
Photo by Kai Samela
On August 12, 1982, I took a 10 x 7 1/8 inch National Blank Book Company composition book from the supply closet of my then employer, Vignelli Associates. From that moment, I have never been without one. I always have one at my desk. I take one with me to every meeting. I am now in the middle of Notebook #85. It's in front of me right now. Together, these well-worn books create a history of my working life that spans three decades.

Notebook covers, 1982 to 2008
I tend to be obsessive-compulsive, and I am very picky about the notebooks. No fancy Moleskines for me, just standard-issue office supply composition books.
I use them in order. Tibor Kalman once asked me why I didn't have a different notebook for every project. I have to admit, this would be more useful. But I don't. I fill each one up and then move to the next one, the projects all jumbled together. Starting with the third one, every one of them is numbered. Except for two at the very beginning that used gridded paper, they have blank, unlined pages. I hate gridded paper (but not as much as lined paper.) There have been times when it's been really difficult to get unlined composition books, which I gather are oddly unpopular. One time I found a supplier who would only sell them in bulk and I bought a whole boxful. I thought these would last the rest of my life, but I gave a lot away, which I regret. Now they're gone.

Covers of Notebook #25 (September 20, 1993 to May 14, 1994) and Notebook #26 (May 18 to August 24, 1994)
At the beginning I used to customize the covers. Those were the days when I used to handmake every birthday card. After a while it started to feel like an affectation. Nowadays I tend to just write the number on the front. The marbled cover, beloved by Ettore Sottsass during his Memphis period, may be iconic enough on its own.

Santa Cruz fashion catalog color studies in Notebook #3 (to November 21, 1983 to December 6, 1984). Note hideous gridded paper
There always seems to be a lot of interest in designers' sketchbooks, but I call these notebooks for a reason. I've seen other designer's sketchbooks and I'm always impressed by how much creativity is on display. Not in mine. Page after page contain nothing but records of phone conversations, notes from meetings, price estimates, specifications. I keep the random doodles to a minimum. Someone looking at those pages would think the book might belong to a lawyer or, more likely, a party planner. Every once in a while, though, there are some drawings that would suggest that the owner was a designer.

Fool for Love poster sketches in Notebook #21 (March 25 to July 12, 1992)
For instance, this looks like a designer's sketchbook, doesn't it? These are ideas for a poster to promote a friend's production of the Sam Shepard play Fool for Love, a contemporary western about a disfunctional relationship. Pages like this, where I seem to be methodically working through a series of options, are actually fairly rare in the notebooks. I must have been stuck somewhere with nothing else to do. The final poster looked nothing like any of these sketches.

Celebration, Florida, town signage sketches in Notebook #23 (January 14 to June 15, 1993)
These are more typical of the kinds of drawings you find in the notebooks. They were done in one of the early planning meetings for Disney's new town of Celebration, Florida. In meetings with lots of people around a table, you can take notes and sketch without attracting much attention. (This is especially true if you're a graphic designer surrounded by a lot of architects.) Unlike the Fool for Love sketches, this one turned out more like the sketch.

Minnesota Children's Museum identity sketches in Notebook #27 (September 10 to November 21, 1994)
The notebooks function like a security blanket for me. I can't go into a meeting unless I have my current notebook in my hand, even if I never open it. Because I carry one everywhere, I tend to misplace them a lot. Losing one makes me frantic. Everyone who works with me gets used to me asking, "Have you seen my notebook anywhere?" which I assume gets irritating after a while: sorry. I've left them behind in clients' offices. On one occasion, I left one on the roof of a cab on the upper west side. I ended up walking ten blocks, retracing the taxi's route, until I found it on Broadway at 63rd Street, intact except for some tire marks.
Only twice have I lost notebooks and never found them. One was left behind somewhere in the sprawling corporate headquarters of United Airlines in Elk Grove, Illinois. The other, #45, disappeared at Heathrow Airport. That particular loss was extra sad since it contained a drawing my then 13-year-old daughter Liz did that she claims is the original sketch for the Citibank logo. (She changed the t in Citi into an umbrella; of course, Paula Scher may have already had that idea.)

