Design of Business | Business of Design

Michael Bierut + Jessica Helfand
S1E12: Teddy Goff
Teddy Goff was the digital director for Barack Obama’s 2012 reelection effort and an adviser to Hillary Clinton in 2016.


Michael Bierut + Jessica Helfand
S1E11: Steve Duenes
Steve Duenes is an Assistant Editor at The New York Times who oversees a team of visual journalists.


Michael Bierut + Jessica Helfand
S1E10: Danny Meyer and Paula Scher
Danny Meyer is the founder of Shake Shack. Paula Scher designed its graphic identity.


Michale Bierut + Jessica Helfand
S1E9: Jay Parkinson
Dr. Jay Parkinson is the founder of Sherpaa, an online medical practice.


Michael Bierut + Jessica Helfand
S1E8: Leslie Koch
Leslie Koch was the president and CEO of the Trust for Governors Island.


Michael Bierut + Jessica Helfand
S1E7: Susan Sellers + Cynthia Round
Susan Sellers was creative director of the Metropolitan Museum of Art. Cynthia Round was its senior vice president of marketing and external relations.


Michael Bierut + Jessica Helfand
S1E6: Douglas Powell
Douglas Powell is a Distinguished Designer at IBM. He directs a global effort to bring human-centered design to IBM.


Michael Bierut, Jessica Helfand
S1E5: Bruce Cohen
Bruce Cohen is an Oscar-winning film producer and president of the board of directors of the American Foundation for Equal Rights


Michael Bierut + Jessica Helfand
S1E4: Barry Nalebuff
Barry Nalebuff teaches at the Yale School of Management. His specialty is game theory and its application to business strategy.


Michael Bierut + Jessica Helfand
S1E3: Deborah Berke
Deborah Berke is the founding partner of Deborah Berke Partners, the architect of the 21c Museum Hotels, and the Dean of the Yale School of Architecture.


Michael Bierut + Jessica Helfand
S1E2: Molly Barton and Julian Yap
Molly Barton and Julian Yap are cofounders of Serial Box Publishing, which develops original episodic fiction.


Michael Bierut + Jessica Helfand
S1E1: John Bielenberg
John Bielenberg is a designer, entrepreneur and imaginative advocate for a better world.


Michael Bierut + Jessica Helfand
S1E0: Trailer
A quick preview of Season 1, with Michael Bierut, Jessica Helfand, and a few of their guests.



Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]

Shepherd Fairey’s protest posters. [JH]

Beautiful data: NYC-style but open and available to all. [JH]


Observed | January 12

The newly-minted field of “behavioral design” looks to have pretty much nothing to doing with design. Is taking design’s name in vain OK? I’m starting to wonder. [JH]

Sleep Mode is an exhibition on the art of the screensaver at Het Nieuwe Institute, Rotterdam. [MB]

Engineers at UCLA have come up with a design that offers unlimited phone bandwidth. [JH]

Everything you ever wanted to know about publishers, design, and newsletters. [JH]

Forget about robots taking our jobs: in Australia a new fashion startup lets customers design their own products. [JH]

The irresistible narrative behind the legendary napkin sketch that upended US tax policy. [MB]


Observed | January 11

The folk power of Jamaican dancehall signs. [MB]

Seven ways for architecture and design firms to attract top talent. [MB]

Is Thomas Heatherwick’s iconic update to the London double decker bus being discontinued? [MB]

The shopping experience at every mall in America can be traced back to one second-tier city in the Midwest. [MB]

In honor of his 86th birthday, a quick overview of Massimo Vignelli‘s enduring NYC subway legacy. [MB]



Jobs | January 19