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<channel>
<title>Chromatophobia: My Fear of Color : Responses</title>
<description>Design Observer ::Â Join the Discussion</description>
<link>http://observatory.designobserver.com/feature/chromatophobia/37586/</link>
<dc:language>en-us</dc:language>
<dc:creator>Design Observer Group</dc:creator>
<dc:date>2013-03-08T13:46:19-05:00</dc:date>
<copyright>http://creativecommons.org/licenses/by-sa/1.0</copyright>




<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Thank you Michael for such an interesting story.<br />
I found it interesting because In my case my partner(Im not married yet) also helps and she does it very well. She is a Anthropologist & Reiki Master. <br />
<br />
What happened to you is lovely, our partner in life has the ability or knowledge of style that we agreed without knowing any of the "rules" of design. Also is great how they can complement us in something that we are lacking.<br />
<br />
Congratulations for having an amazing wife! ]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-03-08T13:46:19-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Carl, thanks, we fixed that.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-18T06:36:30-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[<b>Rather â fear of the letter ârâ. </b><br />
Michael, You are an amazing designer with a great sense of humor.<br />
Chromatophobia is missing the letter ârâ in your post and in your link to the post.<br />
See: <i>That is when I began to realize that I had a case of ch_omatophobia, fear of color.</i><br />
Thanks â!â<br />
]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-17T10:40:48-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[<a target="_blank" href="http://www.amazon.com/Designers-Guide-Color-Jeanne-Allen/dp/B0009GVMZ2/ref=pd_rhf_se_s_cp_4_1NGK" target="_blank">Check this out  Michael . . .</a><br />
<br />
VR/ Joe]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T22:51:54-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[I can work with color, but this story reminds me of my college days. Everything I did was black and white. Finally, in Printmaking, my professor wanted me to add color. Probably so I could add separations to my knowledge, but I never did. It wasn't until color computers were ubiquitous that color became easy for me to use.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T15:02:15-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Michael, you might have a phobia. Or, as some have said, you just might naturally prefer your comfort zone which could be more normal than unusual. A tendency, or preference perhaps.<br />
<br />
Ralph Baker, one of my college art professors once said that my style of painting and use of color had a graphic sensibility, meaning that my choices were more about value than color. He noted that we see in values first â we recognize highlights and shadows before we recognize color. This may explain why we have no problems looking at black and white photographs and believing they are still true reflections. <br />
<br />
He challenged me to experiment with color more freely (so I could learn to swim with the fishes). It was good advice. But my natural tendency, inclination and preference remains. ]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T13:25:11-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Thanks Michael. Your story highlights the fact that designers (and everyone else, really) work with certain strengths and weaknesses, and it's the sum of all those strengths and weakness that gives us each our unique point of view. <br />
<br />
I admire color daily and have enjoyed specifying color throughout my career. There are some people, though, who simply blow me away by their confidence and originality with color; Hella Jongerius, Maira Kalman and the great Alexander Girard are just three who come to mind.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T13:01:19-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Reducing the use and execution of black and white to a fear of color is slightly insulting to the use of black and white as a strategy. I use black and white for many reasons. The least of which is the fear of color. In addition to what you've said, back and white can at times present content, situations, experiences, etc in a manner that allows the looker, reader, listener, taster, etc the most flexibility in generating their own conclusionâwhich is a beautiful gift designers can offer. And, of course black and white can be as expressive as color depending on its relationships to form, context, scale, type, etc. ]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T12:56:13-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Beautifully written. I feel comforted knowing that I'm not alone in my fear of color! Thanks for the wonderful post!]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-14T00:07:16-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[The best way to overcome this is to teach it!<br />
<br />
I used to work with color intuitively. Then I had to teach it. So I learned it (better). <br />
<br />
Now, I still work with color intuitively but, I can reference various systems when I need too and I know what is happening.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-13T23:00:37-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Great story. It's relieving to hear that other designers are "chromophobes," but it makes sense when any of us are taught to design in monochrome ("if it works in black and white, it'll work in color!") It's a constraint that's been steadily loosening, though I still get nervous about new logos that are based on gradients.<br />
<br />
I agree that some people, though, really are magicians with color. The ability to change a foreground color dramatically by tweaking the background color slightly remains an impressive feat to me.]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-13T18:01:49-05:00</dc:date>
</item>
<item>
	<title><![CDATA[Responding to "Chromatophobia: My Fear of Color"]]></title>
	<description><![CDATA[Great anecdote, Michael. It's probably a good thing that you don't count yourself among the color-mavens - there are plenty of around already to swoon over celadon (present company very much included). <br />
<br />
But don't worry: in the West, color-fearers are in a clear majority. I love this little book by British artist David Batchelor called Chromophobia. It's all about the entrenched Western suspicion of everything colorful as a proxy for the queer, childish, feminine, hysterical or irrational:<br />
http://www.amazon.com/Chromophobia-FOCI-David-Batchelor/dp/1861890745/ref=sr_1_1?s=books&ie=UTF8&qid=1360791442&sr=1-1&keywords=chromophobia<br />
<br />
As for the variety implicit in color wheels, I wrote a 3-part series for Imprint about that history which readers might dig:<br />
http://imprint.printmag.com/color/the-wondrous-color-wheel-part-1/<br />
http://imprint.printmag.com/color/wonderful-color-wheel-part-2/<br />
http://imprint.printmag.com/color/the-wonderful-color-wheel-part-3/<br />
<br />
Thanks again for the great post. <br />
<br />
Best, Jude]]></description>
	<author></author>
	<link>http://observatory.designobserver.com/feature/chromatophobia/37586/#comments</link>
	<dc:date>2013-02-13T16:37:47-05:00</dc:date>
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