Debbie Millman
Ayse Birsel

Debbie talks to Ayse Birsel about her expansive career as an industrial designer and how she uses art and design to reconstruct her personal and professional life around a core idea.

Jessica Helfand + Andrew Howard
New Horizons

Pluto is at the outer limits of the solar system. Porto is at the end of Europe.

Jessica Helfand + Willy Wong
Places and Faces

Art, nostalgia, and community

Adrian Shaughnessy
Typographic Tipping Point
Michael Bierut + Jessica Helfand

Are boxing and photography hipster pleasures? Are they past their prime, or do they have a bright future?

Michael Bierut, Jessica Helfand
East Meets West

Or collaboration vs. “one person making one thing at one time”

Debbie Millman
Virginia Postrel

Debbie Millman talks to Virginia Postrel about the power of glamorous objects and glamorous people.

Michael Bierut + Jessica Helfand
Inside the Lines

Michael and Jessica discuss the The Grid, which uses artificial intelligence to design websites, the history of grids, and the unlikely success of coloring books for adults.

Debbie Millman
Steven Heller

On this episode of Design Matters, Debbie Millman talks to Steven Heller about his new book Graphic Style Lab.

Michael Bierut + Jessica Helfand
The Observatory: The Inevitable
Michael Bierut, Jessica Helfand
The Observatory: Land, Rand, Mad Men

Michael and Jessica talk about a panel they participated in at the Paul Rand exhibit at the Museum of the City of New York, plus the return of Mad Men and the fate of photography giants Kodak and Polaroid.

Michael Bierut + Jessica Helfand
The Observatory: Such Watch
Michael Bierut + Jessica Helfand
The Observatory: FYI We Are Graphic Designers
Jessica Helfand
License to Risk: The Square Revisited

Jessica Helfand shares her MFA thesis

Michael Bierut, Jessica Helfand
The Observatory: Words, Pictures, Sounds

A few things on our minds

Michael Bierut + Jessica Helfand
The Observatory: Dollars and Change

On this episode of The Observatory, Michael Bierut and Jessica Helfand discuss the midterm election and currency design.

The Editors
Announcing The Observatory

A new monthly podcast with Michael Bierut + Jessica Helfand

Rob Walker
Spawn of Gerrymander: A Series

A week-long project in which six top illustrators visualize some of the most contorted congressional districts in the country.

Adrian Shaughnessy
Twitter has its dark side, but it’s also a source of delight.

In defense of an imperfect medium.

Erik Spiekermann
Ideas Come First

The observations of a graphic designer as client

The Periodic Table

William Drenttel collected everything could get his hands on regarding the design and execution of the periodic table, and it's on view.

Betsy Vardell
Hopscotch Design Festival

What to expect from a new design festival in North Carolina.

Jennifer Kabat
Exhibition as Inquiry: An Interview with Kieran Long
Adam Harrison Levy
Letters in Reverse

Adam Harrison Levy on a son’s hopes for his father.

John Maeda, and Becky Bermont
Building a Design Culture in an ‘End-Up’ Technology World
Debbie Millman
Maria Giudice
Alexandra Lange
Lucia Eames, 1930-2014
Samantha García
Inalienable Rights, Wolfsonian-Style

A review of  the inaugural "Power of Design" ideas festival in Miami.

Debbie Millman
Jonathan Harris

Jonathan Harris on his web and database art projects, his relationship to time and memory, and the sexuality of the internet.

Susan S. Szenasy with Debbie Millman at The Museum of Arts and Design

Thursday, March 20th Susan S. Szenasy will talk with Debbie Millman at The Museum of Arts and Design about her distinguished career as a design critic, journalist and educator.

Alexandra Lange
Criticism = Love

Why you have to love design to be a critic.

John Thackara
John Thackara on Avatar
Debbie Millman
Chip Kidd

Legendary book designer Chip Kidd on why his TED talk was the 19 most frightening minutes of his life.

David Womack
David Womack on Space

On this episode of Insights Per Minute David Womack considers space.

Andrew Shea
Shaping Design Education at LEAP Symposium

A review by Andrew Shea of the recent, September 19-24, 2013, LEAP symposium at Art Center College of Design.

Elizabeth Guffey
Design For the Rest of Us: Where Are Design Museums’ Benches?
Sara Ivry
Sara Ivry on Language
Alexandra Lange
Learning New Tricks
Steven Heller
Steven Heller on Recommendations
Chip Kidd
Chip Kidd on Ready
Natalie Foster
Natalie Foster on Sharing
Adam Harrison Levy
Adam Harrison Levy on Questions
Thomas Fisher
Thomas Fisher on Survival
Alice Twemlow
Alice Twemlow on Home

On this installment of Insights Per Minute Alice Twemlow speaks about home.

Nicholas Christakis
Nicholas Christakis on Networks

This installment of Insights Per Minute features Nicholas Christakis on networks.

Ralph Caplan
Ralph Caplan on Titles

This episode of Insights Per Minute features Ralph Caplan on titles.

Making Big Things Out of Small Pieces

Researchers at MIT have developed a super strong material created out of interlocking small parts

Rob Walker
Looking Better, All The Time

Alexandra Horowitz' book On Looking offers a framework, and specific tactics, for smarter seeing.

