2014 | 50 Covers Selections

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AIGA Archives
"In Dialogue," Pratt GradComD Book
AUTHOR: Pratt Graduate Communications Design
PUBLISHER: Pratt Institute
ART DIRECTOR: Jennifer Bernstein, Visiting Associate Professor, Pratt GradComD / Principal, Level Design Group
DESIGNER: Jennifer Bernstein, Sarah Bradford, Kristen Myers, Eduardo Palma, Eva Surany, Robert Wilson
DESIGN FIRM: Level Design Group


All My Puny Sorrows
All My Puny Sorrows
AUTHOR: Miriam Toews
PUBLISHER: McSweeney's
ART DIRECTOR: Dan McKinley
DESIGNER: Sunra Thompson


All Our Names
All Our Names
AUTHOR: Dinaw Mengestu
PUBLISHER: Knopf
ART DIRECTOR: Peter Mendelsund
DESIGNER: Isabel Urbina Peña


Area X: The Southern Reach Trilogy
Area X: The Southern Reach Trilogy
AUTHOR: Jeff VanderMeer
PUBLISHER: FSG Originals
ART DIRECTOR: Rodrigo Corral


Brave New World
Brave New World
AUTHOR: Aldous Huxley
PUBLISHER: Vintage UK
ART DIRECTOR: Suzanne Dean
DESIGNER: Scot Bendall, Richard Carey
DESIGN FIRM: La Boca


Can't and Won't
Can't and Won't
AUTHOR: Lydia Davis
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Charlotte Strick


Colorless Tsukuru Tazaki and His Years of Pilgrimage
Colorless Tsukuru Tazaki and His Years of Pilgrimage
AUTHOR: Haruki Murakami
PUBLISHER: Alfred A. Knopf
ART DIRECTOR: Chip Kidd
DESIGNER: Maggie Hinders and Chip Kidd


Décio Pignatari Collection
Décio Pignatari Collection
AUTHOR: Décio Pignatari
PUBLISHER: Ateliê Editorial
ART DIRECTOR: Gustavo Piqueira
DESIGNER: Gustavo Piqueira, Samia Jacintho
DESIGN FIRM: Casa Rex


Fifty Mice
Fifty Mice
AUTHOR: Daniel Pyne
PUBLISHER: Blue Rider Press | Penguin Random House
ART DIRECTOR: Jason Booher
DESIGNER: Alex Merto


Friendship
Friendship
AUTHOR: Emily Gould
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Jennifer Carrow


Hiding in Plain Sight
Hiding in Plain Sight
AUTHOR: Nuruddin Farah
PUBLISHER: Riverhead Books
ART DIRECTOR: Helen Yentus
DESIGNER: Janet Hansen


HRC
HRC
AUTHOR: Jonathan Allen and Amie Parnes
PUBLISHER: Crown
ART DIRECTOR: Christopher Brand
DESIGNER: Christopher Brand


Infinitesimal
Infinitesimal
AUTHOR: Amir Alexander
PUBLISHER: Scientific American / Farrar, Straus and Giroux
ART DIRECTOR: Rodrigo Corral
DESIGNER: Mark Melnick
DESIGN FIRM: Mark Melnick Graphic Design


Into the Grey
Into the Grey
AUTHOR: Celine Kiernan
PUBLISHER: Candlewick Press
ART DIRECTOR: Chris Paul
DESIGNER: Matt Roeser


Invisible Streets
Invisible Streets
AUTHOR: Toby Ball
PUBLISHER: Overlook Press
ART DIRECTOR: Anthony Morais
DESIGNER: Anthony Morais


Little Failure
Little Failure
AUTHOR: Gary Shteyngart
PUBLISHER: Random House
ART DIRECTOR: Paolo Pepe
DESIGNER: Rodrigo Corral Design


Lost for Words
Lost for Words
AUTHOR: Edward St.Aubyn
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Jennifer Carrow


Love Me Back
Love Me Back
AUTHOR: Merritt Tierce
PUBLISHER: Doubleday
ART DIRECTOR: Emily Mahon
DESIGNER: Emily Mahon


Meno Celes (Vilniaus daiės akademija/Vilnius Academy of Arts)
Meno Celes (Vilniaus daiės akademija/Vilnius Academy of Arts)
AUTHOR: Compiled by Laima Spelskiene
PUBLISHER: Vilnius Academy of Fine Arts Publishing House
ART DIRECTOR: Ausra Lisauskiene
DESIGNER: Ausra Lisauskiene, Rima Blazyte


Morgan Fisher: Conversations
Morgan Fisher: Conversations
PUBLISHER: Aspen Art Press (Aspen Art Museum)
DESIGNER: Rob Matthews and Grace Robinson-Leo


My Life in Middlemarch
My Life in Middlemarch
AUTHOR: Rebecca Mead
PUBLISHER: Crown
ART DIRECTOR: Christopher Brand
DESIGNER: Elena Giavaldi


New Orleans Review 39.2
New Orleans Review 39.2
AUTHOR: Edited by Mark Yakich
PUBLISHER: Loyola University New Orleans
ART DIRECTOR: Nancy Bernardo
DESIGNER: Nancy Bernardo
DESIGN FIRM: Decorative Debris