Brooklyn Academy of Music Next Wave Festival sketches in Notebook #30 (April 15 to July 10, 1995)
Looking back at the books, I'm surprised at how often I got the idea for certain solutions at the very beginning. These are pretty much the first sketches for the identity for the Brooklyn Academy of Music, most of which feature chopped-off sans serif typography. You can see there were pages before and after that are pretty much more of the same. This is pretty much how it all turned out, and not that different from the way it is to this very day.
The same is true for the Minnesota Childrens' Museum, above, which ended up using photographs of children's hands, an idea that I wrote down while I was on my first visit there. When I'm feeling smug and self-satisfied, I tell myself that, like Mozart, my ideas emerge fully formed, and I need only transcribe them as they come pouring out. In more common, less secure, moments, I wonder if I I'm lazy, if I settle too soon. How many other, better ideas might be out there if I took the time to look for them?

Cover sketch for "Tibor Kalman, Perverse Optimist" in Notebook #42 (November 24 1997 to March 10 1998)
Like most designers, I get asked a lot about my process. A lot of my ideas are so simple and dumb that a simple dumb drawing is all it takes to describe it. I probably did the drawing for the cover of Tibor Kalman's monograph in a meeting. Picture on the front, stacked type on the spine: what if we did something like this? That's how it came out. If a process is supposed to have steps, to reflect a method, that isn't much of a process.

Museum of Arts and Design sketches (left) and Libeskind monograph sketches (right) in Notebook #82 (October 22, 2007, to February 2, 2008)
The markings in the notebooks are often a kind of terse shorthand that I don't think would be comprehensible to anyone but me. On one hand, the sketches for the Museum of Arts and Design identity on the left are pretty clear. (I was really infatuated with that alphabet and filled pages with it for weeks, not that different from my binge on bubble letters in the second grade.)
The other scribbles, however, are the initial sketches for the book that was eventually titled Counterpoint: Daniel Libeskind, done in a meeting with the architect and the publisher. They don't look like anything at all, and I don't think I ever showed them to anyone. But they helped focus an image in my mind that was not that different from the way the book looked when it was published nine months later.

"To do" page and picture of Dorothy in Notebook #82
The last page of my notebook is traditionally the place where I write down things I have to do: proposals to write, phone calls to answer, upcoming presentations. I cross them off as I get them done, as a lot of other people do, which is satisfying. I also shove a lot of stray ephemera into the pages, as well as the occasional treasure, like the 32-year-old snapshot of my wife Dorothy that I carried around for a few months before writing about it here on Design Observer.