Alexandra Lange
Nevermind the Masterpiece
Wanda Orlikowski
Jazz-Inspired Leadership
Transform 2013: Design Innovation in Healthcare

Mayo Clinic’s Center for Innovation Transform Symposium will take place September 8-10 2013, in Rochester, MN.

John Thackara
Trust Is Not An Algorithm

By some accounts the world’s information is doubling every two years. This impressive if unprovable fact has got many people wondering: what to do with it?

Alexandra Lange
Praise the Partner(s)
AIGA (Re)design Awards

The AIGA (Re)design Awards is an international graphic design competition celebrating the most influential designs that advocate for strong communities, sustainable environments and thriving economies.

Be an AIGA Design Star

Command X — the AIGA live design reality show that happens on stage at the biennial design conference — is back for its fourth season.

Alexandra Lange
The Fork and the World: Design 101
Jessica Helfand
Our Shopping Lists, Our Selves

Jessica Helfand on lists: from the mundane to the historical, the shopping list to the Bill of Rights.

counter/point: The 2013 D-Crit Conference

The 2013 D-Crit Conference will take place on Saturday, May 11, 2013.The lineup includes Paola Antonelli, Andrew Blauvelt, Fiona Raby, Mark Foster Gage, Toni Griffin, and Michael Sorkin.

Soren Kaplan
Harnessing the Power of Surprise

Breakthroughs share three common characteristics: they challenge fundamental assumptions about existing products, services, business models, or organizations; they transform existing ways of doing business by rewriting rules or revolutionizing current practices; and they apply resources in entirely new ways, whether people, knowledge, relationships, or technology.

Bringing Data and Storytelling Together

In a guest post on the Tribeca Film Institute blog, Ingrid Kopp, the U.S. Director of Shooting People, explores the reltionship between data ans storytelling.

Rick Poynor
The Practical Virtue of Works That Work
Francesca Granata
“Women’s Work”: An Interview with Judith Thurman
Debbie Millman
ON! at the Contemporary Art Center in Cincinnati

In this special Design Matters video episode, Debbie Millman gives you on a preview the new exhibit ON! at the Contemporary Art Center in Cincinnati.

Debbie Millman
Sara Blake

Debbie Millman talks to Sara Blake about collaborating with her sister, creating portraits of 100 girls and illustrating NBA players.

Kate Cullinane
The Original Paradox

The value of creating new designs, rather than being "original".

Debbie Millman
Steven Heller

Steven Heller discusses his new ebook, Design Cult, and reflects on what designers have in common with Harvey Weinstein.

Debbie Millman
Clement Mok

Clement Mok on the early days of Apple computer, the joys of working for Steve Jobs and starting his successful businesses.

Rob Walker
Let’s Make A Mark
National Poetry Month Poster

The 2013 National Poetry Month Poster, designed by Jessica Helfand.

Little Printer

Little Printer is a (little) printer that sits on your desk, subscribes to your friends feeds, picks up new puzzles then prints a beatiful little magazine just for you.

Debbie Millman
Jason Kottke

In this audio interview with Debbie Millman, Jason Kottke talks about blogging for over fourteen years and what it means to be "old" online.

Alexandra Lange, and Mark Lamster
Lunch With The Critics: Third-Annual Year-End Awards

Idiosyncratic awards bestowed on architecture, design and media.

John Thackara
German Government Think-Tank Supports Fringe Change Agents

Overview of the 400-page report World in Transition: A Social Contract for Sustainability from the German Advisory Council on Climate Change (WGBU), the heavyweight scientific body that advises the German Federal Government on ‘Earth System Megatrends’.

John Thackara
Venice: from Gated Lagoon to Bioregion
Alexandra Lange
Having Fun at the Museum
Alexandra Lange
Just Keep Typing

An excerpt from the new book Breakthrough! Proven Strategies to Overcome Creative Block and Spark Your Imagination that involves Post-It notes, legal pads and baking. 

Fernando Aguiar
Ecologic Sonnet

'Ecologic Sonnet', a visual poem by Fernando Aguiar.


Minneapolis-based Thesis is a design collective whose efforts to raise awareness about health care reform has led them to creat the Amend wrist band.

London Design Festival 2012

Overview of the tenth London Design Festival.

Scott Boylston
Designing Design into Society

A report on the Design Ethos 2012 DO-ference.

Rick Poynor
The Never-ending Struggle against Clutter

Clutter and design are inseparable as concepts because clutter is the negation of design.

Ashley Toliver

A poem by Ashley Toliver.

Rob Walker
The City In Your Dreams
Michael Bierut
The Typeface of Truth
Alexandra Lange
The Charismatic Megafauna of Design
David Cabianca
Graphic Design is Dead, Long Live Graphic Design

A review of Graphic Design: Now in Production, opening May 26, 2012 in New York City.

The Hypothetical Development Organization

The Hypothetical Development Organization will be included in the 13th International Venice Architecture Biennale.

Andrew Shea
Flies in Urinals: The Value of Design Disruptions

How a disruption in routine (potentially by design) can alter the environment.

