Publishing

Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


The Editors
The New Design Observer
Welcome to the New Design Observer.


Warren Lehrer
The Rise and Fall of Bleu Mobley
An excerpt and slideshow from Warren Lehrer’s A Life in Books.


Andrew Howard
A Manifesto for Higher Learning
Andrew Howard, MA course director in Communication Design at ESAD — Escola Superior de Artes e Design in Matosinhos, Portugal — shares this with his incoming graduate students each year.


John Bertram
Lolita — The Story of a Cover Girl
Excerpt from Lolita — The Story of a Cover Girl.


Rob Walker
Looking Better, All The Time
Alexandra Horowitz' book On Looking offers a framework, and specific tactics, for smarter seeing.


Leonard Koren
Making WET: The Magazine of Gourmet Bathing
An except from Making WET: The Magazine of Gourmet Bathing by Leonard Koren.


Louise Fili
A Life in Letters
An excerpt from Louise Fili's Elegantissima.


Rick Poynor
What Does Critical Writing Look Like?
A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.


Rick Poynor
The Closed Shop of Design Academia
Shouldn’t it be part of a design academic’s brief to communicate more widely with the design profession and public?



William Drenttel, and Jessica Helfand
Late Summer Reading
In the late summer, we share a reading list first published in Frieze magazine, April 2011.



Carl Schoonover
Portraits of the Mind
The book, Portraits of the Mind: Visualizing the Brain from Antiquity to the 21st Century (Abrams) documents this overlooked dimension over two millennia of obsession with the brain.



Michael Bierut
Eight-and-a-Half by Eleven
An installation of over 10,000 tiled pieces 8 1/2 x 11 inch paper redeems what has often been dismissed as a banal graphic format.



Jessica Helfand
An Instrument of Sufficiently Lucid Cogitation
The legendary French photojournalist Henri Cartier-Bresson, who died on Tuesday at his home in the South of France, always carried a sketchbook with him. Today's obituary in The New York Times alleges that he described drawing as meditative, while photography was intuitive: though certainly both activities might have been informed by a relentless need to observe and in a sense, preserve the world around him.



Rick Poynor
Critics and Their Purpose
Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.



Observed | December 02

Design is the best weapon we have against fake news. [MB]

Frank Gehry’s design for Washington DC’s Eisenhower Memorial, long resisted by the former president’s grandchildren, inches towards approval. [MB]

“I myself am a color man; I love colors. When I see colors, my heart and emotions are taken.” Swiss design takes Shanghai! [JH]


Observed | December 01

Intentionally ugly design! Discuss amongst yourselves. [JH]

Forget the cyborg. Meet the eyeborg! [JH]

Windows new design language, set for release in 2017, is being described as a cross between holographic and augmented reality. [JH]

Design in the age of Napoleon. [JH]


Observed | November 30

From graphic design to ... pediatric oncology! One student’s inspiring and decidedly non-traditional path. [JH]

The convergence of design and development. [JH]

Exquisite, hand-printed books by Romano Hanni. [JH]


Observed | November 29

Does design come from crocodiles? [JH]

How the Toronto Symphony Orchestra uses graphic design. [JH]

Graphic Design 101—a pretty good description of what designers do, and how to attract a good one. [JH]

Buckingham Palace, as you’ve never seen it—rendered in gelatin—and more unusual design materials. And on the subject of food design, I give you: the enduring mystery of the Oreo! [JH]

The always amazing Rafael Esquer: Alfalfa Studio lights up New York! [JH]


Observed | November 28

How can a DIY design platform be valued at $345 million? Here’s how! [JH]

2017 Biomimicry Global Challenge announced: you have until the end of April to submit your proposals. [JH]

This week: with a particular look at science, experts on visual culture analyze a group of ten news and media photographs. Free and online. [JH]

Are creative directors really just ‘false messiahs’? Here’s one top executive who values data over design. [JH]

The untold story of Disaster Girl. [MB]


Observed | November 25

Launching next year: Norway’s new banknotes, designed by Metric and Snøhetta. [MB]

These quotation marks are why I have trust issues. [MB]

Quote of the week, from the CEO of Jaguar, Dr. Ralf Speth: “If you think good design is expensive, you should look at the cost of bad design.” [JH]

Can robots be designed to be responsible? [JH]

History’s most powerful protest art. [MB]


Observed | November 23

It’s another amazing OK Go video! “The One Moment” is mostly made up of 4.2 seconds of action, slowed w-a-y down. Explanation here. [MB]

Question for the long weekend ahead: Can good design be measured? [JH]

How to design a design museum. [MB]

DIY graphic design! [JH]

“His art has been one long warning that liberal democracy is a frail moment of light surrounded by forests of shadow and evil.” A new show of Anselm Kiefer’s work at the White Cube in Bermondsey. [JH]



Jobs | December 02