No Country
No Country
AUTHOR: Kalyan Ray
PUBLISHER: Simon & Schuster
ART DIRECTOR: Michael Accordino
DESIGNER: Christopher Lin


O cão do sul [The Dog of the South]
O cão do sul [The Dog of the South]
AUTHOR: Charles Portis
PUBLISHER: Alfaguara
ART DIRECTOR:
DESIGNER: Mateus Valadares
DESIGN FIRM: Mateus Valadares


Odd Volumes<br />Book Art from the Allan Chasanoff Collection
Odd Volumes
Book Art from the Allan Chasanoff Collection

AUTHOR: Jock Reynolds, Pamela Franks
PUBLISHER: Yale University Art Gallery
ART DIRECTOR: Christopher Sleboda
DESIGNER: Christopher Sleboda
DESIGN FIRM: Yale University Art Gallery


On Such A Full Sea
On Such A Full Sea
AUTHOR: Chang-Rae Lee
PUBLISHER: Penguin Random House, Riverhead Books
ART DIRECTOR: Helen Yentus
DESIGNER: Helen Yentus


On Such A Full Sea Limited Edition
On Such A Full Sea Limited Edition
AUTHOR: Chang-Rae Lee
PUBLISHER: Penguin Random House, Riverhead Books
ART DIRECTOR: Helen Yentus
DESIGNER: Helen Yentus and MakerBot Studios


Players First
Players First
AUTHOR: John Calipari
PUBLISHER: The Penguin Press
ART DIRECTOR: Darren Haggar
DESIGNER: Janet Hansen


Pressed for Time
Pressed for Time
AUTHOR: Judy Wajcman
PUBLISHER: The University of Chicago Press
ART DIRECTOR: Jill Shimabukuro
DESIGNER: Isaac Tobin
DESIGN FIRM: The University of Chicago Press


Ruby
Ruby
AUTHOR: Cynthia Bond
PUBLISHER: Hogarth
ART DIRECTOR: Christopher Brand
DESIGNER: Anna Kochman


Strange Bodies
Strange Bodies
AUTHOR: Marcel Theroux
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Nayon Cho


Summer House with Swimming Pool
Summer House with Swimming Pool
AUTHOR: Herman Koch
PUBLISHER: Hogarth
ART DIRECTOR: Christopher Brand
DESIGNER: Christopher Brand


Teresa, My Love
Teresa, My Love
AUTHOR: Julia Kristeva, translated by Lorna Scott Fox
PUBLISHER: Columbia University Press
ART DIRECTOR: Julia Kushnirsky
DESIGNER: Jennifer Heuer


The Blazing World
The Blazing World
AUTHOR: Siri Hustvedt
PUBLISHER: Simon & Schuster
ART DIRECTOR: Jackie Seow
DESIGNER: Christopher Lin


The Emerald Light in the Air
The Emerald Light in the Air
AUTHOR: Donald Antrim
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Rodrigo Corral


The Island—Novella
The Island—Novella
AUTHOR: Josiah Titus
PUBLISHER: Self-published
ART DIRECTOR: Karl Engebretson
DESIGNER: Karl Engebretson, Nate Christopherson
DESIGN FIRM: Not Swords


The Last Book
The Last Book
AUTHOR: Reinier Gerritsen
PUBLISHER: Aperture
DESIGNER: René Put


The Martian
The Martian
AUTHOR: Andy Weir
PUBLISHER: Crown
ART DIRECTOR: Christopher Brand
DESIGNER: Eric White


The Miniaturist
The Miniaturist
AUTHOR: Jessie Burton
PUBLISHER: Ecco
ART DIRECTOR: Allison Saltzman
DESIGNER: Allison Saltzman


The Photographer's Playbook
The Photographer's Playbook
AUTHOR: Jason Fulford and Gregory Halpern
PUBLISHER: Aperture
DESIGNER: Jason Fulford


The Rise & Fall of Great Powers
The Rise & Fall of Great Powers
AUTHOR: Tom Rachman
PUBLISHER: Random House
ART DIRECTOR: Robbin Schiff
DESIGNER: Roberto de Vicq de Cumptich
DESIGN FIRM: de Vicq design


The Vacationers
The Vacationers
AUTHOR: Emma Straub
PUBLISHER: Riverhead Books
ART DIRECTOR: Helen Yentus
DESIGNER: Janet Hansen


The Wall
The Wall
AUTHOR: H. G. Adler; Translated by Peter Filkins
PUBLISHER: Random House
ART DIRECTOR: Robbin Schiff
DESIGNER: Gabrielle Bordwin


Traces and Vestiges: Inquiries into the present
Traces and Vestiges: Inquiries into the present
AUTHOR: Tatiana Cuevas, Eduardo Abaroa, Néstor García Canclini, Susan Hiller, etc.
PUBLISHER: CIAC, A.C.
ART DIRECTOR: David Kimura and Gabriela Varela
DESIGNER: David Kimura and Gabriela Varela
DESIGN FIRM: Varela + Kimura


