Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism

John Foster
Book Review: The True Gospel Preached Here
Margaret’s Grocery: part grocery, part church. And the subject of a new photo documentary book.

John Foster
Accidental Mysteries
The extraordinary magic of the ex-voto.

Rick Poynor
Dom Sylvester Houédard’s Cosmic Typewriter
Dom Sylvester Houédard: Benedictine monk, champion of concrete poetry, and master of the “typestract.”

Alexandra Lange
Up From Zero, the Novel
A post-9/11 fiction scooped by reality.

Adam Harrison Levy
Sustainable Christmas Trees
From artificial firs to rented spruces, a report on alternatives to the chopped-down Xmas tree.

Thomas de Monchaux
In Search of Sukkah City
Sukkah City: NYC, a design/build architecture competition taking place at Union Square Park in New York City, Fall of 2010.

Kenneth Fitzgerald
I Believe in Design
In each of the communities I’ve lived I’ve encountered one of these trucks. It’s always a white van, hand-inscribed by paint or permanent marker with a variety of Biblical verses and religious admonitions....

Lorraine Wild
Sister Corita: The Juiciest Tomato
In Daniel Berrigan's words, Sister Corita is a "witch of invention." And there is no doubt that at least in those tumultuous years of the 1960s, her powers of invention seemed supernatural, if not divine... Corita's work stands for its sheer graphic invention, the riot of letterforms and color, and the immediacy of its connection to her time and place.

Michael Bierut
The Golden Age of American Commercialism
The encroachment of commercialism into everyday life seems like a peculiarly modern phenomenon. Yet around one hundred years ago, America began a romance with salesmanship that today seems almost delirious. A 1922 business directory shows how great crass commercialism used to look.

William Drenttel
El Lissitzky for Pesach

Jessica Helfand
Mind the Light, Light the Mind
As I began to describe Quaker Meeting for Worship — where one sits in silence for some period of time, in a large room with any number of other congregants, and where one stands to speak, on virtually any topic, when moved to do so — I realized that this presented a compelling metaphor for blogging.

Observed | October 25

An economist explains why you should embrace a disorderly desk. [MB]

British Rail Corporate Identity, 1965–1994. [MB]

House of Wax is a new bar in New York that revives the Victorian art of the Panopticum—in wax. [JH]

Observed | October 24

In Estonia, a one-day design summit stresses the importance of indiscipinarity, teams—and trust. [JH]

“Don’t think that the world of design belongs to designers.” Opening comments from Mark Wigley at the third Istanbul Design Biennial. [JH]

No assigned desks in this new open-plan office created by Clive Wilkinson for the New York office of Publicis. [MB]

“Good design means your phone doesn’t explode.” The New Yorker’s Om Malik weighs in on the Apple Samsung case. [JH]

An entertaining website to launch GT America, a new typeface from Grilli Type. [MB]

Observed | October 21

More on ballot design and its many problems. [JH]

Design is the new currency. [JH]

If Hillary is elected, “’re going to have taco trucks on every corner”, warned Latinos for Trump’s Marco Gutierrez. Lana Rigby designs a citywide fleet of taco trucks that double as voter registration booths. [JH]

“Design is the art and science of improving the interface between human beings and their environment.” A new design incubator at MIT. [JH]

Observed | October 20

“Ignore the fads and go back to the typographic principles of print — keep your type black,” says Kevin Marks. More from Cory Doctorow on the web’s “plague” of grey type. [JH]

The Wall Street Journal on design books as eye candy. [JH]

The New Yorker on urban housing, inequality, density, democracy—and Le Corbusier. [JH]

Observed | October 18

Could bad buildings damage your mental health? [MB]

Dutch Design Week! Here’s the program. [JH]

Observed | October 17

Wine labels—and how their design impacts what we want to buy. [JH]

From India, a story on design mistakes for startups. [JH]

Johann Wolfgang von Goethe, Zur Farbenlehre (“Theory of Colors”), 1810. [MB]

A call to action for design justice. [JH]

The eerie secret apartments of the New York Public Library system [MB]

“Not knowing what you’re doing is a skill you can’t teach.” An interview with Richard Turley (ex-Businessweek, ex-MTV) on his move to Wieden+Kennedy. [MB]

Observed | October 14

“How do you approach an art empty of figures and evident narratives?,” asks New York Times art critic Holland Cotter, writing about the late minimalist painter Agnes Martin. "How do you find out what, if anything, is in it for you? What do you do to make it your own?” To which Martin herself was known to reply: “You go there and sit and look.” A retrospective of Martin’s work is on view at the Guggenheim Museum in New York through early January. [JH]

Magenta debuts! A new online source for design, cultural criticism, and more. [JH]

David Bowie had a vast collection of Memphis furniture. [MB]

Observed | October 13

Non-car designer designs non-car. [JH]

Democratic design—between cultures. [JH]

A day in the life of Tobias Frere-Jones. [MB]

Louise Fili, Goddess of typographic splendor! [JH]

Jobs | October 26