Hearts by Drew and Elizabeth Bierut in Notebook #22 (July 13, 1992, to January 11, 1993)
When I look at these notebooks, many of the references bring back memories, some decades old. But other times I frankly can't remember why I was writing these things down. Did I ever call Dilland? Whatever happened to Executive Sign? What was the Lefand Alliance? In many ways, the act of notetaking and sketching is an end in itself for me. Many of these pages, filled with trivia as they are, are destined never to be looked at a second time.
That makes the occasional encounter with life beyond the office all the sweeter. Growing up, my kids knew they weren't supposed to draw in my notebooks, but that never stopped them. Thank God. I have them to thank for my favorite pages.
Comments [157]
01.28.09
09:37
01.28.09
09:53
i have an obsessive disorder with notebooks too except i can't bring myself to write in them and ruin them. i have TONS of blank notebooks, sketch books, journals, tiny books, big books etc. full of nothing. i will take one off the shelf with full intentions of giving it a purpose but will usually stare at it for a few days until i put it back. if i do write in one i will usually rip out the pages later.
i love your books and it makes me want to conquer my fear of ruining notebooks so that i could have such a wonderful collection of random thoughts and processes over my lifetime! i think i'll grab one of those books off of the shelf tonight!
thanks, lauren
01.28.09
09:55
I myself am in year 3, Moleskin 8.
Looks like I have some catching up to do.
01.28.09
10:13
One question though, have you ever looked back at your older books for ideas for a current project?
01.28.09
10:20
And, there's nothing wrong with a Moleskin.
01.28.09
10:26
01.28.09
10:42
symbol doodles I have done over many years. Fun to go back
over some of the files. Your work is OUTSTANDING! Keep up the
great work. I hope this article will get the young designers off
the computer and on to pencil and paper. Thanks.
01.28.09
10:54
This is a great post – I'm always intrigued by a designer's process.
Oh and nice handwriting.
01.28.09
11:19
01.28.09
11:32
01.28.09
11:32
You said something so important there too: Let what happens in your books happen. Like your kids drawings. How precious are those drawings?
Now, to find those two lost Bierut notebooks...
01.28.09
11:39
Most of my good ideas are just written down, like Micheal I rarely sketch anything out in it, it's all random words, phrases and to-do lists (and blog writing). Plus lots of scribbles from my daughter too.
01.28.09
12:04
I often think to myself that, in a fire, after my fiancée, the next thing I would grab would be my sketchbooks. There's no external hard drive that can salvage those kinds of memories.
Thanks for the post Michael.
01.28.09
12:19
I save them all, but never considered numerically ordering them. Its interesting to see other designer's organizational methods.
01.28.09
12:29
01.28.09
12:44
01.28.09
12:49
A few years ago I started my own notebook habit... I mostly use 7" x 10" Cachet sketch books, with plain white paper. I use them for both sketches and writing, and put different type foundry stickers on the covers to tell them apart.
01.28.09
01:11
01.28.09
01:15
My notebooks are more confusing than the notes in them are worth these days. I need to be a bit more stringent and stick with one, perhaps this will be the motivation.
01.28.09
01:44
01.28.09
01:53
01.28.09
02:49
Nice post!
01.28.09
03:12
I went through all sorts of them, then I made the move from the sprials to the same ones you use, perfect size perfect eveything. I still have sletch books around but they magically last longer and they are not the firs thing I grab anyone.
The plain ole blank composition book is the way of the force!!
01.28.09
03:38
01.28.09
03:58
01.28.09
03:58
01.28.09
04:12
01.28.09
05:13
01.28.09
05:16
01.28.09
05:22
It is very touching to see someone share so openly the back-end of their personal creative process. I feel better knowing that what I do isn't that strange -- it is similar to your methodology.
Sincerely,
Alice
01.28.09
06:04
01.28.09
06:33
On another note there a great opening for an Interactive Producer at my website. Guys do check it out at
A Great Interactive Producer Job
01.28.09
09:33
I'm only on notebook #3, but I'm hooked ... can't go anywhere without it. Now only if I could put some good research ideas in it!!
01.28.09
10:45
Thanks for sharing, I wish you would have posted one of those really boring pages, so I know i'm not the only one that just makes endless to-do lists....when i feel like i should be sketching instead.
01.28.09
11:29
01.29.09
01:29
01.29.09
05:52
Thanks again for the blog mention, as this is the first time this has happened. Maybe DesignObserver fans can find some more amusement in looking at the other parts of our website as well: in particular at the section of over 70 self published books (two of which won Best of Show at the ACD many years ago and some which earned nominations in the Tokyo Type Directors Club), fashion work which won recognition by Maison Margiela and ShowStudio, collaborative work with the musician Loren Connors and the elusive Jandek, and other smaller things.
