Andrew Blauvelt is Curator of Architecture and Design and Chief of Communications and Audience Engagement at the Walker Art Center in Minneapolis. A practicing graphic designer his work has received numerous awards and has been published and exhibited in North America, Europe, and Asia. He has organized numerous exhibitions.









Observed | September 27

Audi’s longstanding design flaw—and its failure to admit it. [JH]

Le Corbusier once said, “If you want to see bad taste, go into the houses of the rich.” On design—and disease. [JH]

Cory Doctorow explains design fiction. [JH]

Times Higher Education explains what a design degree is actually worth. [JH]


Observed | September 26

Design. And desire! [JH]

“The future is already here,” says Fiat design chief Ralph Gilles. ”It’s just not here. It’s in different places.” [JH]

The Art Directors Club, a fixture on the New York advertising and design scene since 1920, is closing down to be acquired by The One Club. [MB]

The Comic Book Legal Defense Fund fights censorship, protects First Amendment rights, and provides legal representation for comic creators facing prosecution. [JH]

One word: plastics! [JH]

A fashion guide for today’s stylish federal employee. [MB]


Observed | September 23

The reason your neighborhood increasingly resembles a boring shopping mall is because somebody’s banker prefers it that way [MB]

A pantheon of record sleeve designers pick their favorites. [MB]

Molly Young and Teddy Blanks team up to produce a periodic table of NYC trash. [JH]

The Financial Times, on the comfort—and value—of Gerrit Rietveld’s classic zig-zag chair. [JH]

A new book suggests that design is at the core of all innovation. [JH]

90% of information transmitted to the brain is visual, and visual content is processed 60,000 times faster than text. [JH]

“In just a few years, understanding programming will be an indispensable part of active citizenship.” Reflections on the ethical dimensions of coding. [JH]


Observed | September 22

Farewell, Rollo Tamasi. Remembering the remarkably versatile director Curtis Hanson and his best movie, L.A. Confidential. [MB]

“Design to me is about improving our daily life—it is not about creating another lamp or another chair.” Dutch designer Daan Roosegaarde wins the design innovation medal in London. [JH]

A deepening interest in helping to define what design in China actually means. [JH]

The EpiPen is just one more example in a long tradition of designers “solving” design problems by adding instructions, rather than fixing the underlying design itself. [JH]

TestLab Berlin—an immersive design program from ArtCenter in California. [JH]

The art schools Fidel Castro built—and then neglected. [MB]


Observed | September 21

In December, DC Comics and IDW Publishing will publish “Love Is Love,” a 144-page comic book whose proceeds will benefit Equality Florida and its fund for those affected by the June 12 attack at the Pulse nightclub in Florida. [JH]

Disney characters with a military aesthetic: painting as propaganda in (North!) Korea. [JH]

Can you get a patent for a paper bag? Apple can! [JH]

Valued at $246 billion, Tencent is Asia’s most profitable company. Here’s what went into designing their corporate headquarters. [JH]


Observed | September 20

“Design/Build” and why it’s good for everyone, especially the economy. [JH]

A new book brilliantly exposes the often overlooked relationship between architecture and the political process. [JH]

Frank Gehry redesigns Eisenhower memorial after a now-well publicized family critique. [JH]



Jobs | September 27