Rob Walker
Dancing About Ruins
James Victore's Q&A Tuesday

James Victore is presenting a weekly YouTube series – Q+A Tuesday – in which he addresses a questions about working in a creative industry.

Rick Poynor
The Closed Shop of Design Academia
Debbie Millman
Roman Mars

Radio producer Roman Mars discusses the connection between ’zines and radio, why he ditched science and the reason he named his show “99% Invisible”.

Debbie Millman
Jen Bekman

Jen Bekman discusses managing a BBS in the early days of the internet, her first email exchange and the importance of everyone owning art.

Rick Poynor
The Unspeakable Pleasure of Ruins
Phil Patton
Audi Urban Future Summit 2011

Report on one of the latest conferences to take on the global theme of the city

Rick Poynor
This Post has Been Declared a Link-free Zone
Mark Lamster
Majority Report

Review of Design with the Other 90%: Cities

Rick Poynor
Did We Ever Stop Being Postmodern?

Like it or not, argues the V&A's exhibition about postmodernism and design, we are all postmodern now.

Rob Walker
An Interview with Kevin Slavin

A conversation between Rob Walker and co-founder of the game development company Area/Code, Kevin Slavin.

Alexandra Lange
What Makes Architecture Useful?

At Experimenta Design 2011, the buildings of Lisbon make the best argument for the ongoing usefulness of good design.

Rick Poynor
Should We Look at Corrosive Images?

What do violent photographs of war do to us as viewers?

John Thackara
5% Health: The Risk of Catabolic Collapse and Peak Fat in Modern Health Systems

The writer, at Mayo Clinic's "Transform" conference, asks: Are high-end medical systems the best place to focus design's creative capacity?

Rick Poynor
A Swedish Perspective on Critical Practice

The Reader, a recent book from Stockholm about critical practice, has some smart insights while missing the bigger picture.

Rick Poynor
From the Archive: Raging Bull
Rick Poynor
From the Archive: Down with Innovation

Designers have too readily accepted the caricature of themselves as airheaded stylists. Visual form is a vital expression of culture.

John Thackara
Ten Ways to Redesign Design Competitions

How to improve design competitions aimed at social good.

Laura Weiss
Structured for Creativity

How to scale a nonprofit organization so it is optimized for impact.

John Thackara
How to Make Systems Thinking Sexy

John Thackara's 2011 Buckminster Fuller Challenge keynote address.

Jane Margolies
How to Start a Movement

Interview with movement entrepreneur Jeremy Heimans, founder of

William Underhill
Transensing: Glassware for the Blind

Award-winning glassware for the visually impaired.

Rick Poynor
A Dream World Made by Machines

Adam Curtis’s All Watched Over by Machines of Loving Grace is a complex, demanding, audacious piece of television.

Julie Lasky
Everything Must Go

A new blog speaks to our current interest in shedding material goods.

Alexandra Lange
Science Gets Around to Architecture

Why are we still privileging scientific studies over visual thinking?

The Editors
Design for the Real World Redux

To mark the acquisition of Papanek’s archives by the University of Applied Arts Vienna, the school’s Victor J. Papanek Foundation, in partnership with the Austrian Cultural Forum New York and the Museum of Arts and Design, has announced a prize for a concept, prototype or product “that upholds Papanek’s vision of environmental and/or social responsibility.”

Julie Lasky
Search for the Obvious: Challenge #2

Once again, Acumen Fund is looking for creative solutions to social problems. This time the focus is on mothers.

Rick Poynor
Slicing Open the Surrealist Eyeball

Surrealism codified a poetic principle that has always existed as a possibility and still exists in life and art.

Rick Poynor
Solitude in Dark Trees

Was this structure the idle amusement of some loggers, or an art piece by someone at the academy nearby? Gingerly testing each rung, I climbed up into it.

The Editors
Like the Word or Not, the Era of "Sustainism" Is Here
Maria Popova

Report on Alex Bogusky and Rob Schuham's COMMON project marrying capitalism and social change.

Maria Popova
Rise of the Micro-Medici

On the value of microfunding creative ideas that stem from a single mind.

Rick Poynor
Everything has Become Science Fiction
Ernest Beck
Cards of Change

Unemployed workers retrofit their former business cards to send hopeful messages.

Rick Poynor
On My Screen: Bill Morrison’s Decasia
Rick Poynor
Where Is Art Now?

Leaving the art world to decide what art is doesn’t resolve the issue of quality.

Rick Poynor
On My Shelf: Surrealism Permanent Revelation

This post is the first in an occasional series. The idea is to revisit a book from my bookshelf.

Debbie Millman
Bill Moggridge

In this podcast with Debbie Millman, Bill Moggridge discusses the future of the laptop, human-centered design and the future of the Cooper-Hewitt National Design Museum.

Meena Kadri
Tinkers, Hackers, Farmers, Crafters

Interview with Emeka Okafor, founder of Maker Faire Africa.

The Editors
Neville Brody Wants You

Call for submissions to the Anti Design Festival, September 18-26, London, England.

Vera Sacchetti
Virtue Rewarded: Design and Social Innovation Prizes

Descriptions of nine awards programs that regularly give out $100,000 for design and social innovation projects.

