2011 | 50 Covers Selections

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2011 Covers

AIGA Archives
3001: A Lunar Odyssey
Mike Uphoff
(Lulu)

A Man of Parts
David Lodge
(Viking)

A Relíquia (Relic); A Queda de um Anjo (The Fall of an Angel); De Profundis (De Profundis); ; Coração (Heart)
Célia Pessegueiro
(Nova Delphi)

Adam and Evelyn
Ingo Schulze
(Alfred A. Knopf)

Adventures in the Orgasmatron
Christopher Turner
(Farrar, Straus and Giroux)

Bed
David Whitehouse
(Scribner)

Better By Mistake
Alina Tugend
(Riverhead Books)

Black Boy White School
Brian F. Walker
(HarperCollins Children's Books)

C
Tom McCarthy
(Vintage Books)

Checking In/Checking Out
Chris Schaberg/Mark Yakich
(NO Books)

Contradance
John Peck
(The University of Chicago Press)

Darwin's Finches
Edited, with Commentary, by Kathleen Donohue
(The University of Chicago Press)

Death and the Penguin
Andrey Kurkov
(Melville House)

Debt
David Graeber
(Melville House)

Do the Movies Have a Future
David Denby
(Simon & Schuster)

Fever
Sonia Shah
(Picador)

He Died with His Eyes Open
Derek Raymond
(Melville House)

I Belong to This Band, Hallelujah!
Laura Clawson
(The University of Chicago Press)

I Know I Am But What Are You?
Samantha Bee
(Gallery Books)

In Trouble
Ellen Levine
(Carolrhoda Lab, an imprint of Lerner Publishing group)

Influencing Machine
Author: Brooke Gladstone / Josh Neufeld; Editor: Tom Mayer
(W. W. Norton & Company)

IQ84
Haruki Murakami
(Random House)

Kerouac Series (2011 REPACKAGE)
Jack Kerouac
(Penguin Group (USA))

Kwadraat Bladen A series of graphic experiments 1955—74
Adrian Shaughnessy and Tony Brook
(Unit Editions)

Linguagem e Comunicação (Language and Communication) from the book series Celga.
Paula Valente
(Almedina)

Londoners
Craig Taylor
(Granta)

Mensagem de Fernando Pessoa (The Message of Fernando Pessoa)
Paula Valente
(Almedina)

My Dyslexia
Philip Schultz
(W. W. Norton & Company)

Nom de Plume
Carmela Ciuraru
(Harper Collins)

Oliver Sacks paperback repackage (Migrane; Awakenings; The Island of the Colorblind; Uncle Tugnsten; An Anthropologist on Mars; Seeing Voices)
Oliver Sacks
(Vintage)

Operation Bonnet: A Novel
Kimberly Stuart
(David C. Cook)

Orientation and Other Stories
Daniel Orozco
(Faber and Faber)

Poetry After 9/11
Dennis Loy Johnson and Valerie Merians
(Melville House)

Red Autobiographies
Igal Halfin
(University of Washington Press)

Seeing Double
Françoise Meltzer
(The University of Chicago Press)

Snowdrops
A.D. Miller
(Doubleday)

Tell the Wolves I’m Home
Carol Rifka Brunt
(Random House)

The Bauhaus Group
Nicholas Fox Weber
(Yale University Press)

The Enigma of the Aerofoil
David Bloor
(The University of Chicago Press)

The Information: A History, A Theory, A FLood
James Gleick
(Pantheon)

The Meaning of Disgust
Colin McGinn
(Oxford University Press)

The Next Hundred Million: America in 2050
Joel Kotkin
(Penguin)

The Old Romantic
Louise Dean
(Riverhead Books)

The Pale King
David Foster Wallace
(Hamish Hamilton)

The Pint Man
Steve Rushin
(Vintage Books)

The Real Holden Caulfield
Michael Moats
(Fiction Advocate)

The Works of Franz Kafka
F. Kafka
(Schocken Books)

Tourquai
Tim Davys
(Harper Collins)

Vault
David Rose
(Salt Publishing)

Works of Clarice Lispector
Clarice Lispector
(New Directions)




Observed | April 08

The Huntington Library has a history of inequity. Can it pivot toward inclusivity? (via Blake Eskin) [BV]


Observed | April 07

Memory as inventory: a beautiful tribute in the New York Times. [JH]


Observed | April 06

Overlooked no more: The IBM Poster Program: Visual Memoranda features work by Ken White, John Anderson, Tom Bluhm and photographer Rodger Ewy among others like, um, Paul Rand. [JH]


Observed | April 05

Blending is the new branding. (Blend = Brand ± Transparency ± Framing ± Bespoke ± Blur) [BE]


Observed | April 01

Harvard’s GSD Introduces its own design imprint. [JH]

Voices: Black Graphic Design History is a free two-part webinar series through the four MICA William O. Steinmetz ’50 Designers-in-Residence. To register click here and here. [BV]


Observed | March 31

Designing with the devil. [JH]


Observed | March 29

“Professional designers, evangelists — they all took the opportunity: ridiculing, discrediting, alienating, exposing clean styles and templates, usurping the right to make design decisions.
And they succeeded...” (h/t Ethical Futures Lab) [BE]


Observed | March 26

Brand mascots, cruelty, and humiliation: the Duolingo owl and theory of change. [BE]

When less is more. [JH]


Observed | March 25

Annals of design absurdity: Zara models feature poses that make the clothes impossible to figure out. [JH]


Observed | March 24

As representations of the collective power of local people banding together, the exhibit Meeting Hall Maine aims to instill an appreciation and desire in others to preserve vernacular structures as democratic forums for generations to come. [BV]


Observed | March 23

In an effort to provide more fonts accessible to everyone, the Indian Type Foundry introduces Fontshare. [JH]


Observed | March 22

Disney now qualifies its classical film library with “advisory” disclaimers that seek to recognize (and name) racial bias and othering. [JH]


Observed | March 19

Brilliant! (via Shaun Borstrock) [JH]

Color correction and its relationship to racial bias. (Via Dori Tunstall.) [JH]


Observed | March 18

A brutally honest perspective on the current—and precarious—state of design culture with Design Observer’s co-founder Jessica Helfand. [BV]


Observed | March 17

Everything you ever wanted to know about faces on currency. [JH]


Observed | March 15

Bravo and congratulations to Lawrence Azerrad for his latest Grammy win for the album packaging of for Wilco’s “Ode to Joy” [BV]


Observed | March 10

Yohokama-based Masayoshi Matsumoto is a balloon genius. [JH]


Observed | March 05

The Center for Urban Pedagogy now has a program in Public Access Design. Meet their newest design fellows here. [JH]


Observed | March 04

On the brink of nuclear war, America’s bold response to the Soviet Union depended on Juanita Moody, an unknown spy agency operative, whose story can at last be told. [BV]


Observed | March 03

For his piece Quantum Fluctuations: Experiments in Flux, London-based artist Markos R Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. [BV]


Observed | March 02

The beautiful, origami-like art of letterlocking. [JH]


Observed | March 01

See what other people are reading—quite literally. [JH]

Old photos of famous artists and scientists animated into ‘living portraits’ using AI. [BV]

From the brilliant Ariel Avissar, a supercut of the everlasting typewriter. (Via Kottke.) [JH]

Art, activism, and the Xerox machine. [JH]


Observed | February 25

The story of designer/Marxist Enzo Mari, the role of value creation, and a tale of two bookcases. [JH]


Observed | February 24

Vintage clothes, bright colors, and empowerment for Black women: one graphic designer’s sartorial adventure. [JH]



Jobs | April 11