Places

Barranca

Thomas Locke Hobbs & Aaron Rothman
Thomas Locke Hobbs is interested in the subtle systems and forces that shape a sense of place in the urban landscape. The photographer lived in Buenos Aires for several years, and he uses that city's topography as the organizing principle of the series presented here. “After living in Buenos Aires for a while," he writes, "the flatness, the impossibility of having a vista from which to orient oneself, began to feel oppressive. I started taking pictures around a small but notable feature: the brief slant of the barely perceptible riverbank, or barranca.”

READ MORE   |  COMMENTS

Change Observer

Cycle Commerce As An Ecosystem

By John Thackara
At a workshop in Delhi a few weeks back, during the UnBox Festival, Arjun Mehta and myself posed the following question to a group of 20 professionals from diverse backgrounds: What new products, services or ingredients are needed to help a cycle commerce ecosystem flourish in India’s cities, towns and villages?

READ MORE   |  COMMENTS

Places

Hubbert’s Peak, Eneropa, and the Visualization of Renewable Energy

By Daniel A. Barber
For decades scientists and politicians — and environmentalists and architects — have been debating the benefits of moving from fossil fuels to renewable resources. Daniel Barber traces this debate back to the postwar era, when the potential of renewables was seen as boundless, and when, as Barber explains, leading scientists argued that shifting from carbon-based energy to the cleaner power of sun and wind "should be understood as a moral obligation even before it became an economic necessity."

READ MORE   |  COMMENTS

Observatory

Dream Weaver

By Alexandra Lange
When I wrote about the figure of the knitting architect in February, little did I know that a panoply of knitted, woven and recycled work would soon be on display in New York ... all under the rubric of art, but definitely spatial and challenging. El Anatsui's sinuous works at the Brooklyn Museum, Orly Genger's Red, Yellow and Blue in Madison Square park, and, most modest in scale, the first New York show in 50 years of the work of midcentury sculptor Ruth Asawa, who wove forests, anemones and orbs out of metal wire.

READ MORE   |  COMMENTS (1)

Places

“Everyone a Tourist”

By Jim Bassett
On a recent trip to Chichén Itzá, architecture professor Jim Bassett explored very different ways of photographing the famous Mayan ruins — he took black-and-white images that self-consciously reference an older tradition of art photography and the romance of travel, and color images that highlight the familiar realities of contemporary mass tourism. The two categories, he suggests, raise enduring questions about the incomplete nature of appearances, and the ease with which we can manipulate mood and meaning.

READ MORE   |  COMMENTS (4)

Observatory

A Nod to Surrealism

By John Foster
In the image-driven web world most of us frequent today—Tumblr, Flickr, and Pinterest, for example — we are bombarded with images that beg us to look twice. It’s relatively easy to create a yellow zebra with blue stripes, if that’s what suits your fancy. Masterful digital imaging can bring us whatever level of Surrealism you may desire — if you can imagine it, it can be done with pixel manipulation. For artists not working in digital media — those who cut, build, draw, paint, glue, bend, and make things in the more traditional manner — there is something of a “Surrealist” popularity at hand today.

READ MORE   |  COMMENTS (1)

Change Observer

The SunWater Project: Advanced Solar Technology for Poor Farmers

By Paul Polak
Farmers need a reliable, low-cost water pumping system so that they can grow cash crops to increase their incomes. They also need electric power to add value to their crops (grinding, processing, etc.). Current pumping systems cost too much or are unreliable. How can we radically reduce the purchase price of solar PV powered pumping systems along with technologies that efficiently transport irrigation water?

READ MORE   |  COMMENTS

Change Observer

Transforming Solar Pumping to Eliminate Rural Poverty

By Paul Polak
If I want to water my petunias, I turn on the tap outside my house, hold my thumb over the end of a battered green hose, and water away. If a small farmer in Ghana or China wants to water a small patch of vegetables he’s growing to sell in the local market, he breaks his back hauling water in two buckets or sprinkling cans from a nearby stream. It takes six hours a day every other day for three months to water a tenth of an acre of vegetables that he hopes to sell for $100.

