Publishing

Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


The Editors
The New Design Observer
Welcome to the New Design Observer.


Warren Lehrer
The Rise and Fall of Bleu Mobley
An excerpt and slideshow from Warren Lehrer’s A Life in Books.


Andrew Howard
A Manifesto for Higher Learning
Andrew Howard, MA course director in Communication Design at ESAD — Escola Superior de Artes e Design in Matosinhos, Portugal — shares this with his incoming graduate students each year.


John Bertram
Lolita — The Story of a Cover Girl
Excerpt from Lolita — The Story of a Cover Girl.


Rob Walker
Looking Better, All The Time
Alexandra Horowitz' book On Looking offers a framework, and specific tactics, for smarter seeing.


Leonard Koren
Making WET: The Magazine of Gourmet Bathing
An except from Making WET: The Magazine of Gourmet Bathing by Leonard Koren.


Louise Fili
A Life in Letters
An excerpt from Louise Fili's Elegantissima.


Rick Poynor
What Does Critical Writing Look Like?
A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.


Rick Poynor
The Closed Shop of Design Academia
Shouldn’t it be part of a design academic’s brief to communicate more widely with the design profession and public?



William Drenttel, and Jessica Helfand
Late Summer Reading
In the late summer, we share a reading list first published in Frieze magazine, April 2011.



Carl Schoonover
Portraits of the Mind
The book, Portraits of the Mind: Visualizing the Brain from Antiquity to the 21st Century (Abrams) documents this overlooked dimension over two millennia of obsession with the brain.



Michael Bierut
Eight-and-a-Half by Eleven
An installation of over 10,000 tiled pieces 8 1/2 x 11 inch paper redeems what has often been dismissed as a banal graphic format.



Jessica Helfand
An Instrument of Sufficiently Lucid Cogitation
The legendary French photojournalist Henri Cartier-Bresson, who died on Tuesday at his home in the South of France, always carried a sketchbook with him. Today's obituary in The New York Times alleges that he described drawing as meditative, while photography was intuitive: though certainly both activities might have been informed by a relentless need to observe and in a sense, preserve the world around him.



Rick Poynor
Critics and Their Purpose
Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.



Observed | August 24

177 film critics from around the world pick the 100 greatest films of the 21st century (so far). [MB]

Collage is cool again. (Was it ever not?) A new book from Thames and Hudson tells us why. [JH]

The amazing Anne Trubek on handwriting, and why it matters. [JH]

Susan Gardner started "gluing things" to the front of her Cobble Hill home as a therapeutic exercise after 9/11. Fifteen years later, it’s a Brooklyn landmark. [MB]

Boston’s Museum of Science announces a design competition launched by the U.S. Department of Defense. [JH]

Looking for something meaningful in these last, dog days of summer? Help San Francisco design its future transit system! [JH]

A visit with Jennifer Kinon, design director of Hillary for America. [MB]

When bad design leads to bad things. [JH]


Observed | August 23

Engineers at Princeton University have designed a scalable microchip that promises to boost efficiency and slash energy consumption. [JH]

Forget 3D Printing: at MIT’s aptly-named Self Assembly Lab, they’re onto the fourth dimension. [JH]

The Huffington Post alerts the public to the value of white space in design. Cue the modernists! [JH]

True to form, Mozilla is (sort of) open sourcing their new brand identity, inviting the world to comment on seven possible directions developed by Michael Johnson of Johnson Banks. [MB]

While in NYC, Pratt gathers kids from low-income neighborhoods to tackle tough, current issues through design. [JH]


Observed | August 22

This is the last week to see Beatriz Colomina and Pep Aviles’s Playboy Architecture: 1953-1979 at the Mies van der Rohe-designed McCormick House at the Elmhurst Art Museum, a mere 18 miles from the original Playboy Building. [MB]

Shocker: T.G.I. Friday’s, the most over-decorated restaurant chain in the world, goes minimalist. What will become of all that clutter? [MB]

Back to School! University of Nebraska-Lincoln adds graphic design major to compete with the “big ten”. [JH]

This is a book, but it screams to be a movie. Who doesn’t want to watch the scene where 40 of the world’s most famous architects are sequestered in a Stanford White hotel, only to be interrogated (about their creative genius) by a group of brainiac psychologists? CUT TO: the war room at the US Department of Defense—who funded part of the study. Unbelievable—but true. [JH]

"Now, everyone at MoMA PS1 probably has more to think about than a couch, but this couch is very important.” [MB]


Observed | August 20

Northeast Ohio is built like New England because it used to be owned by Connecticut. [MB]

Modernism goes to the movies: director Kogonada is currently shooting “Columbus,” a film inspired by the Indiana town’s modern architecture and starring Parker Posey and John Cho. [MB]

Design doesn’t scale. [BE]

The IBM Think Pad duly recognized in an exquisite cover from the new Phaidon book on industrial designer Richard Sapper. [JH]


Observed | August 19

From AIA, initial resources for architects and designers to respond to the flooding in Baton Rouge. [MB]

Ivanka Trump’s unpaid intern explains how to survive as an unpaid intern. Really. [MB]

Instagram photos and depression. [BE]

In the UK, studies show that more University-level students are studying design. [JH]

Former MIT Media Lab guru, RISD President and the first design partner at Kleiner Perkins, the latest chapter in John Maeda’s excellent adventure. [JH]

Why thinking different might be thinking wrong. [JH]


Observed | August 18

A guided tour of the typographic history of the New Yorker, led by the magazine’s creative director Nicholas Blechman. [MB]

Three stories in the news today about innovation through design education, beginning with a new partnership from the Eastman Innovation Lab []



Jobs | August 25