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WEEKLY EMAIL: JULY 12, 2012 | ||
FEATURED THIS WEEK : ALEXANDRA LANGEObama's New FontsObama's new campaign slogan, "Betting On America," is set in a pair of suggestively nostalgic, fonts. But the result lacks warmth, lending itself to a critique of Obama's campaign poster similar to the critique of Obama's campaign style: the words are all appropriate, but feeling is lacking.READ MORE | ||
OBSERVATORY : MARK LAMSTERThe Architect & The Critic: An Epistolary TaleA few weekends ago, while tooling about in search of the kind of castoff midmodern relics that those of my generation seem to covet, I came across the following collection of letters at an estate sale. I believe you will find they are quite telling with respect to the practices of both architecture and architectural criticism.READ MORE OBSERVATORY : ROB WALKERInterface RunesRecently I discovered, in a box full of dusty computer/device manuals and the like, the “Graffiti Reference Card” and stickers that came with a Palm Pilot I owned years ago. It felt like discovering evidence of a dead language, a set of uncanny interaction-design runes.READ MORE NEWS FROM DESIGN OBSERVER GROUP SPONSORSEnter the Sappi Ideas that Matter competition - an annual, innovative grant program that provides monetary support to produce the creative ideas of designers working for social good. Sappi established the Ideas that Matter grant program to recognize and support designers who donate their time and talent to create communications materials for a wide range of charitable activities.More about Ideas that Matter >> Watch Doug Hebert an inspiration junkie >> Find out more about Sappi here >> Learn to be a design critic through SVA's D-Crit program. Design as subject matter, criticism as a literary genre and the range of tools with which to practice design criticism. Watch videos of presentations by the Class of 2011 >> The D-Crit Program >> SVA Website >> PLACES : RUDABEH PAKRAVANTerritory Jam: TehranIn contemporary Tehran, where the city's parks and plazas have been, as Rudabeh Pakravan writes, "delegitimized" by censorship and surveillance, public life has moved indoors — and onscreen. Here Pakravan analyzes the rising importance of illegal television satellites, which beam banned shows from around the world, and which have made the private home "the true public realm, where residents can socialize comfortably and freely, unmonitored by the otherwise pervasive government."READ MORE OBSERVATORY : JOHN FOSTERAccidental Mysteries: 07.08.12Street posters, the kind of flotsam that exists near busy street corners, on light poles, walls — anywhere and everywhere in cities large and small, are easily overlooked unless you slow down and take an interest.READ MORE OBSERVATORY : RICK POYNORDesign a Cover for Eno's Music for FilmsLA architect John Bertram’s latest competition, to design an alternative sleeve for Music for Films by Brian Eno, one of the musician’s less familiar instrumental albums, might be the perfect cover design challenge. The competition requires entrants not to replace something that exists with a better alternative, but to imagine something where the album’s creator apparently wanted there to be almost nothing at all.READ MORE OBSERVATORY : ROB WALKERSelling Stories With StuffWhat's bothersome about the way many observers discuss the importance of "story" is that they treat it as a tool, a means to an end, something that exists only in the service of "stuff." But a good story is no means to an an end: It is an end, with a significance all its own.READ MORE |
AUDIO: DESIGN MATTERS ARCHIVEBad Boys of Design IVDesigners Marc Alt, Mike Essl, Alberto Rigau and others.Listen >> More Design Matters Archive >> CHANGE OBSERVER: PROJECT ARCHIVE![]() Bigshot Camera UpdateReporting the status of an innovative children's camera in developmentREAD MORE RECENT BOOKS RECEIVED Stop, Think, Go, Do: How Typography & Graphic Design Influence BehaviorSteven Heller and Mirko Ilic INVENTARIO 04: Everything is a projectBeppe Finessi, editor Kwadraat–Bladen: A series of graphic experiments 1955—74Adrian Shaughnessy & Tony Brook, editors | |
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