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<title>Why the Activist Poster is Here to Stay : Responses</title>
<description>Design Observer ::Â Join the Discussion</description>
<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/</link>
<dc:language>en-us</dc:language>
<dc:creator>Design Observer Group</dc:creator>
<dc:date>2012-09-28T19:00:46-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[I couldn't agree more with your observation.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-28T19:00:46-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[Despite my wariness of their often hegemonic character (I'm thinking of seas of identical, mass printed placards held by unionists, socialist, Obama supporters and Koch funded rentacrowds), I'm still a sucker for a good poster. I'm a big fan of the posters and graffiti from Paris, May 68, including killer lines such as "The future will only contain what we put into it now", "Those who lack imagination cannot imagine what is lacking", and "There is a Policeman Inside All Our Heads. He must be Destroyed."<br />
<br />
More recently I've very much enjoyed Rick Black's work. I've made some modest contributions myself, but my favourite sign from Occupy Sydney is still the handwritten message I saw declaring that "I am 99% Human"]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-25T21:07:06-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[Thanks for the comments and for the links, Carl and Lucas.<br />
<br />
Russ, yes, a lot of professionally produced posters are very image-led and illustrative. It would be good to see the sharp verbal ideas of the amateur poster signs brought into proper poster-making, with a strong and where necessary hierarchical typography to articulate them. For me, the first two posters are among the most satisfying here because they feel so connected to their causes.<br />
<br />
Kevin, you make a key point about the posters as encouragement. People who can't see the purpose of protest and advocacy posters miss that. The "other side" reinforces its position with massive amounts of visual and media propaganda. Posters are just another way of keeping an alternative way of thinking in collective view.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-21T03:23:19-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[Dear Rick, very interesting your post, as usual.Â I would add to your list of links and references some solid projects like the spanish Voces con Futura http://vocesconfutura.tumblr.com/(with anonymous graphics, similar to Occupy Protest) and specially Poster for Tomorrow http://www.posterfortomorrow.org/ For this projects, digital communication is essential, too.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-18T21:44:30-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[oh, and hi Russ!]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-18T19:12:51-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[Thanks for featuring my poster Rick! I'm honoured! As I mentioned on your previous post about Just Seeds, I think the form is as vibrant as ever, but I may be biased given my participation in the Quebec student movement over the spring and summer here in Montreal.<br />
<br />
In response to the oft-asked, "did anything change?", I think it's the wrong question. Aside from the practical purpose of many posters inciting people to attend specific events, rallies and demonstrations, these types of posters also act as a way for marginal voices to be visualised/materialised. The goal is not so much to create direct, quantitative change in policies or what not, but to maintain a strong presence of dissenting voices in our visual landscape (be it virtual or physical, in the streets). They work as acts of solidarity and encouragement for those doing the hard work of social change, and for those that might be opposed to or unaware of the causes espoused, a reminder that we are there (ie. everywhere :P).]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-18T19:12:06-05:00</dc:date>
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<item>
	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[Nice article - though I can't help but think there is something missing in the design of these new protest signs (rather than posters). Materials obviously play a part - being designed on, and for, screen rather than print, a smooth-edged, Adobe CS aesthetic prevails and we get little sense of the urgency of a hand-rendered or quickly screen printed image. On top of this, the typography displays a notable lack of any distinct hierarchy - again for obvious reasons, these are meant to be seen on a screen as a snapshot image of provocation, and they lose the sense of scale inherent in the 'traditional' printed poster. Just compare thumbnail reproductions (or screen shots) of older posters - while the headline text might be clear and readable, other more specific text (relating to a particular protest, event, location, meeting place or whatever) might be illegible without zooming in to view it up close, as the difference in scale on a large printed poster can be much more dramatic. Posters often used to work like that - even blunt instruments like protest posters - but these newer, squeaky clean and polished images don't function in the same way, and tend to be much more image-led, more provocative illustrations than protest posters.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-17T16:49:31-05:00</dc:date>
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	<title><![CDATA[Responding to "Why the Activist Poster is Here to Stay"]]></title>
	<description><![CDATA[<br /><iframe id="nbc-video-widget" width="460" height="260" src="http://www.nbc.com/assets/video/widget/widget.html?vid=1417104" frameborder="0"></iframe><br/><br />
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<b>Rick:</b> Activist Posters (<a target="_blank" href=" http://static.happyplace.com/assets/images/2012/05/4fa1584ca6bb8.jpg"> AP</a>) at least the great ones, have a sense of humor and in the age of twitter â youâre right â they are here to stay. On Aug 24th 2010, an (AP) went viral when it was posted on the <a target="_blank" href="http://journals.democraticunderground.com/Pharaoh/115" target="_blank"> Democratic Underground.</a> <br />
Who designed this simple poster in Pharaoh's Journal? (Pharaoh or Pharoah) Could it be Jay Pharoah (Jared Antonio Farrow) from SNL? Youâre the design expert, but at any rate I thought you would enjoy last nightâs bit (09/15/2012) on the Season Premiere of âSNL.â<br />
]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/why-the-activist-poster-is-here-to-stay/36068/#comments</link>
	<dc:date>2012-09-16T22:55:26-05:00</dc:date>
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