READ MORE   |  COMMENTS (3)

Observer Media

Jessica Walsh

By Debbie Millman
On this episode of Design Matters, Debbie talks to Jessica Walsh about selling moss covered rocks to her elementary school classmates, her quick assent in the world of design, becoming a partner with Stefan Sagmeister and, of course, taking those naked pictures.

READ MORE   |  COMMENTS

Observatory

The Conceptual Posters of Boris Bucan

By Rick Poynor
What still seems surprising about the posters Boris Bućan designed in the late 1960s and early 1970s for the Student Center Gallery, the Zagreb Drama Theater, and other Croatian clients is how confidently reductive they are. If this is not quite anti-design, it is certainly design gripped by a powerful sense of restraint. I recall my first impression of the posters in a gallery. The images seemed sharply defined, cerebral and enigmatic.

READ MORE   |  COMMENTS

Observatory

Finding The Story

By Rob Walker
When Emily Spivack points to product descriptions on eBay, and reveals them to be funny, poignant, or otherwise surprisingly meaningful stories and narratives, she’s up to something effective, and affecting. What looked to the rest of us like mere detritus, the marketplace vernacular of a virtual nation trying to hustle a buck from used goods, gets transformed. Now these are tales of love, of memory, emotion, misadventure, family, fame.

READ MORE   |  COMMENTS (1)

Observatory

Anxiety, Culture and Commerce

By Alexandra Lange
In recent years, it has become a slam to say, of design collections and exhibitions, that they looked like a shop. When I take my son to the MoMA design collection, he looks in their glass fronted cases and sees the same Massimo Vignelli for Heller plates we have in our glass fronted cabinets at home. Should the difference be obvious? Or is the ability to experience design as a consumer how we spark an interest in history? A series of panels I've organized at MAD examines these questions in the past, present and future.


READ MORE   |  COMMENTS (3)

Observatory

The Alphabet Card

Kit Hinrichs and Delphine Hirasuna
The year 1913 marked the peak of the picture postcard craze. Even though the population in America was less than 100 million, nearly 970 million picture postcards were sold in the U.S. alone. At a time when most people did not own a camera and color commercial printing was in its infancy, the little picture postcards were a delight to view. Collecting and displaying picture postcards in scrapbooks became a popular pastime. Manufacturers encouraged this by issuing postcards in sets so that the public would want to own the whole series.

READ MORE   |  COMMENTS

Places

Digital Deception

By Belmont Freeman
The technologies of representing architecture have advanced steadily over the years, from drawing to photography to digital rendering — and have lately taken a new leap. As Belmont Freeman argues, "the crafts of architectural rendering and photography have now merged into a common activity of digital image-making — so completely that one can conceive a work of architecture and produce a 'photograph' of it without having to go through the expensive, tedious and corrupting intermediate step of actually building the building. Welcome to the world of architectural photography without architecture."

READ MORE   |  COMMENTS (4)

Observatory

The Tower that Beer Built

By Mark Lamster
Somewhat unwittingly, I have embarked on a series of pieces on skyscrapers born of alcoholic beverage magnates. The Seagram Building was the product of the (bootleg) whiskey fortune amassed by Sam Bronfman. In Dallas, we have the Kirby (nee Busch) Building, now a residential apartment house but originally a spec office tower financed by the St. Louis beer barron Adolphus Busch. Like the Woolworth in Building in New York, it celebrates its centennial this year.

READ MORE   |  COMMENTS (3)

Observatory

The Medium Is The Mail

By Rob Walker
Something surprising arrived in the mail not long ago: actual mail. Jill Stoll's "random acts of mail art" combines artistic ritual, creative reuse, and the postal service as unexpected connector. It's a distinctly analog project — with a digital twist. And it made my day.