Michael Erard
The Dream Job Project Part II

How do you conceive of the future work to shoot for, and how you'll do it? The results of these questions, part II.

Elizabeth Evitts Dickinson
New Visions of Home

Report on new housing models for the elderly.

Julie Lasky
Protect Me from What I Want

Photo in memory of Tobias Wong.

Roger Martin
Design Thinking Comes to the U.S. Army

Design is almost overnight the centerpiece of military doctrine and the U.S. Army has gotten design thinking quite right. The struggle to get design thinking ensconced in Army doctrine, though, is no easy feat.

Jane Margolies
The Laugh Bug

Is Volkswagen's Fun Theory campaign anything more than a turbocharged marketing stunt?

Michael Erard
The Dream Job Project

How do you conceive of the future work to shoot for, and how you'll do it? I invite you to weigh in.

Julie Lasky
Sweating the Small Stuff

Review of TED 2010 conference, "What the World Needs Now," Long Beach, California, February 9–13.

Jessica Helfand
Prisoners of Logic

For five or six years now, I have led a double life as a painter. Until recently, I viewed this other identity as a kind of dirty secret.

Daniel Stephens, and Brooke Brewer
Aspen Design Summit: Film

This short film by GoodFocus Films captures participant perspectives at the Aspen Design Summit in November 2009.

Jane Margolies
Rising Currents

Report on "Rising Currents," an exhibition of New York City design solutions to the flooding predicted by climate change experts, which will be on view at the Museum of Modern Art, March 24–August 9, 2010.

Rick Landesberg
The Bleating Edge

Rick Landesberg's photo of an innovative design in Haiti for keeping goats in their place.

Jay Parkinson
The Road to Wellville

Recommendations for designing a healthcare system around our nation's health needs — chronic care management, prevention and acute care treatment — not history, doctors and their profitability.

Aspen Editors
Aspen Design Summit: Initial Report

Initial report on the 2009 Aspen Design Summit, sponsored by AIGA and Winterhouse Institute.

Andy Chen
The Value of Empathy

Andy Chen responds to the debate between David Stairs and Valerie Casey on the recent surge of social design activity.

William Drenttel
Aspen Design Summit: Program Description

AIGA and Winterhouse Institute are joining forces to stage the Aspen Design Summit in November 2009.

Valerie Casey, and David Stairs
The Kindness of Strangers

Debate between graphic designer David Stairs and Designers Accord founder Valerie Casey about designers' roles and limits as social activists.

Roger Martin
What is Design Thinking Anyway?

Most companies today rely on analytical thinking. Roger Martin applies these principles to business practices.

Kerry William Purcell
The Art of Psychographics

Each and every graphic design signifies a memory. A familiar sign, map or poster can often trigger a set of associations in the viewer, a series of thoughts and feelings that have their own unique trajectory. 

Teddy Blanks
Teddy Blanks on Figurines

Significant Objects is a much-discussed experiment conducted by Joshua Glenn and Rob Walker. This story by Teddy Blanks is recorded as an MP3...

Rachel Berger
Significant Objects: #1 Mom Hooks

Significant Objects is a much-discussed experiment conducted by Joshua Glenn and Rob Walker. The third of five stories is by Rachel Berger...

Teddy Blanks
Significant Objects: Porcelain Scooter

Significant Objects is a much-discussed experiment conducted by Joshua Glenn and Rob Walker. The fourth of five stories is by Teddy Blanks...

Jessica Helfand
Significant Objects: Elvis Chocolate Tin

Significant Objects is a much-discussed experiment conducted by Joshua Glenn and Rob Walker. The fifth of five stories is by Jessica Helfand...

Adam Harrison Levy
Significant Objects: Star of David Plate

Significant Objects is a much-discussed experiment conducted by Joshua Glenn and Rob Walker. The first of five stories is by Adam Harrison Levy...

Julie Lasky
When Worlds Collide

Report on TEDGlobal 2009, held July 21–24 in Oxford, England.

Mark Lamster
Blriot! The Centennial of a Historic Flight

A century ago today, Louis Blriot took off in an airplane of his own invention.

Jessica Helfand
Land in Crisis: The Antelope Valley Story

Can the County of Los Angeles claim adverse possession, and rescind residents' rights to their own water? One plaintiff is fighting for the rights of landowners who are currently not pumping from the aquifer, and has mounted a class action suit in order to do so. She also believes that design can help solve the problem. Can it? What is at stake is the degree to which designers can lend their ingenuity to find a way to cut through this mess. And, in so doing, to help restore water to its rightful recipients.

Jessica Helfand
What's The Story?

And what becomes of all those dead tweets, anyway — all those long-expired, evaporated updates?

Adrian Shaughnessy
Ten Graphic Design Paradoxes

I’ve just finished writing a book about graphic design. There are entries on kerning, the wisdom of using only lowercase letters, and the merits of Univers. But mostly it’s a book about the soft stuff — the stuff that we deal with every day and tend to take for granted.

Murray Moss
Design Hates a Depression

"Design tends to thrive in hard times," says The New York Times's Michael Cannell. No, it doesn't. It tends to suffer.

