2011 | 50 Covers Selections

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2011 Books
2011 Covers

AIGA Archives
3001: A Lunar Odyssey
Mike Uphoff
(Lulu)

A Man of Parts
David Lodge
(Viking)

A Relíquia (Relic); A Queda de um Anjo (The Fall of an Angel); De Profundis (De Profundis); ; Coração (Heart)
Célia Pessegueiro
(Nova Delphi)

Adam and Evelyn
Ingo Schulze
(Alfred A. Knopf)

Adventures in the Orgasmatron
Christopher Turner
(Farrar, Straus and Giroux)

Bed
David Whitehouse
(Scribner)

Better By Mistake
Alina Tugend
(Riverhead Books)

Black Boy White School
Brian F. Walker
(HarperCollins Children's Books)

C
Tom McCarthy
(Vintage Books)

Checking In/Checking Out
Chris Schaberg/Mark Yakich
(NO Books)

Contradance
John Peck
(The University of Chicago Press)

Darwin's Finches
Edited, with Commentary, by Kathleen Donohue
(The University of Chicago Press)

Death and the Penguin
Andrey Kurkov
(Melville House)

Debt
David Graeber
(Melville House)

Do the Movies Have a Future
David Denby
(Simon & Schuster)

Fever
Sonia Shah
(Picador)

He Died with His Eyes Open
Derek Raymond
(Melville House)

I Belong to This Band, Hallelujah!
Laura Clawson
(The University of Chicago Press)

I Know I Am But What Are You?
Samantha Bee
(Gallery Books)

In Trouble
Ellen Levine
(Carolrhoda Lab, an imprint of Lerner Publishing group)

Influencing Machine
Author: Brooke Gladstone / Josh Neufeld; Editor: Tom Mayer
(W. W. Norton & Company)

IQ84
Haruki Murakami
(Random House)

Kerouac Series (2011 REPACKAGE)
Jack Kerouac
(Penguin Group (USA))

Kwadraat Bladen A series of graphic experiments 1955—74
Adrian Shaughnessy and Tony Brook
(Unit Editions)

Linguagem e Comunicação (Language and Communication) from the book series Celga.
Paula Valente
(Almedina)

Londoners
Craig Taylor
(Granta)

Mensagem de Fernando Pessoa (The Message of Fernando Pessoa)
Paula Valente
(Almedina)

My Dyslexia
Philip Schultz
(W. W. Norton & Company)

Nom de Plume
Carmela Ciuraru
(Harper Collins)

Oliver Sacks paperback repackage (Migrane; Awakenings; The Island of the Colorblind; Uncle Tugnsten; An Anthropologist on Mars; Seeing Voices)
Oliver Sacks
(Vintage)

Operation Bonnet: A Novel
Kimberly Stuart
(David C. Cook)

Orientation and Other Stories
Daniel Orozco
(Faber and Faber)

Poetry After 9/11
Dennis Loy Johnson and Valerie Merians
(Melville House)

Red Autobiographies
Igal Halfin
(University of Washington Press)

Seeing Double
Françoise Meltzer
(The University of Chicago Press)

Snowdrops
A.D. Miller
(Doubleday)

Tell the Wolves I’m Home
Carol Rifka Brunt
(Random House)

The Bauhaus Group
Nicholas Fox Weber
(Yale University Press)

The Enigma of the Aerofoil
David Bloor
(The University of Chicago Press)

The Information: A History, A Theory, A FLood
James Gleick
(Pantheon)

The Meaning of Disgust
Colin McGinn
(Oxford University Press)

The Next Hundred Million: America in 2050
Joel Kotkin
(Penguin)

The Old Romantic
Louise Dean
(Riverhead Books)

The Pale King
David Foster Wallace
(Hamish Hamilton)

The Pint Man
Steve Rushin
(Vintage Books)

The Real Holden Caulfield
Michael Moats
(Fiction Advocate)

The Works of Franz Kafka
F. Kafka
(Schocken Books)

Tourquai
Tim Davys
(Harper Collins)

Vault
David Rose
(Salt Publishing)

Works of Clarice Lispector
Clarice Lispector
(New Directions)




Observed


Corn husks were just the start: a Mexican designer in London writes his own rules. [JH]

Wieden+Kennedy London launches standalone branding and design studio—called—NOT Wieden+Kennedy. (Play their logo generator yourself, here.) [JH]

Inclusive design, at Microsoft. [JH]

Best design stories of 2022, from The Guardian. [JH]

Penmanship, cursive, handwriting—what’s the point? [JH]

Set on half an acre in the lovely hamlet of High Falls, New York, the studio that once served Marc Chagall is for sale. [JH]

After escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. (There’s hope for us all!) [JH]

Weird and wonderful artifacts, via Jason Kottke. [JH]

Design fiction—a speciulative pracrtice that combines science fiction, design thinking, and foresight—might be the next innovation in business. [JH]

For the love of drawing. [JH]

Design and sex. [JH]

Design nerds—rejoice! [JH]

In the latest issue of Print, Paul Sahre discusses his grammy nomination with Debbie Millman. [JH]

Both standard and limited collector’s editions of MuirMcNeil’s System Process Form are now available at Volume, together with a range of uniquely seductive rewards.

Also from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. Compiled by Burgess and Louise Colbourne, This Is Hardcore is available for pre-purchase now. [JH]

We were sad to hear that the visionary George Lois, died last week. He was 91. [BV]

Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]

Art and immersion, according to David Hockney. In London, through April. [JH]

Striking art and design faculty at Parsons and The New School make headlines—as they should. [JH]

Wakanda Forever‘s costumes represent a coming together of cultures. [BV]

Japandi! [JH]

Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]



Jobs | January 30