Type Plus
Type Plus
AUTHOR: Adrian Shaughnessy and Tony Brook
PUBLISHER: Unit Editions
ART DIRECTOR: Tony Brook, Claudia Klat
DESIGNER: Tony Brook, Claudia Klat, Jack Grafton, Dominik Langloh
DESIGN FIRM: Spin


War postdigital besser? (Was postdigital better?)
War postdigital besser? (Was postdigital better?)
AUTHOR: Martin Conrads, Franziska Morlok
PUBLISHER: Revolver Publishing
ART DIRECTOR: Martin Conrads, Franziska Morlok
DESIGNER: Martin Conrads, Franziska Morlok


Waterweavers: A Chronicle of Rivers
Waterweavers: A Chronicle of Rivers
AUTHOR: José Roca and Alejandro Martín, editors
PUBLISHER: Bard Graduate Center
ART DIRECTOR: Irma Boom
DESIGN FIRM: Irma Boom Office


Wolf in White Van
Wolf in White Van
AUTHOR: John Darnielle
PUBLISHER: FSG Books
ART DIRECTOR: Rodrigo Corral
DESIGNER: Timothy Goodman
DESIGN FIRM: Timothy Goodman Design


Young God
Young God
AUTHOR: Katherine Faw Morris
PUBLISHER: Farrar, Straus and Giroux
DESIGNER: Rodrigo Corral


Your Face in Mine
Your Face in Mine
AUTHOR: Jess Row
PUBLISHER: Penguin Random House, Riverhead Books
ART DIRECTOR: Helen Yentus
DESIGNER: Oliver Munday





Observed | October 22

Brutally Honest is a new book out from Emily Ruth Cohen with advice, insights, and best practice business strategies. [BV]

The Guardian’s view on taming technology: it’s out of control. [BV]


Observed | October 19

How Design Observer contributor Steve Heller spends his weekends. [BV]

The crisis of intimacy in the age of digital connectivity or the spread of narcissism and the disappearance of empathy. [BV]


Observed | October 17

Gallery: stunning photos of ordinary life in Ukraine‘s conflict zone. [BV]


Observed | October 16

Can the Instagram novel really get more people to read books? (Should it?) [BV]

How do you turn fear into creative fuel? Good Company Magazine is answering that question during a live podcast next Thursday at the New School. [BV]


Observed | October 15

Why is a receipt for cough drops the height of a small child? The long, long history of long, long CVS receipts. [LS]

A new info graphic tool allows users to explore the outlook for upward mobility in their home county (and others’). [LS]


Observed | October 12

A brief memoir of growing up in the library. [BV]

A geyser erupted in Yellowstone and 80 years of human trash poured out. (via Kottke) [BV]


Observed | October 11

AI tech is now good enough to trick us, and the only way we’ll know we’re talking to a bot is because the bot’s creators told it to announce itself.” [BV]


Observed | October 09

In 2018, art, media, and culture are being evaluated for moral correctness more than for quality. The Morality Wars. [BV]

The artist Malevich takes a walk in Vitebsk... [BV]


Observed | October 08

A wonderful new show from WTTW looks into the history of art and design in Chicago. [BV]

Opening tonight: The Reach and Richness of Design, at the Kamerick Art Building University of Northern Iowa featuring Jessica Helfand‘s volvelles, wood type, Ad Reinhardt‘s editorial illustration + more. [BV]


Observed | October 05

Powerful portraits of indigenous women of Siberia aging alone. In the new series Forgotten Like Last Year’s Snow from photographer Oded Wagenstein. [BV]


Observed | October 04

Is “Sans Forgetica” the font of all knowledge? Researchers develop a typeface they say can boost memory. [BV]

Before the end of the year, Apple will open a new store in the Carnegie Library in D.C. Can Apple stores be public spaces? [BV]


Observed | October 03

The life and times of a Japanese candy artist. [BV]

“Art is history.” Netflix reboots Kenneth Clark’s 1969 “Civilisation” series and explores the art of cultures around the world. [BV]


Observed | October 02

In today’s political climate, using satire to record and respond to the current state of affairs is an act of survival. Art as Witness: Political Graphics 2016 – 2018 opens Saturday. [BV]


Observed | October 01

Do we really still need Banned Books Week? (Hint: The answer is, sadly, yes.) [BV]

The existential void of the pop-up ‘experience’: “I went to as many Instagramable “museums,” “factories” and “mansions” as I could. They nearly broke me.” [BV]


Observed | September 28

With the onset of technology, we’re reguarly grappling with how to define a book. But this is nothing new, the question of what sort of object might count as a book remains very much up for debate. [BV]


Observed | September 27

Change everything you hate about meetings with one single word. [BV]

David Hockney + iPad = stained-glass window in Westminster Abbey. “The Queen’s Window”, celebrates Elizabeth II’s reign. [BV]


Observed | September 26

A marvelous sound machine inspired by a Soviet deep drilling project. (via Blake Eskin) [BV]

Of course you know Gutenberg invented movable type, but what else do you know about the history of printing? [BV]


Observed | September 25

Our present era could easily be described as one of fear. In these times, horror has been experiencing what critics feel obliged to label a ‘golden age’. [BV]



Jobs | October 22