Jessica Helfand
Ten Things That Need to be Redesigned

Lottery tickets, the hearse, monopoly money, IRS forms, airport design, children's ski jackets, political lawn signs, TV remotes, blister packaging and the state of New Jersey are examined for their design flaws.

Jessica Helfand
Graphic Design Spam

Have you received any graphic design spam in your mailbox lately?

Michael Bierut
26 Years, 85 Notebooks

Since 1982, I have never been without a marble-covered composition book. I am now in the middle of Notebook #85. Together, these notebooks create a history of my working life that spans three decades.

Jessica Helfand
Second in a Series: Completions

The series, when shown on a single surface, carries with it a kind of implicit satisfaction that a series disseminated over time does not.

Jessica Helfand
First In A Series: Cartophily

Mostly unified by their one-to-two format, cigarette cards revealed countless variation in topic and scope, style and personality, seriousness of purpose and goofball whimsy. If the ardent collector defines the amalgamation of disparate items by retaining a fundamental organizing principle, then what is it, exactly, that guides the maker? And enthralls the viewer?

Paula Scher
It’s How You Said It

Paula Scher: “The problem with the New Yorker’s controversial Obama cover is not that it’s dangerous and tasteless. The problem is that it isn’t dangerous or tasteless enough.”

William Davies King
Collections of Nothing

Jessica Helfand
Annals of Ephemera, Part III: Aging 2.0

Paper has a finite life span. It yellows and oxidizes and eventually disintegrates. But today, there are a host of specialty materials that protect and preserve paper so that, unlikely as it may seem, ephemeral materials may have found their very own fountain of youth.

Jessica Helfand
Reflections on the Ephemeral World, Part Two: Food

Ever since the 16th century Italian Mannerist painter Archimboldo made portraits from the detritus of his dinner, the relationship between the visual and the edible has been something of a puzzle. Welcome to the world of foodistry: design with food.

Jessica Helfand
Reflections on The Ephemeral World, Part One: Ink

An elegy to the makeready — those sheets of paper, re-fed into a press to get the ink balances up to speed, leaving a series of often random, palimpsest-like, multiple impressions on a single surface — in the digital age.

Jessica Helfand
Iron Man: The Screen Behind the Screen

Iron Man is the fulfillment of all the computer-integrated movies were ever meant to be, and by computer-integrated, I mean just that: beyond the technical wizardry of special effects, this is a film in which the computer is incorporated, like a cast member, into the development of the plot itself.

Jessica Helfand
Viewer Discretion Advised

One of the great ironies of contemporary culture is the degree to which pro-forma warnings read as largely invisible. “Viewer Discretion Advised” tells us we’ve been warned...

Matt Soar
Fail Again, Fail Better

So, what of productive failure with respect to graphic design and typography? The idea of failing again and again for a reason? Does it somehow help to define the limits of professional practice?

Jessica Helfand
Gone, Baby, Gone (Things, Part II)

From July 19, 1977 to February 28, 1981, the security staff at New York's Roosevelt Raceway kept a fastidious record of lost property. The result — 152 pages of wayward mittens, misplaced wallets and hundreds of personal items — is as much a record of the social history of a generation as anything I've come across in a long time.

Jessica Helfand
Things, Part I

In an age characterized by elevated environmental awareness — reducing our carbon footprint, enhancing our sustainable output — we remain obsessed with our attachment to the material world.

Steven Kroeter
Design Thinking, Muddled Thinking

What does it mean when Harvard Business School makes a list of top design schools? Two words: muddled thinking.

Jessica Helfand
Stan Brakhage: Caught on Tape

For Stan Brakhage, that concentration resulted in extraordinary explorations of many things, including the life cycle of a moth, caught on adhesive strips of tape, and subsequently captured on film where it regained — however briefly — the magnificent illusion of mobility. For designers, faced by budgets and clients and deadlines, the luxury of so much isolation seems a distant, if not an altogether perverse paradigm. But are these intentions really so mutually exclusive?

Jessica Helfand
Harry Potter and The Enchanted Letterforms

The most recent theatrical release of Harry Potter and the Order of the Phoenix includes a paradigm shift that warrants particular recognition, for the simple reason that this may be the first film in which mere letterforms, once the purview of the production designer, break free and actually join the cast.

Tom Vanderbilt
On the Squareness of Milk Containers

Do you know, or have you ever wanted to know, why milk containers are square and soft drink containers are round? This and other questions of design are answered in Robert Frank's new book The Economic Naturalist: In Search of Explanations for Everyday Enigmas.

William Drenttel
Al Gore for President

Writing as a designer, as a writer, as a husband and father, but most of all, as a human being — I believe we should draft Al Gore to run for the Presidency of the United States.

Jessica Helfand
My Dirty Little Secret

Gardening is its own infuriating design challenge. You fret and you rethink and you second-guess yourself constantly, and then for one delirious, thrilling moment something blooms and you feel utterly triumphant. And then it dies and you are back where you started.

Jessica Helfand
The New Manifest Destiny

When does a picture solidify a news story, and when does it merely sensationalize it? Decisions about words and pictures are made by editors and publishers, designers and photographers — but they are consumed by a public fully capable of an entire range of emotional responses. After this week's events at Virginia Tech, words and pictures do a poor job of communicating outrage and pain. And no amount of compositional ingenuity can reverse what happened.