READ MORE   |  COMMENTS (1)

Observatory

Audrey Real Helfand: Designer Manquée

By Jessica Helfand
On this Mother's Day we present Jessica Helfand's tribute to her mother, Audrey Real Helfand: designer manquée.
Where design was concerned, my mother was indefatigable: a passionate classicist, a committed modernist, she had a mind that never quit and the aesthetic fervor to match it. Back then, she was my adorable visual mother. Today, she’d be running her own design studio.

READ MORE   |  COMMENTS (7)

Change Observer

8 Ways to Grow New York’s Design Sector

By Center for an Urban Future
New York City is home to more designers than any other U.S, city and a top location in the world for cutting-edge design. NYCxDESIGN — the city’s first citywide design festival, launching this week —builds on much of that activity to increase awareness about what design is and what it can do. But there is more the city can do to solidify New York’s claim as a capital of design.

READ MORE   |  COMMENTS

Observer Media

Ben Chestnut and Aarron Walter

By Debbie Millman
On this episode of Design Matters, Debbie Millman talks to Mailchimp's CEO Ben Chestnut and User Expereince Lead Aarron Walter about how they arrived where they are, why and how email marketing is fun, Freddie the monkey and how to create creativity.

READ MORE   |  COMMENTS

Observatory

The Age of Wire and String Rebooted

By Rick Poynor
The Age of Wire and String by Ben Marcus is a fiction of incomparable strangeness. What and where is the world that its stories describe with such dedicated observational precision? A new edition from the London literary publisher Granta has pulled off the improbable feat of making the book seem even stranger. Its visual interpretation by British artist and illustrator Catrin Morgan goes way beyond the norm for an illustrated book.

READ MORE   |  COMMENTS (1)

Places

Temple of the Vanities

Thomas Jorion & Josh Wallaert
A century from now, when architectural historians consider how humans lived in the 20th century, most will look to the commercial centers of great cities and read therein a story about the rise of global capitalism. But perhaps a few will take a cue from archaeology and look instead to the modern temples: defense towers, nuclear reactors and industrial facilities sited in remote forests and on rocky coastlines, wherever there was oil to extract or a shipping lane to defend. Paris-based photographer Thomas Jorion has been documenting these structures in a series about vanity; here we present a portfolio of recent work.

READ MORE   |  COMMENTS (1)

Observatory

Our Shopping Lists, Our Selves

By Jessica Helfand
Lists are the practical roadmaps by which we quantify our obligations. They're scorecards for accomplishment, spreadsheets for success. At once truncated and annotated, they urge us to consider hierarchy and value, want and need. Lists embrace both duty (what we’re meant to do) and aspiration (what we yearn to do), thereby perpetuating the enduring illusion that maybe we’re actually making progress.

READ MORE   |  COMMENTS (2)

Observatory

Paranoid But Pretty

By John Thackara
In his new show at the German Architecture Center (DAZ) Matthias Megyeri has developed a design language for the artefacts of protection and security in public space. Megyeri poses the question: does protection have to be inconsistent with harmony and beauty? His answer is a family of padlocks, chains, fences, and razor wire that he describes as ‘lovable objects’. Megyeri’s show prompted me to Google “design” and “homeland security” once again and question: "Are we safer?"

READ MORE   |  COMMENTS

Places

Please Save Modernism from the Modern

By David Heymann
The Museum of Modern Art's decision to tear down the Folk Art Museum has incited huge controversy and intense debate. But as David Heymann argues, "While some claim the Folk Art Museum should be preserved because it’s a great Modernist building, and therefore part of the MoMA collection, rather than its campus, no one has unequivocally answered the question of why it is so. The discourse remains one of opinions asserted as imperatives: I love it / I never liked it / it must be saved / tear it down. So I think it’s an important question. Here is why I think the American Folk Art Museum is a great Modernist building."

READ MORE   |  COMMENTS (12)

Observatory

New York + London: A Vision of Home

By Daniella Zalcman
When I moved from New York City to London late last year, I decided to create a series of double exposures. The images are part New York, part London, and collectively represent my vision of home.

READ MORE   |  COMMENTS