ignoring the importance of those guys and critics like I. A. Richards or R. P. Blackmur, whose insights remain just as contemporary as more fashionable citations from Roland Barthes or Michel Foucault. Doesn't it sound equally ridiculous when someone refers to "French theory" as though it were a contiguous body of argument?<br />
<br />
I think what architecture criticism needs is less anxiety. There's a whole world out there, and it's filled with buildings that can be written about. If you can live off the practice, good, but that's not, I think, the most important thing. As long as there is a public literate enough to follow criticism, and as long as it can reach that public, it will remain an important part of culture and the development of design. I'm not convinced it does itself any favors by vigorously policing its borders with art and literature and the rest.]]></description>
	<author></author>
	<link>http://places.designobserver.com/feature/future-of-architectural-criticism/34538/#comments</link>
	<dc:date>2012-07-08T16:18:46-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "New Belle-Lettrism and the Future of Architectural Criticism"]]></title>
	<description><![CDATA[I think the problem with blogs is the people writing them fetishize a hipster value system (and live in Williamsburg, probably). Now the hipsters are invading the dying mainstream design media: I can't tell you how many times I've read about a house shaped like a cat, spacesuits, new bike lanes, gossip or whatever nonsense--as interesting as that is, it's not a noble value apart from its irony (okay, bike lanes are great, but not when they replace architecture in an architecture magazine!).  <br />
As far as Manaugh, he partially partakes in the hipster culture but at least his is titled "Building Blog," not to be confused with architecture, and he does his own thing which is respectable. Robust criticism just doesn't exist outside of academia anymore. And I just can't get behind Kelly or Lange's takedowns, sorry--meanness is never a virtue, even in criticism.<br />
I used to read Arch magazines when they were edited by experts but god knows what garbage they have in there now. <br />
]]></description>
	<author></author>
	<link>http://places.designobserver.com/feature/future-of-architectural-criticism/34538/#comments</link>
	<dc:date>2012-06-25T18:57:59-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "New Belle-Lettrism and the Future of Architectural Criticism"]]></title>
	<description><![CDATA[I appreciate the article.  I think Nancy Levinson's quote that you cite is appropriate, at least historically.  Whereas criticism comes from the European tradition of literary arts, architecture is traditionally more in line with the plastic/visual arts and predates criticism.  <br />
<br />
A quick etymological search shows that the idea of criticism originally applied to the literary arts.  Adapting this to important architectural projects was appropriate for European architecture for a time- the middle ages and the Renaissance, when the cathedrals or castles were a real text- but it is highly dubious whether criticism is appropriate for architecture at all now.   Architecture existed before criticism; is it possible the time has come to let architectural criticism pass away?]]></description>
	<author></author>
	<link>http://places.designobserver.com/feature/future-of-architectural-criticism/34538/#comments</link>
	<dc:date>2012-06-22T14:38:24-05:00</dc:date>
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