Jessica Helfand
Annals of Ephemera: Town & Country Cookbook

Book cover designers are visual choreographers who frame miniature narratives in order to tease prospective readers into wanting more. Which often means showing less. Or not.

Jessica Helfand
Art Director Ken

Art Director Ken is is a charmed, if mildly cautionary tale, for it brings to mind the potentially superficial nature in which we judge a person, an identity — indeed, an entire profession.

Jessica Helfand
I'm Not Ready to Make Nice

Adrian Shaughnessy
"I Sold My Soul And I Love It"

The current issue of Creative Review is "guest edited" by hip British advertising agency Mother. The theme, suggested by Mother, is I Sold My Soul And I Love It — a vastly contradictory statement, but one that invites debate over what it means to work in visual communication."

Michael Erard
Word Made Flesh

The forgotten discipline of sentence diagramming forces the structure of language to wear the clothes of images. A sentence diagram is less a map than a portrait, and in this vaudeville language is painted, corsetted and trussed.

Michael Bierut
The Graphic Glass Ceiling

A week ago, I was the moderator of a panel discussion at the 92nd Street Y with Milton Glaser, Chip Kidd and Dave Eggers. Afterwards, someone asked, "Why do you — all three of you — suppose there are so few female graphic designers — or at least so few female 'superstar' graphic designers?" There was a moment of uncomfortable silence. What would your answer be?

Jessica Helfand
How Hollywood Nailed The Half-Pipe

and Animal Logic have mastered a particularly persuasive (and as it turns out, rather literal) form of spin that makes Road Runner look like dryer lint.
Jessica Helfand
Into the Pink

Co-opting a color and making it your own.

Adrian Shaughnessy

The English design group Spin has produced a publication called 50 Reading Lists, which allows the reader the double pleasure of admiring the handsome presentation of 50 lists, as well as the chance to study the reading habits of 50 graphic designers.

Jessica Helfand
What Makes A Good Poster?

From Nineteenth Century broadsides to Paula Scher's posters for The Public Theatre, the history of the poster is the history of modern civilization. So why are academics so hell-bent on poster board and bad typography? Why don't they ask us for help?

Jessica Helfand
My Cup Holder Runneth Over

When we're not hiding behind our nail-technician-primed hands, drinking our barrista-blended beverages, IMing, text-messaging, and push-button withdrawing more money from the ATM to pay for all of these things, who are we?

Jessica Helfand
Death 'N' Stuff

Smoking Kills: The label days it all. Or does it? Once the allegedly chilling skull and crossbones is marketed as a decorative pattern
on a silk bowtie, its credibility as an mark of peril seems, well, somewhat questionable, begging the question: have we become so bored by life that we've inadvertently become inured to death?
Kenneth Krushel
The Face Of Oblivion

Faces on supermarket packaging conform to a research-based "psychographic" that hasn't essentially changed in more than two decades. What is it about our self-image that identifies, at least on a consumer basis, with such fictional, even farcical lifestyles?

Michael Bierut
This is My Process

Designers often describe our work processes in terms that are dated and ill-suited for the activities that we actually undertake. Is there a model for the way that artists work that would be intelligible in a business context?

Adrian Shaughnessy
Living Without The Internet

The "community" that I find on the internet is the communality of shared enthusiasms for marginalised subjects.

Jessica Helfand
A Good Pan Is Hard To Find

On baking a cheesecake and becoming a better designer: it's one big balancing act of artistry and skill.

Jessica Helfand
The Right Stuff

Prada is yet another in a long line of stories in which posessions loom large, at once shining beacons of material success and wagging fingers of moral turpitude. When will we have enough stuff?

Jessica Helfand
Crafting All The Way To The Bank

Craft is a tricky word. When we feel ourselves pulled in by the unforgiving vortex of digitized everything, we plead for craft, throwing it out like a life preserver — a desperate appeal to the forgotten soul. In those moments, it becomes a metaphor for a kind of imperiled humanity. But what about craft, we ask?

Jessica Helfand
"Oui, Oui, Oui" All The Way Home

On a sweltering day last August, my daughter and I embarked with a friend on a 6-day tour of Paris: Kid Paris, the Paris of candy stores and carousels and more than a few weird new ice cream flavors.

Justin Good
What is Beauty? Or, On the Aesthetics of Wind Farms

What is beauty and how does it relate to ecology? A look at contrasting aesthetic intuitions about wind farms reveals a paradigm shift in how we understand beauty.

Jessica Helfand
Annals of Academia: The New Exoticism

Michael Bierut
I Am a Plagiarist

Plagiarism is a hot topic in the world of publishing, What does it mean in the world of design? Michael Bierut pleads guilty.

Jessica Helfand
The Art of Thinking Through Making

Jessica Helfand
A Sequence in Time

01:02:03 04/05/06 This number sequence in time will not occur again until 2106.

Kenneth Krushel
Santa Fe Diarist

But there seem to be equally vigorous efforts to commercialize this distant past in Santa Fe, embracing a design esthetic that advertises itself as the "essence" of what had been thought to be lost. Then, in re-introducing this historical narrative, an efficient assembly line manufactures it into a commercially lucrative design creed.

