2011 | 50 Books Selections

2011-2017 Winners
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2012 Books
2012 Covers
2011 Books
2011 Covers

AIGA Archives
344 Questions: The Creative Person's Do-It-Yourself Guide to Insight, Survival, and Artistic Fulfillment
Stefan G. Bucher
(Peachpit / New Riders)

A Chicken in Every Yard: The Urban Farm Store's Guide to Chicken Keeping
Robert & Hannah Litt
(Ten Speed Press)

A Meditation in Rome
Paul Gehl
(Swan & Hoop / Russell Maret)

Allora & Calzadilla: Gloria
Lisa Freiman
(Prestel)

American Odysseys: Writings by New Americans
The Vilcek Foundation, editor
(The Vilcek Foundation Press)

Ashley Bickerton
Kara Vander Weg
(Other Criteria, London)

Bertrand Goldberg: Architecture of Invention
Zoë Ryan
(The Art Institute of Chicago and Yale University Press)

CODE(X) + 1: Monograph Series 1-6
Robert Bringurst, Peter Koch, Alan Loney, Ulrike Stoltz & Uta Schneider, Russel Maret, and Diidier Mutel
(The Codex Foundation)

Columbia Abstract 2010/2011
Scott Marble
(Columbia University, Graduate School of Architecture, Preservation and Planning)

Common Worship: Services and Prayers for the Church of England, President's Edition
Church of England
(Church of England)

Dot
Patricia Intriago
(Farrar, Straus and Giroux (BYR)/Margaret Ferguson Books)

Drawing Restraint Vol. VI
Matthew Barney
(Schaulager)

Explorations in Typography
Carolina de Bartolo with Erik Spiekermann
(101 Editions)

From Uncertain to Blue
Keith Carter
(UT Press)

Gordon Monahan - Seeing Sound: Sound Art, Performance and Music 1978-2011
Edited by Linda Jansma and Carsten Seiffarth
(Robert McLaughlin Gallery, Oshawa, Ontario Canada)

Graphic Design: Now In Production
Andrew Blauvelt and Ellen Lupton, editors
(Walker Art Center)

Hokusai Manga
Kazuya Takaoka
(PIE International)

Jac Leirner in Conversation with Adele Nelson
Adele Nelson, Jac Leirner
(Fundación Cisneros/Colección Patricia Phelps de Cisneros)

Knoll Textiles, 1945-2010
Earl Martin (Editor), Angela Volker (Contributor), Paul Makovsky (Contributor), Susan Ward (Contributor), Bobbye Tigerman (Contributor)
(Yale University Press)

Landform Building – Architecture's New Terrain
Stan Allen, Marc McQuade, School of Architecture, Princeton University
(Lars Müller Publishers)

Let's Make Some Great Art
Marion Deuchars
(Laurence King Publishing)

Mutants and Mystics
Jeffrey J. Kripal
(The University of Chicago Press)

Pantone: The Twentieth Century in Color
Leatrice Eiseman and Keith Recker
(Chronicle Books)

Paula Scher: MAPS
Paula Scher
(Princeton Architectural Press)

Photographic Memory: The Album in the Age of Photography
Verna Curtis
(Aperture and Library of Congress)

Portrait of Murdock Pemberton: The New Yorker's First Art Critic
Sally Pemberton (Author), Douglas Brenner (Editor)
(Picture Book Press)

Power
Platon with Introduction by David Remnick
(Chronicle Books)

Richard Serra Drawing: A Retrospective
Edited by Gary Garrels, Bernice Rose, and Michelle White. With contributions by Lizzie Borden, Magdalena Dabrowski, Gary Garrels, Bernice Rose, Richard Serra, Richard Shiff, and Michelle White
(The Menil Collection, Houston)

Sanja Ivekovic: Sweet Violence
Roxana Marcoci
(The Museum of Modern Art)

Seeing Is Believing: Rebecca Campbell + Angela Ellsworth
Sara Cochran, Curator of Modern and Contemporary Art, Phoenix Art Museum
(Phoenix Art Museum)

SVA Undergraduate Catalog 2012/2013
School of Visual Arts
(Visual Arts Press, Ltd.)

Swarm
Lukas Felzmann
(Lars Müller Publishers)

Tartine: The Boxed Set
Elisabeth Pruiett and Chad Robertson
(Chronicle Books)

The Atlas of Economic Complexity
Ricardo Hausmann, Cesar Hidalgo et all
(Center for International Development at Harvard University, Harvard Kennedy School + MIT Media Labs, MIT MacroConnections)

The Buell Hypothesis
Reinhold Martin, Anna Kenoff, Leah Meisterlin
(The Temple Hoyne Buell Center for the Study of American Architecture)

The Doogwood Theives
John Currin
(Acadia Summer Arts Program)

The Language of Less (Then and Now)
Michael Darling
(Museum of Contermporary Art Chicago)

The MAD Fold-In Collection
Al Jaffee
(Chronicle Books)

The Story of Paper-cut
Zhao Xigang
(People's Fine Arts Publising House)

The Toaster Project
Thomas Thwaites
(Princeton Architectural Press)

Tinker Tailor Soldier Spy
John Le Carre
(Hatchette)

Twenty-Six Characters, An Alphabetical Book about Nokia Pure
Aapo Bovellan, Chris Merrick
(Gestalten)

Under the Big Black Sun: California Art 1974-1980
PAUL SCHIMMEL (EDITOR), LISA GABRIELLE MARK (EDITOR)
(DelMonico Books - Prestel - MOCA)

Utilité
Ellen Korth
(Ellen Korth, Deventer, 2011)