Best regards,
Raymond Jow of Masumi Raymond
www.masumiraymond.com
01.29.09
08:59
01.29.09
09:26
01.29.09
10:34
What is made clear is the continued archival value of marks on paper. You can always go back to those old notebooks even if you cannot access the old floppy disks or zip drives.
01.29.09
11:09
Pro Tip, Michael: I've found that university bookstores are the best place to find the unlined comp books.
01.29.09
12:16
I've been using the same A4, black covered Daler Rowney note books since 1993, still have eveyone, in order, and get very upset about having to right in anything else. Because they're full of notes and sketches, random thoughts and ideas they always come in handy when I'm stuck for a bit of inspiration.
My kids now get the first page of each fresh new book to fill, as they see fit.
01.29.09
12:17
01.29.09
12:56
That said, my comment was a knee-jerk reaction to reading a bunch of solipsistic, congratulatory comments peppered with things like links to job boards. The irony being that I, too, enjoyed the article. href="http://www.designobserver.com/archives/entry.html?id=17485" target="_blank">This is My Process, and this article both seem to validate my own working methodology.
01.29.09
01:09
I know this is only vaguely related but I want to share anyway. I had just finished my portfolio earlier and there were some works that I lost that I wished I had taken better care of. But it is my life long belief that there is nothing more frustrating than trying to keep records. May be other people can do it better than i do, but I'm just really bad at it. And when something comes close to ruin the things that I try to preserve, I always become so angry... it's an emotion that I really do not want to feel.
When I was a kid, I had this compulsion to record episodes of the Simpsons and Seinfeld on VHS tapes. I will record them with care, pause during the commercial break and record again without missing a second. It was a sickness and my family think I was crazy. I had over 10 tapes but then they were lost. Some got damaged, some my friend borrowed and never returned. Then it all became moot when DVD of all the episodes were released.
That was not the first time I started to realized preserving things may not be necessary. I moved around a lot and although I have many friends, I try my best to keep in touch with the old ones I parted with. Of course, live goes on and eventually we have to concentrate on the future instead of the past, so we no longer contact. But it always make me feel sad. Now, with Facebook and Myspace, almost everyone I had ever known since elementary school can get in touch with me from another side of the world.
With all these, trying to preserve anything, to me, is not something that I want to struggle to do. I know, being graphic artist, keeping your work and reference in order is important. I guess it is something I have to learn how to do. But it's just something I have never enjoyed.
But that doesn't mean I don't respect those who do know how to salvage things and save things that are important. I think it is necessary to keep records as history is the only tool we have to help us build a better future.
01.29.09
01:12
01.29.09
03:24
seeing SOINTU in the 1983 journal brought back memories. That tiny shop was where I first saw M&Cos watches, back when 'design objects' were rare finds.
Cheers,
Eric
01.29.09
03:55
I'm definitely not a designer. More an account planner type, but my favorite designer colleague turned me on to notebooks several years ago. It's inspiring to know that there are so many others out there who record their thoughts this way.
Thank you for sharing and inspiring.
Jake
01.29.09
07:31
Eric, me too. I was baffled by the drawing next to it, but I've finally realized that I must have been getting a price estimate for a diecut Rolodex card that the owner, Kipp Trafton, must have wanted to sent out to his customers, pre-printed with his store's contact information. That was mind-blowingly state-of-the-art for 1983!
Thanks to everybody who have shared their thoughts in the comments.
01.29.09
07:44
01.29.09
08:24
I almost sent this post to my design teacher until I realized that he’d ignore the message of the text—“I don’t do things the ‘right’ way”—and just incorporate the images in his sketchbook lecture, further homogenizing the perception of what it means to be a designer.
Interestingly, the representation of 85 notebooks filled almost entirely with writing are the aberrant pictures. I’m glad the writing in the notebooks has been represented in the writing of the post.
01.29.09
09:25
01.30.09
12:33
01.30.09
07:30
I can relate..
01.30.09
08:47
xoxo,
S-C
01.30.09
09:24
For the "day-to-day" record keeping it was Day-timer. But for the last 10-years regular 8.5x11 notepads. All numbered and dated. and "everything" goes down in there. I am afraid to take a pad with me for fear of losing it!
Always looking for a paperless solution but to no avail yet.