Michael Bierut
Warning: May Contain Non-Design Content

Design is that it is almost always about something else. The more things you're interested in, the better your work will be.

Lawrence Weschler
Languorous Bodyscapes

"The long, languid spread of her body makes the first and most lasting impression." And more on these sorts of landscape-bodyscape slippages by this seasoned The New Yorker writer, and recent author of Everything That Rises : A Book of Convergences.

Adrian Shaughnessy
Google and the Tyranny of Good Design

The Google logo — that scrap of oddball typography — is perhaps the most famous piece of graphic design in the world today. In its own small way, it's a little beacon of insurrection, in a world where graphic designers have become the agents of conformity.

Dmitri Siegel
Broadcast vs. Broadband

Viral video is on the rise, spreading from broadband to broadcast and back again. What are the opportunities for designers in this new genre?

Jessica Helfand
Give Me Privacy or Give Me an ID Card

The proposed National ID Card further blurs the line between the privacy and full disclosure of personal data in the public domain. It's the Card's design that appears the final string that may either secure our rights as individuals or rip them apart.

Michael Bierut
The Persistence of the Exotic Menial

25 years ago, writer Ralph Caplan said that designers are exotic menials: exotic because of the presumed mystery inherent in what we do, and menial because whatever we do is required only for relatively low-level objectives. Has anything changed since then?

Jessica Helfand
Separated at Birth: Method? Or Madness?

Karim Rashid's method© cleaner is strikingly similar to that of a discount depot: coincidental congruousness?

Jessica Helfand
The D Word

HGTV's sunny splendor of twenty-seven minute remodels and inexhaustible inspiration: fodder for the DIY devotee.

Adrian Shaughnessy
Robert Brownjohn and The Big Idea

Michael Bierut
In Praise of Slow Design

Is there a such a thing as slow graphic design? A look at 80 years of barely perceptible design changes at The New Yorker.

Jessica Helfand
Face Value

Facial transplants mapping our future: how much is the world of design responsible?

Dmitri Siegel

In his classic story of Wall Street,
Bartleby the Scrivener, Herman Melville recounts the tale of a humble copyist employed by the story's narrator. Could Bartleby's perfectly crafted refrain be the appropriate response to a world where every choice and configuration has been designed?
Jessica Helfand
Cease and Design

Where graphic design education is concerned, more doing and less asking is necessary.

Michael Bierut
Innovation is the New Black

Innovation is the latest buzzword to overtake the design profession. What does it mean?

Jessica Helfand
The Shock Of The Old: Rethinking Nostalgia

Placing Nostalgia: where in the design landscape does it fit? And should it be included in the first place?

Jessica Helfand
On Citizenship and Humanity: An Appeal for Design Reform

Ruminations on the Citizen Designer: A human first, a designer second, but most importantly, one who responds to collective cultural needs.

Rick Poynor
Where Are the Design Critics?

There is no reason why design criticism shouldn’t take an oppositional view of design's instrumental uses and its social role, but few design writers seem motivated to produce this kind of criticism.

Jessica Helfand
Eye of the Storm

A re-entrance into the world: Following Hurricane Katrina, how should design continue?

William Drenttel
Reading the News & Charting Death

The potential for terrorism is not a chart I can make in my head. The numbers are there, but the design alludes me.

Rick Poynor
Sublime Little Tubes of Destruction

In a culture otherwise swamped with unregulated branding, the graphic counter-attack on the cigarette packet, on its visual integrity as a design and its brand equity, normally regarded as commercially sacrosanct, is a remarkable sight to behold. In Europe, in the US and around the world, outsized health warnings in ugly typography now disfigure and subvert the best efforts of the brands' designers to embody the fast-fading allure of the cigarette.

Jessica Helfand
Why Bugs Don't Belong on TV

On today's TV screens, the station-identification logo sits tethered to the surface, like an annoying rash that won't quite disappear. You think you've kicked it when — WHAMMMO — there it is again, blemishing the patina of an otherwise perfectly good viewing experience.

Jessica Helfand
New Models for Design Efficiency: Introducing Otto


REDESIGNDEUTSCHLAND formed in 2001 and have an office on the Torstrasse in central Berlin. Their work is perhaps best seen as a Swiftian satire on design itself, a playful Postmodern prod in the direction of Modernism's tendency (especially in German-speaking countries) to reduce everything to a kind of Year Zero of irrational rationality.

Rick Poynor
Why Architects Give Me the Willies

No matter how central graphic communication might be to our lives, architecture always dominates press coverage because it is very expensive, expresses the conditions of power, and is just plain big.

Mediation for the Masses

Rather than coming at the expense of the poor, mediation might be the next step for them too. If all goes well, we might be looking at a world in which everyone is a foolish tourist, a happy shopper, a postmodern self-mediator.

Jessica Helfand
My Friend Flickr

Flickr is a digital photo sharing website and web services suite that was developed by Ludicorp, a Vancouver, Canada company founded in 2002. It's a utopian oddity — a culture enabled by a technology that in turn enables a culture — and it's a brilliant example of socially networked software because it's free, its easy, and it makes sense.
Rick Poynor
The Ikea Riot: Unsatisfied Excess?

