Publishing

Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


The Editors
The New Design Observer
Welcome to the New Design Observer.


Warren Lehrer
The Rise and Fall of Bleu Mobley
An excerpt and slideshow from Warren Lehrer’s A Life in Books.


Andrew Howard
A Manifesto for Higher Learning
Andrew Howard, MA course director in Communication Design at ESAD — Escola Superior de Artes e Design in Matosinhos, Portugal — shares this with his incoming graduate students each year.


John Bertram
Lolita — The Story of a Cover Girl
Excerpt from Lolita — The Story of a Cover Girl.


Rob Walker
Looking Better, All The Time
Alexandra Horowitz' book On Looking offers a framework, and specific tactics, for smarter seeing.


Leonard Koren
Making WET: The Magazine of Gourmet Bathing
An except from Making WET: The Magazine of Gourmet Bathing by Leonard Koren.


Louise Fili
A Life in Letters
An excerpt from Louise Fili's Elegantissima.


Rick Poynor
What Does Critical Writing Look Like?
A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.


Rick Poynor
The Closed Shop of Design Academia
Shouldn’t it be part of a design academic’s brief to communicate more widely with the design profession and public?



William Drenttel, and Jessica Helfand
Late Summer Reading
In the late summer, we share a reading list first published in Frieze magazine, April 2011.



Carl Schoonover
Portraits of the Mind
The book, Portraits of the Mind: Visualizing the Brain from Antiquity to the 21st Century (Abrams) documents this overlooked dimension over two millennia of obsession with the brain.



Michael Bierut
Eight-and-a-Half by Eleven
An installation of over 10,000 tiled pieces 8 1/2 x 11 inch paper redeems what has often been dismissed as a banal graphic format.



Jessica Helfand
An Instrument of Sufficiently Lucid Cogitation
The legendary French photojournalist Henri Cartier-Bresson, who died on Tuesday at his home in the South of France, always carried a sketchbook with him. Today's obituary in The New York Times alleges that he described drawing as meditative, while photography was intuitive: though certainly both activities might have been informed by a relentless need to observe and in a sense, preserve the world around him.



Rick Poynor
Critics and Their Purpose
Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.



Observed | January 19

Design as a proactive response to disaster, and the challenges for climate change. [JH]

In a design exploration that has taken nearly two years and six significant iterations of the prototype—during which the app’s usage has grown eightfold to 4 million daily active users—Slack introduces threaded conversations. Meanwhile, Mozilla (remember them, before Netscape?) introduces a revamped design identity. [JH]

In the US, nuclear plant design goes modular. [JH]

The lost signs of Montreal. [MB]

Paula Scher, Christoph Niemann and more visionary designers: coming soon on Netflix. Watch the trailer here! [JH]

Apple vs.Samsung: it‘s not over! [JH]

Design, detente—and defiance. [JH]

“Trump sits for hours with architects and designers, instinctively pointing to what he likes and doesn’t like.” The President-elect as design client. Sad! [JH]


Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]

Shepherd Fairey’s protest posters. [JH]

Beautiful data: NYC-style but open and available to all. [JH]


Observed | January 12

The newly-minted field of “behavioral design” looks to have pretty much nothing to doing with design. Is taking design’s name in vain OK? I’m starting to wonder. [JH]

Sleep Mode is an exhibition on the art of the screensaver at Het Nieuwe Institute, Rotterdam. [MB]

Engineers at UCLA have come up with a design that offers unlimited phone bandwidth. [JH]



Jobs | January 19