2011 | 50 Covers Selections

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2011 Covers

AIGA Archives
3001: A Lunar Odyssey
Mike Uphoff
(Lulu)

A Man of Parts
David Lodge
(Viking)

A Relíquia (Relic); A Queda de um Anjo (The Fall of an Angel); De Profundis (De Profundis); ; Coração (Heart)
Célia Pessegueiro
(Nova Delphi)

Adam and Evelyn
Ingo Schulze
(Alfred A. Knopf)

Adventures in the Orgasmatron
Christopher Turner
(Farrar, Straus and Giroux)

Bed
David Whitehouse
(Scribner)

Better By Mistake
Alina Tugend
(Riverhead Books)

Black Boy White School
Brian F. Walker
(HarperCollins Children's Books)

C
Tom McCarthy
(Vintage Books)

Checking In/Checking Out
Chris Schaberg/Mark Yakich
(NO Books)

Contradance
John Peck
(The University of Chicago Press)

Darwin's Finches
Edited, with Commentary, by Kathleen Donohue
(The University of Chicago Press)

Death and the Penguin
Andrey Kurkov
(Melville House)

Debt
David Graeber
(Melville House)

Do the Movies Have a Future
David Denby
(Simon & Schuster)

Fever
Sonia Shah
(Picador)

He Died with His Eyes Open
Derek Raymond
(Melville House)

I Belong to This Band, Hallelujah!
Laura Clawson
(The University of Chicago Press)

I Know I Am But What Are You?
Samantha Bee
(Gallery Books)

In Trouble
Ellen Levine
(Carolrhoda Lab, an imprint of Lerner Publishing group)

Influencing Machine
Author: Brooke Gladstone / Josh Neufeld; Editor: Tom Mayer
(W. W. Norton & Company)

IQ84
Haruki Murakami
(Random House)

Kerouac Series (2011 REPACKAGE)
Jack Kerouac
(Penguin Group (USA))

Kwadraat Bladen A series of graphic experiments 1955—74
Adrian Shaughnessy and Tony Brook
(Unit Editions)

Linguagem e Comunicação (Language and Communication) from the book series Celga.
Paula Valente
(Almedina)

Londoners
Craig Taylor
(Granta)

Mensagem de Fernando Pessoa (The Message of Fernando Pessoa)
Paula Valente
(Almedina)

My Dyslexia
Philip Schultz
(W. W. Norton & Company)

Nom de Plume
Carmela Ciuraru
(Harper Collins)

Oliver Sacks paperback repackage (Migrane; Awakenings; The Island of the Colorblind; Uncle Tugnsten; An Anthropologist on Mars; Seeing Voices)
Oliver Sacks
(Vintage)

Operation Bonnet: A Novel
Kimberly Stuart
(David C. Cook)

Orientation and Other Stories
Daniel Orozco
(Faber and Faber)

Poetry After 9/11
Dennis Loy Johnson and Valerie Merians
(Melville House)

Red Autobiographies
Igal Halfin
(University of Washington Press)

Seeing Double
Françoise Meltzer
(The University of Chicago Press)

Snowdrops
A.D. Miller
(Doubleday)

Tell the Wolves I’m Home
Carol Rifka Brunt
(Random House)

The Bauhaus Group
Nicholas Fox Weber
(Yale University Press)

The Enigma of the Aerofoil
David Bloor
(The University of Chicago Press)

The Information: A History, A Theory, A FLood
James Gleick
(Pantheon)

The Meaning of Disgust
Colin McGinn
(Oxford University Press)

The Next Hundred Million: America in 2050
Joel Kotkin
(Penguin)

The Old Romantic
Louise Dean
(Riverhead Books)

The Pale King
David Foster Wallace
(Hamish Hamilton)

The Pint Man
Steve Rushin
(Vintage Books)

The Real Holden Caulfield
Michael Moats
(Fiction Advocate)

The Works of Franz Kafka
F. Kafka
(Schocken Books)

Tourquai
Tim Davys
(Harper Collins)

Vault
David Rose
(Salt Publishing)

Works of Clarice Lispector
Clarice Lispector
(New Directions)




Observed | September 10

Rachel Berger’s Shooter Box—an exhibition protesting the United States military’s use of Microsoft Xbox controllers as battle equipment—now on view at California College of the Arts. [JH]

Pantone No. 1837, Jean-Michel Basquiat, and a conspiracy theory about art and commerce. [JH]

Designing a better airport. [JH]

Revisiting a seminal guerilla signage project, twenty years later. [JH]


Observed | September 03

Everyone’s a (design) critic! The internet goes wild—not in a good way—for the cover art “design” for Drake’s new album. [JH]

A new graphic novel on censorship—from MITPress—gathers insights and highlights from a profession under attack. [JH]

Rebranding Chernobyl with a logo that decays over time. (Via Michael Bierut.) [JH]

Today we chase after information, without gaining knowledge. We take note of everything, without gaining insight. We communicate constantly, without participating in a community... This is how information develops a lifeform: inexistent and impermanent. [JH]


Observed | August 27

A spectacularly researched—and meticulously produced—history of design and visual culture in Louisiana. (Via Nancy Sharon Collins.) [JH]

Alan Heller, who collaborated with Mario Bellini, Massimo and Lella Vignelli, and others to produce memorable objects in plastic, dies at 81. [JH]

Originally located in Marshall Field’s unused 1905 South Prairie Avenue mansion, The New Bauhaus school opened its doors on October 18, 1937. Bauhäusler László Moholy-Nagy, director, began to shape the original Bauhaus curriculum to suit his purposes. Gone were the craft-based distinctions that helped enforce gendered segregation and discrimination in the German workshops. An in-depth look at the founding of American Bauhaus. [BV]




Observed | August 20

Preserving Black historical resorts is a radical act: Amid the violent segregation of the Jim Crow era, leaning into Black joy, leisure, and recreation was a form of quiet radical resistance. [BV]

Our favorite water bottle designers have debuted their newest product, a sleek, steel vessel for all your portable beverage needs. [BV]

Populism—fascism—and design: Derek Hill explains. (Via Mike Errico.) [JH]

Punishment for ... a logo? [JH]

Data visualization in three parts: Mars rover, seabed geochemistry, and drought and climate change. [BV]

How the ice cream truck made summer cool. [BV]


Observed | August 13

Instagram apologizes for wrongly censoring a poster for a new film byPedro Almodovar. [JH]

Designing the ding dong: a beautiful interactive review of global subway chimes. [JH]

Watching My Name Go By’ is a must-see vintage short on graffiti in 1976 NYC. [BV]

The story of a logo—and the complexity of cultural memory. [JH]

Bruce Mau on optimism and action—and designing new ways of living. [JH]

Designing a new and universal symbolic language for food. [JH]

Autistic readings of David Byrne’s cult 1986 ode to the odd everyman: People Like Us. [BV]



Jobs | September 19