Victor Halfwit: A Winter's Tale
Thomas Bernhard
(Seagull Books)

Visual Complexity
Manuel Lima
(Princeton Architectural Press)

Waterlife
Rambharos Jha
(Tara Books)

Whole Beast Butchery
Ryan Farr with Brigit Binns
(Chronicle Books)

Windows on the War: Soviet TASS Posters at Home and Abroad 1941–1945
Peter Kort Zegers and Douglas Druick
(The Art Institute of Chicago and Yale University Press)

Wonderstruck
Brian Selznick
(Scholastic Press)




Observed | August 19

Visual identity for Re:publica rebels against digital culture with reams of text. Fertig Design has created a visual identity for the Re:publica conference that uses lengthy passages of text and typography instead of conventional graphics to pay “homage to the written word”. [LY]

This is the world’s worst UI—and it speaks volumes about design today. The Antwerp design agency Bagaar built an impossible form for you to fill out—and it puts all your design assumptions to the test. [LY]


Observed | August 15

Roger Ballen revisits his never-before-published Woodstock photos. The internationally renowned artist was just 19 when he took his trusty Nikon to the festival. Only one was ever published—till now. [LY]

Google has a secret design library. The company’s industrial design team shares a handful of titles from its studio library, which is curated by team members. Here are 35 of its best books. [LY]

Morphosis is designing LA’s Korean American National Museum. The museum will incorporate elements of traditional Korean houses and lots of greenery. [LY]


Observed | August 14

Be water’ The Hong Kong protest mantra encourages fluidity and adaptability to any situation influences how art is designed and distributed. [LY]

London design agency OMSE has created an augmented reality campaign for cultural venue Printworks London that transforms static typography into immersive three-dimensional animations. [LY]


Observed | August 12

Why are all recreational vehicles covered in swirls and swooshes? (via James I. Bowie) [LY]


Observed | August 08

New York knows its arts organizations have a diversity problem. The city asked cultural institutions, including museums and performing arts centers, to draw up plans to make their staff and board members more diverse. [LY]

The Ellen MacArthur Foundation aims to make circular design “the new normal” by persuading 20 million designers to help transform the global economy from a linear to a circular model. [LY]


Observed | August 07

Domino’s Pizza is locked in a legal battle over the future of web design. The pizza company has petitioned the Supreme Court to hear a three-year-old case that deals with whether Domino’s is legally required to make its websites and apps accessible to all users. [LY]


Observed | August 06

Zeyu Cai and Sibei Li win The Peoples Notre-Dame Design Competition. The competition aimed to create a new vision for the future of the iconic cathedral after the Notre Dame fire in April this year. Called Paris Heartbeat, the winning design creates a literal heartbeat for the city. [LY]

Imran Chaudhri, one of six designers who created the interface of the very first iPhone, left Apple to start his own company Humane. He now wants to use A.I., machine learning, and computer vision technology to improve our relationships with our devices. [LY]


Observed | August 05

To mark 100 years since women were given the right to vote in the United States, Baltimore Museum of Art has announced its whole year of exhibitions will be dedicated to artists who identify as female. [BV]

The Aspen Institute center devoted to Bauhaus artist Herbert Bayer will open in 2022 and will have galleries and educational programs and study Bayer’s work. [BV]

“We may not have designed the systems or the community, but I do believe we have a responsibility to redesign them.” — Hugh Webber on talking to design communities all over the country. [BV]


Observed | August 01

The boundary-breaking women of New York’s graffiti scene. [BV]


Observed | July 31

When Ellen Lupton said typography was the common currency of graphic design, she wasn’t kidding. Legendary type foundry Monotype sold to private equity firm for $825 million. [JH]

Time seems to go from past to future, not in reverse. Matt Farr asks: What if time doesn’t even have a direction? [BV]


Observed | July 30

“I like work that just feels a bit wrong.” An interview with Richard Turley. [MB]

Disruption—a dressed-up version of scab-ism—does not make the world a better place. [JH]

We live in an environment where there are moving images constantly around us....But in 1897, this was startling and new and completely revolutionary. MOMA film curator Dave Kehr narrates a different way of looking at early films. [BV]


Observed | July 29

Scientists in Germany have developed an actual, intradermal tattoo that can change colour in response to changing levels of glucose, albumin, or pH. [BV]


Observed | July 25

Learning from Breezewood, Pennsylvania; Or, A Significance for Meme Culture, Peak Oil, Highway Engineering, Local Politics, Fine Art Photography, Urban Planning, and Taco Bell. It‘s official: Amanda Kolson Hurley has written the design essay of the year. [MB]

The utopian ‘feminist apartment hotels’ of Charlotte Perkins Gilman were considered to be “the most dangerous enemy American domesticity has yet had to encounter”. [BV]


Observed | July 24

Sappi is celebrating the 20th anniversary of their Ideas that Matter program and they want you to snap a picture of what inspires you to design for good and share it with the hashtag #IdeasThatMatter. [BV]

“‘Imaginary’ universes are so much more beautiful than this stupidly constructed ‘real’ one.” [MB]


Observed | July 23

Lisa Sanders has done something extraordinary: in a world spinning out of control, this is what humanism looks like. [JH]


Observed | July 19

Today’s New York Times feature on the fire at Notre Dame has superb photography & dazzling interactive animations, but nothing is more mesmerizing than these sketches made at the scene by French firefighter Laurent Clerjeau. A landmark piece of visual journalism. [MB]

Everyone at this new advertising agency has served time in prison. [BV]



Jobs | August 20