When Ikea threw open the doors of a new store in London, the result was mayhem as customers stampeded. Evidence of social breakdown, or a sign that the utopian argument for low-cost modernist design has been won?

William Drenttel
In Remembrance of Susan Sontag

In Remembrance of Susan Sontag: a designer's twenty-five years of interaction with the legandary writer.

Jessica Helfand
Code (PMS) Blue

Hospital rooms are architectural oddities: they're all function with no form. To the extent that, in matters of critical care, timing is everything, why should it matter? Then again, why shouldn't it?

Michael Bierut
The World in Two Footnotes

Writing in Eye Magazine, Nick Bell observes that designers too often act as "agents of neutrality" or "aesthetes of style" and suggests that they focus more on their work's content.

Jessica Helfand
Gentlemen Prefer Blogs

Watching Annie Duke beat out a half-dozen male competitors in the
World Poker Tournament this week, I experienced an odd case of déjà vu. It wasn't because of some Proustian memory of my own poker prowess — far from it, infact. Rather, what I felt was an odd sort of parallel universe with something I've been ruminating about for some time: namely, my presence here on Design Observer as the sole female contributor, and the scarcity of women who regularly participate in discussions here on this site.
Jessica Helfand
Under The Microscope

Michael Bierut
What is Design For? A Discussion

Rick Poynor and Michael Bierut discuss the purpose and promise of graphic design, in a conversation moderated by Creative Review editor Patrick Burgoyne.

Jessica Helfand
An Instrument of Sufficiently Lucid Cogitation

The legendary French photojournalist Henri Cartier-Bresson, who died on Tuesday at his home in the South of France, always carried a sketchbook with him. Today's obituary in The New York Times alleges that he described drawing as meditative, while photography was intuitive: though certainly both activities might have been informed by a relentless need to observe and in a sense, preserve the world around him.

Jessica Helfand
Graphic Design: The Movie

Some time ago, I pondered about the future of graphic design as a reality show, but recently I've become convinced that its real future lies in its actual integrated presence onscreen: design as part prop, part protagonist.

Jessica Helfand
Design Gone Mad

Rick Poynor
Where are the Design Intellectuals?

Prospect magazine has published a list of the 100 top British public intellectuals. A handful of visual art and architecture people make the cut, but no from design is included, reflecting its absence from public debate.

Jessica Helfand
Designer by Day, Catwoman by Night

Jessica Helfand
Time Waits for No Fan

Rick Poynor
Critics and Their Purpose

Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.

Rick Poynor
Theory with a Small "t"

A critical writing determined by the need to shape practice will be limited in the cultural insights it can offer. This is the last thing that design writing needs when ways to engage a wider public could be opening up.

Jessica Helfand
Graphic Flanerie

Graphic Design's real power comes from its ability to reach us through any of a number of means, both real and virtual, now and later. This ability to transcend the everyday and resonate in the heart, the soul, the mind and the memory—this is graphic design's reality, its legacy, and it is, decidedly, a reality that is more than a sum of its parts.

Rick Poynor
How to Say What You Mean

There is a crucial difference between subtle and complex ideas and needlessly convoluted forms of expression. The challenge now for design writing is to move outwards into a world in which design is everywhere.

Jessica Helfand
The Lying Game

Jessica Helfand
Blanket Statements

Jessica Helfand
The DNA of AND: Ampersand as Myth and Metaphor

Michael Bierut
1989: Roots of Revolution

"Dangerous Ideas," the 1989 conference of the American Institute of Graphic Arts (AIGA) chaired by Tibor Kalman and Milton Glaser, introduced many themes -- social responsibility, political engagement, professional ethics -- that still resonate today.

Jessica Helfand
Regarding the Photography of Others

William Drenttel
Defamiliarization: A Personal History

Jessica Helfand
The Crisis of Intent

Michael Bierut
(Over)explaining Design

From the murals at Rockefeller Center to the proposals for the World Trade Center site, designers demonstrate an eagerness to explain, and perhaps overexplain, their ideas. Can the explanations get in the way of the work? Should the work speak for itself?

Jessica Helfand
Mind the Light, Light the Mind

As I began to describe Quaker Meeting for Worship — where one sits in silence for some period of time, in a large room with any number of other congregants, and where one stands to speak, on virtually any topic, when moved to do so — I realized that this presented a compelling metaphor for blogging.

William Drenttel
Shallow Water Dictionary

A couple of years ago I stumbled across a little out-of-print tract called the Shallow Water Dictionary: A Grounding in Estuary English by John R. Stilgoe, a professor of landscape architecture at Harvard.

Jessica Helfand
On Visual Empathy

In a world besieged by unpredictable atrocities, don't we all feel a little emotionally raw? Two recent articles in suggest that visual empathy may more critical to a productive imagination than we thought.

Jessica Helfand
Implausible Fictions

At what point does the designer's interpretation threaten to skew, or misrepresent or somehow implausibly amplify information in a manner that might be considered irresponsible?

Jessica Helfand
The Art of Elegant Abstraction

Bill Morrison's surprising 66-minute film is now playing on the Sundance Channel. For listings, see:

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