Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color

The Editors
The New Design Observer
Welcome to the New Design Observer.

Warren Lehrer
The Rise and Fall of Bleu Mobley
An excerpt and slideshow from Warren Lehrer’s A Life in Books.

Andrew Howard
A Manifesto for Higher Learning
Andrew Howard, MA course director in Communication Design at ESAD — Escola Superior de Artes e Design in Matosinhos, Portugal — shares this with his incoming graduate students each year.

John Bertram
Lolita — The Story of a Cover Girl
Excerpt from Lolita — The Story of a Cover Girl.

Rob Walker
Looking Better, All The Time
Alexandra Horowitz' book On Looking offers a framework, and specific tactics, for smarter seeing.

Leonard Koren
Making WET: The Magazine of Gourmet Bathing
An except from Making WET: The Magazine of Gourmet Bathing by Leonard Koren.

Louise Fili
A Life in Letters
An excerpt from Louise Fili's Elegantissima.

Rick Poynor
What Does Critical Writing Look Like?
A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.

Rick Poynor
The Closed Shop of Design Academia
Shouldn’t it be part of a design academic’s brief to communicate more widely with the design profession and public?

William Drenttel, and Jessica Helfand
Late Summer Reading
In the late summer, we share a reading list first published in Frieze magazine, April 2011.

Carl Schoonover
Portraits of the Mind
The book, Portraits of the Mind: Visualizing the Brain from Antiquity to the 21st Century (Abrams) documents this overlooked dimension over two millennia of obsession with the brain.

Michael Bierut
Eight-and-a-Half by Eleven
An installation of over 10,000 tiled pieces 8 1/2 x 11 inch paper redeems what has often been dismissed as a banal graphic format.

Jessica Helfand
An Instrument of Sufficiently Lucid Cogitation
The legendary French photojournalist Henri Cartier-Bresson, who died on Tuesday at his home in the South of France, always carried a sketchbook with him. Today's obituary in The New York Times alleges that he described drawing as meditative, while photography was intuitive: though certainly both activities might have been informed by a relentless need to observe and in a sense, preserve the world around him.

Rick Poynor
Critics and Their Purpose
Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.

Observed | October 25

An economist explains why you should embrace a disorderly desk. [MB]

British Rail Corporate Identity, 1965–1994. [MB]

House of Wax is a new bar in New York that revives the Victorian art of the Panopticum—in wax. [JH]

Observed | October 24

In Estonia, a one-day design summit stresses the importance of indiscipinarity, teams—and trust. [JH]

“Don’t think that the world of design belongs to designers.” Opening comments from Mark Wigley at the third Istanbul Design Biennial. [JH]

No assigned desks in this new open-plan office created by Clive Wilkinson for the New York office of Publicis. [MB]

“Good design means your phone doesn’t explode.” The New Yorker’s Om Malik weighs in on the Apple Samsung case. [JH]

An entertaining website to launch GT America, a new typeface from Grilli Type. [MB]

Observed | October 21

More on ballot design and its many problems. [JH]

Design is the new currency. [JH]

If Hillary is elected, “’re going to have taco trucks on every corner”, warned Latinos for Trump’s Marco Gutierrez. Lana Rigby designs a citywide fleet of taco trucks that double as voter registration booths. [JH]

“Design is the art and science of improving the interface between human beings and their environment.” A new design incubator at MIT. [JH]

Observed | October 20

“Ignore the fads and go back to the typographic principles of print — keep your type black,” says Kevin Marks. More from Cory Doctorow on the web’s “plague” of grey type. [JH]

The Wall Street Journal on design books as eye candy. [JH]

The New Yorker on urban housing, inequality, density, democracy—and Le Corbusier. [JH]

Observed | October 18

Could bad buildings damage your mental health? [MB]

Dutch Design Week! Here’s the program. [JH]

Observed | October 17

Wine labels—and how their design impacts what we want to buy. [JH]

From India, a story on design mistakes for startups. [JH]

Johann Wolfgang von Goethe, Zur Farbenlehre (“Theory of Colors”), 1810. [MB]

A call to action for design justice. [JH]

The eerie secret apartments of the New York Public Library system [MB]

“Not knowing what you’re doing is a skill you can’t teach.” An interview with Richard Turley (ex-Businessweek, ex-MTV) on his move to Wieden+Kennedy. [MB]

Observed | October 14

“How do you approach an art empty of figures and evident narratives?,” asks New York Times art critic Holland Cotter, writing about the late minimalist painter Agnes Martin. "How do you find out what, if anything, is in it for you? What do you do to make it your own?” To which Martin herself was known to reply: “You go there and sit and look.” A retrospective of Martin’s work is on view at the Guggenheim Museum in New York through early January. [JH]

Magenta debuts! A new online source for design, cultural criticism, and more. [JH]

David Bowie had a vast collection of Memphis furniture. [MB]

Observed | October 13

Non-car designer designs non-car. [JH]

Democratic design—between cultures. [JH]

A day in the life of Tobias Frere-Jones. [MB]

Louise Fili, Goddess of typographic splendor! [JH]

Jobs | October 26