Thanks for sharing! This post sure to inspire a great many minds!
01.30.09
11:14
I first read about your notebooks and obsessive compulsive behavior (including the one where you HAVE to run!) in How to think like a great graphic designer by Debbie Millman, and it's really great to have a peek inside those notebooks!
You can buy the unruled compositions books here:
http://www.gramcoonline.com/1160/supplies/item.html
Keep posting and happy notebook-filling!
01.30.09
11:59
01.30.09
01:01
1. Obsessive compulsive behavior. I think people are starting to obsessively become obsessive compulsive on purpose.
2. Seeing people's moleskines, collages, sketches, thought processes. They all blend together now.
Just thought I'd be honest.
01.30.09
01:35
I have a good dozen, going back several years. I switched once when I couldn't find the composition book I had been using. I have to admit to an insistance on gridded paper (sorry michael). But then my notes are rarely visual and the habit started in science classes.
01.30.09
01:42
Creative types may want to keep company and personal notebooks separate (including those with outside off company hours
design projects) to avoid legal conflicts about creative development licensing.
01.30.09
03:49
I predict a run on unruled composition books in the near future.
01.30.09
04:27
The first sketchbook I have is from when I was about 13, and numbered them all the way through art school, for about ten years. Then I started working, and kept my design notes in un-numbered, but dated, books. Lately, and especially after seeing your book covers here, I am considering going back to numbering, since I've hit about 30 books or so since I left school.
01.30.09
04:34
i started w/ bristol city council diaries in 2003. now i'm on the small moleskines 27 notebooks later... i usually have 2 notebooks on the go: my everyday one, complete w/ jottings, musings, ideas, to-do's and bits of life. The other is what i call my investment moleskine. i only put things, creations, concepts and ideas that i believe have a value and could turn into spiritual satisfaction or hard cash.
is working so far... keep up the writing
01.30.09
05:31
01.30.09
06:34
Really great post, these insider/behind the scenes things are always intriguing.
01.30.09
06:40
01.30.09
10:41
01.31.09
07:00
01.31.09
10:40
I'm few years and 4 books into my personal choice of notebook, the 5.5x8.5 spiral bound Canson sketch book. They're quite perfect, if you ask me.
01.31.09
05:54
01.31.09
06:16
(funny, they had a sump pump overflow in the house just a few months after that).
Then i took all the looseleaf pages, things that looked like exact replicas of your "i love you daddy pages" and put them in a separate old cardboard box, eventually placing them on my estranged husband's massive mahogany desk two floors above. Had the estranged been a design major he probably would have recognized the patterns, but alas he is a business engineer and must have seen something else than my eye. I think the last time (two years later) that I looked they were still in the box in the corner of a closet without any mention to me of my saving them after all those years. I'm just glad that you are writing about yours. Maybe as a guy it's not as easy to write about these graphic tchotchke (?) scribblings. Graphic tchotchke isn't the right word, is it? :: a trinket that is decorative rather than functional. No, it is not. It just takes good looking and time to see that the function(role) of parenting evident on those last pages trumps the decorative titles every time.
02.01.09
07:07
Here's a recipe for "Fool for Love," for Valentine's day. Puree strawberries and raspberries. Add a little superfine sugar. Fold into whipped cream. Serve to your loved one in a stemmed glass with a few pretty whole berries for garnish.
02.01.09
08:20
02.01.09
04:23
02.01.09
07:37
02.02.09
12:12
Loved the views of your inner pages.
02.02.09
03:55
Thank you for this post.
02.03.09
12:12
02.03.09
02:16
02.03.09
10:13
Something tells me that you still handmake birthday cards!
Thanks for the very cool and humbling post.
HMK
02.03.09
11:42
02.03.09
01:26
(Ideas, communication, notes from talking to the client, strategy).
Fantastic post Michael.
After 7 years I'm up to #22.
(not counting the A3 one under my bed!)
02.03.09
07:22
http://floheiss.wordpress.com/2009/02/04/04022009211/
02.04.09
11:49
02.04.09
12:14
02.04.09
02:16
02.04.09
08:34
02.05.09
04:24
02.05.09
09:38
Thank you, then, for this post and to all those kindred spirits who commented. It has encouraged me to continue to save these collections of my thoughts and experiences, and to continue to write, write, doodle, write.
02.06.09
11:22
I cant go without it never every idea thought concept drawing it go's all there I started with it in 1997 on to this day, I have to admit some barely survived the years past but still in a good enough shape to see what I've been doing.
Really can recommend a notebook to anyone walking with idea's and such you'll never regret jolting down anything it also helps prevent repetition of what is though of before reinventing the wheel again and again and again sorry for that but notebooks are my not electronic battery hungry devices.
