2011 | 50 Books Selections

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2011 Books
2011 Covers

AIGA Archives
344 Questions: The Creative Person's Do-It-Yourself Guide to Insight, Survival, and Artistic Fulfillment
Stefan G. Bucher
(Peachpit / New Riders)

A Chicken in Every Yard: The Urban Farm Store's Guide to Chicken Keeping
Robert & Hannah Litt
(Ten Speed Press)

A Meditation in Rome
Paul Gehl
(Swan & Hoop / Russell Maret)

Allora & Calzadilla: Gloria
Lisa Freiman
(Prestel)

American Odysseys: Writings by New Americans
The Vilcek Foundation, editor
(The Vilcek Foundation Press)

Ashley Bickerton
Kara Vander Weg
(Other Criteria, London)

Bertrand Goldberg: Architecture of Invention
Zoë Ryan
(The Art Institute of Chicago and Yale University Press)

CODE(X) + 1: Monograph Series 1-6
Robert Bringurst, Peter Koch, Alan Loney, Ulrike Stoltz & Uta Schneider, Russel Maret, and Diidier Mutel
(The Codex Foundation)

Columbia Abstract 2010/2011
Scott Marble
(Columbia University, Graduate School of Architecture, Preservation and Planning)

Common Worship: Services and Prayers for the Church of England, President's Edition
Church of England
(Church of England)

Dot
Patricia Intriago
(Farrar, Straus and Giroux (BYR)/Margaret Ferguson Books)

Drawing Restraint Vol. VI
Matthew Barney
(Schaulager)

Explorations in Typography
Carolina de Bartolo with Erik Spiekermann
(101 Editions)

From Uncertain to Blue
Keith Carter
(UT Press)

Gordon Monahan - Seeing Sound: Sound Art, Performance and Music 1978-2011
Edited by Linda Jansma and Carsten Seiffarth
(Robert McLaughlin Gallery, Oshawa, Ontario Canada)

Graphic Design: Now In Production
Andrew Blauvelt and Ellen Lupton, editors
(Walker Art Center)

Hokusai Manga
Kazuya Takaoka
(PIE International)

Jac Leirner in Conversation with Adele Nelson
Adele Nelson, Jac Leirner
(Fundación Cisneros/Colección Patricia Phelps de Cisneros)

Knoll Textiles, 1945-2010
Earl Martin (Editor), Angela Volker (Contributor), Paul Makovsky (Contributor), Susan Ward (Contributor), Bobbye Tigerman (Contributor)
(Yale University Press)

Landform Building – Architecture's New Terrain
Stan Allen, Marc McQuade, School of Architecture, Princeton University
(Lars Müller Publishers)

Let's Make Some Great Art
Marion Deuchars
(Laurence King Publishing)

Mutants and Mystics
Jeffrey J. Kripal
(The University of Chicago Press)

Pantone: The Twentieth Century in Color
Leatrice Eiseman and Keith Recker
(Chronicle Books)

Paula Scher: MAPS
Paula Scher
(Princeton Architectural Press)

Photographic Memory: The Album in the Age of Photography
Verna Curtis
(Aperture and Library of Congress)

Portrait of Murdock Pemberton: The New Yorker's First Art Critic
Sally Pemberton (Author), Douglas Brenner (Editor)
(Picture Book Press)

Power
Platon with Introduction by David Remnick
(Chronicle Books)

Richard Serra Drawing: A Retrospective
Edited by Gary Garrels, Bernice Rose, and Michelle White. With contributions by Lizzie Borden, Magdalena Dabrowski, Gary Garrels, Bernice Rose, Richard Serra, Richard Shiff, and Michelle White
(The Menil Collection, Houston)

Sanja Ivekovic: Sweet Violence
Roxana Marcoci
(The Museum of Modern Art)

Seeing Is Believing: Rebecca Campbell + Angela Ellsworth
Sara Cochran, Curator of Modern and Contemporary Art, Phoenix Art Museum
(Phoenix Art Museum)

SVA Undergraduate Catalog 2012/2013
School of Visual Arts
(Visual Arts Press, Ltd.)

Swarm
Lukas Felzmann
(Lars Müller Publishers)

Tartine: The Boxed Set
Elisabeth Pruiett and Chad Robertson
(Chronicle Books)

The Atlas of Economic Complexity
Ricardo Hausmann, Cesar Hidalgo et all
(Center for International Development at Harvard University, Harvard Kennedy School + MIT Media Labs, MIT MacroConnections)

The Buell Hypothesis
Reinhold Martin, Anna Kenoff, Leah Meisterlin
(The Temple Hoyne Buell Center for the Study of American Architecture)

The Doogwood Theives
John Currin
(Acadia Summer Arts Program)

The Language of Less (Then and Now)
Michael Darling
(Museum of Contermporary Art Chicago)

The MAD Fold-In Collection
Al Jaffee
(Chronicle Books)

