Randy Nakamura is a designer and writer living in Los Angeles. His writing has appeared in Emigre, Looking Closer 5 and ARC.

Observed | October 27

At the turn of the century, cartoonist Herbert Crowley was rated with Winsor McCay and exhibited with Pablo Picasso. Virtually unknown for years, today he is on the brink of rediscovery. [MB]

The Baltimore Sun films our favorite Ellen, talking about some of the things she loves. [JH]

Live! Onstage! It’s … three people designing a poster! [JH]

John Maeda on inclusive design as the secret weapon in business and Alissa Walker on inclusive design as an urban paradigm. [JH]

The original set of 176 12 x 12 pixel emojis, developed by Shigetaka Kurita for cell phones in 1999, has been acquired for the design collection of the Museum of Modern Art. [MB]

Will Hudson from “It’s Nice That” introduces “Lecture in Progress”—an educational resource hoping to help next generation of creative people make better career decisions. [JH]

Observed | October 26

Sabrina Fossi’s new watch actually helps you see what time is is. Support her Kickstarter campaign here. [JH]

India’s Prime Minister speaks out in public on design’s importance in industry, economics, and more. [JH]

Google’s head of self-driving-car design (and it’s a woman!) talks about her strategy and why it matters. [JH]

Chicago Tribune architecture critic Blair Kamin discusses his complicated relationship with Donald Trump. [MB]

Design Week : Mexico! [JH]

Think Wrong, the long-awaited book from the first guest on our new podcast, John Bielenberg, is out. Order here. [MB]

Observed | October 25

An economist explains why you should embrace a disorderly desk. [MB]

British Rail Corporate Identity, 1965–1994. [MB]

House of Wax is a new bar in New York that revives the Victorian art of the Panopticum—in wax. [JH]

Observed | October 24

In Estonia, a one-day design summit stresses the importance of indiscipinarity, teams—and trust. [JH]

“Don’t think that the world of design belongs to designers.” Opening comments from Mark Wigley at the third Istanbul Design Biennial. [JH]

No assigned desks in this new open-plan office created by Clive Wilkinson for the New York office of Publicis. [MB]

“Good design means your phone doesn’t explode.” The New Yorker’s Om Malik weighs in on the Apple Samsung case. [JH]

An entertaining website to launch GT America, a new typeface from Grilli Type. [MB]

Observed | October 21

More on ballot design and its many problems. [JH]

Design is the new currency. [JH]

If Hillary is elected, “...you’re going to have taco trucks on every corner”, warned Latinos for Trump’s Marco Gutierrez. Lana Rigby designs a citywide fleet of taco trucks that double as voter registration booths. [JH]

“Design is the art and science of improving the interface between human beings and their environment.” A new design incubator at MIT. [JH]

Observed | October 20

“Ignore the fads and go back to the typographic principles of print — keep your type black,” says Kevin Marks. More from Cory Doctorow on the web’s “plague” of grey type. [JH]

The Wall Street Journal on design books as eye candy. [JH]

The New Yorker on urban housing, inequality, density, democracy—and Le Corbusier. [JH]

Observed | October 18

Could bad buildings damage your mental health? [MB]

Dutch Design Week! Here’s the program. [JH]

Observed | October 17

Wine labels—and how their design impacts what we want to buy. [JH]

Jobs | October 28