The Story of Paper-cut
Zhao Xigang
(People's Fine Arts Publising House)

The Toaster Project
Thomas Thwaites
(Princeton Architectural Press)

Tinker Tailor Soldier Spy
John Le Carre
(Hatchette)

Twenty-Six Characters, An Alphabetical Book about Nokia Pure
Aapo Bovellan, Chris Merrick
(Gestalten)

Under the Big Black Sun: California Art 1974-1980
PAUL SCHIMMEL (EDITOR), LISA GABRIELLE MARK (EDITOR)
(DelMonico Books - Prestel - MOCA)

Utilité
Ellen Korth
(Ellen Korth, Deventer, 2011)

Victor Halfwit: A Winter's Tale
Thomas Bernhard
(Seagull Books)

Visual Complexity
Manuel Lima
(Princeton Architectural Press)

Waterlife
Rambharos Jha
(Tara Books)

Whole Beast Butchery
Ryan Farr with Brigit Binns
(Chronicle Books)

Windows on the War: Soviet TASS Posters at Home and Abroad 1941–1945
Peter Kort Zegers and Douglas Druick
(The Art Institute of Chicago and Yale University Press)

Wonderstruck
Brian Selznick
(Scholastic Press)




Observed | July 30

A new director for New York’s Museum of Arts and Design—the 11th one, in fact. [JH]

A closer look at the economics of Black pop culture reveals that most Black creators (outside music) come from middle-to-upper middle class backgrounds, while the Black poor are written about but rarely get the chance to speak for themselves. [BV]

How Katsushika Hokusai’s “Under the Wave off Kanagawa” emerged from Japan’s isolation to become a global icon. [BV]

Nissan teamed up with sound designers at Bandai Namco, the gaming company known for Pac-Man and Tekken to create more musical warning sounds. (via Kottke)[BV]

A brave—and brilliant—essay about the perils of sameness in design. [JH]


Observed | July 23

What is the opposite of design forward—design backward? (Like a good vintage wine?) Apparently not! [JH]

Global intuitive cryptology, an installation by Hayal Pozanti at the Stavros Niarchos Foundation Library in New York. [JH]

An insightful essay by Jarrett Fuller on the impact and legacy of Cranbrook’s graphic design program. [JH]

Photographer Bryan Sansivero has spent years exploring and documenting homes across Upstate New York that have been left to the ravages of time. (Don’t miss the Clown House.) [JH]


Observed | July 16

Google Head of Product Inclusion—and author of Building For EveryoneAnnie Jean-Baptiste on better design practices. [JH]

AOC, master of the modern visual: a beautiful essay by ALexandra Lange. [JH]

An extraordinary new seriwes of books (three of them, slipcased) on Swiss graphic design history. [JH]

Barbara Stauffacher Solomon changed the world of design with her life-sized graphics. A new collaboration with filmmaker Gary Hustwit is designed to introduce her to a new generation of design lovers. [BV]

Is Artificial Intelligence...a design problem? [JH]

In fiction, the contemporary art world is, more often than not, represented as a ridiculous shell game in which empty provocation is propped up by canny marketing and rampant financial speculation. [BV]

Will there ever be a place to sit down in Moynihan Station? [BV]

Reimagined movie posters from Patrick Concepcion. (Via Allan Chochinov/Jason Kottke.) [JH]

Wolfgang Weingart, widely credited as the father of New Wave typography, has died. He was 80. [JH]

“His recent installations sweep us in, sometimes entertain, then ask us to step back and consider images and feelings that seem too full, too immediate, to consider.” The internationally acclaimed artist Christian Boltanski has died in Paris. He was 76. [JH]

Saved from a dumpster, glass negatives reveal life in Massachusetts in the nineteenth century. (Via Don Whelan.) [JH]

The UK filmmaker Paul Bush is known for his stop-motion animations using repurposed objects. In his nostalgic short Ride, he finds his muse in theiconic motorcycles of the 1950s and ’60s. [BV]


Observed | July 06

Where’s our flying-car future? Maybe it’s finally a little closer, thanks to AirCar. [BV]


Observed | June 30

“In the infinite collection of gigantic, dwarven, elongated, flattened, skeletal, microscopic, grotesque, gnarled typefaces that grows everyday,” wrote Alphonse to Boissieu in 1854, “it is surprising that no one has thought of reproducing the beautiful antique letter whose proportions are so fortunately and wisely combined...” More on epigraphy—the study of ’exposed writings‘—and on Mercure, the new typeface from Fonderie Abyme, here [JH]


Observed | June 25

Parsing the pixels to discern truth from falsehood: truth and consequences in the deepfake era. [JH]


Observed | June 24

A touching exchange between two wonderful art directors, brought together by unlikely circumstances: Steve Heller and Véronique Vienne reflect on creativity, a chronic illness, and everything in between. [JH]



Jobs | August 05