02.06.09
01:19
I program and have always kept notebooks. It's great to look back once.
Greg Gurevich
02.06.09
01:26
Amazing. I, along with many here, also share the notebook frenzy. Mine are 5x7 leather, and the first thing I hear when I use it for the first time becomes the title, which I carve on the cover. Unfortunately, many have obscenities (oh the days of art school).
Although, I've noticed that since writing down everything, my memory has gotten increasingly poor. I start to rely on it as if it were a part of my brain. This concerns me on numerous levels...
Thanks again for sharing your books!
-Michelle
02.06.09
01:31
02.06.09
02:55
This is a great post. It is good to see the process which is often neglected by tech savvy young designers. I recently became aware that some design programs have eliminated graphic design history. For some reason they want nothing to do with the growth of design. Your notebooks are records that design starts way before technology is even considered for production.
Not long ago a friend email me info about a former graphic designer who left the field to work on his art. One thing that caught my attention was what this artist calls, his "red book." In it he stores visual elements (that inspire him). I was told that he will make compositions (mainly collages) with all the items in the red book, photographs it and then takes it apart and puts the items back in the red book. This is so different from having multiple sketchbooks or notebooks. Would love to see this book years from now along with his compositions. I was told that he rarely shares his art with the public.
Here's a short slide show showing part of his red book:
http://www.youtube.com/watch?v=2MfUZr8U-EA
02.06.09
07:03
02.06.09
08:28
02.07.09
01:18
02.08.09
11:58
Admittedly my notebooks aren't near as thick or beautifully filled as yours tho :-P. They look amazing! GJ on keeping all those! I LOVE NOTEBOOKS!
02.09.09
05:27
Notebooks are to our selves as the dish rags and towels in the sink are to the kitchen. Look ragged and used in the end, but contain lots of stuff that will go down the drain.
02.09.09
09:29
Sorry, mr. rogers, I missed a spot.
(kinda reminds me when the dryer caught a piece of dirt on a dish and got to give it back to the washer)
02.09.09
09:33
02.09.09
04:14
I wouldn't worry about not keeping notebooks. I only start to and fail because of ingrained Catholic school behavior modification guilt and subsequent flashbacks.
Now on average I move about every two years in my life and i constantly find envelopes that are written with doodles and poetry on the backs. I can accurately place the date 90% of the time from what i've created by just looking at it. Usually test myself by turning it over and checking a postmark. Mental workout for the notebook impaired. And I've been recycling all those unrecyclable envelopes even when it wasn't fashionable to be green.
02.10.09
01:00
I'm only on #15 however.
02.10.09
06:51
Great notebooks!
A friend asked me last year to do a show of my letterform design and other work for her students at Clarke College in Dubuque. As I've been in the middle of trying to build a new business, I told her I'd only have time to show sketchbooks!
I scanned pages from my small 3x5 Strathmore wirebound pads, enlarged them and printed a series of 13x19 broadsheets. Photo archive is here, if anyone's interested!
http://picasaweb.google.com/pfraterdeus/WordsInProgressClarkeCollegeDubuque
Cheers, Peter Fraterdeus
02.15.09
11:27
02.16.09
08:39
What a wonderful post! I also share your obsession for notebooks, although I was never lucky enough to find the unlined composition books. I use the 5 1/2 x 8 1/2 bound blank sketchbooks for the same purpose. I can't seem to pass by a display of them without buying one, so I have a few empty ones on hand. My one rule is that I can't go on to a new one until I've filled up the current one, which sometimes takes a while. The discipline of keeping it around is a reminder to draw, sketch, record ideas and favorite quotes, write, keep track of music I like and so on. This whole process is doubly valuable to me as I have been loving every minute of practicing those basic (boring, perhaps) drawing skills that I let fall by the wayside in the busyness of life.
Thanks so much for this inspiring post!
02.17.09
01:33
02.17.09
05:41
I am on volume 6 and they started out of a running log tracking daily mileage and subjective assessment of effort, conditioning, weather, footwear. As I got older and fatter this transformed into an art journal and book review/commonplace book. Including quotes, postcards, ideas, venting, prayer, and every so often, even now, a little run.
02.18.09
07:11
As for obsessive-compulsive, I can't say whether YOU are or not, obviously. Nor is it my business. Nor can I judge how many notebook-keepers/journalers are obsessive-compulsive as a psychiatrist would understand that term.
BUT
I must say I have sympathy with Rick Fox. It seems to be an increasing trend, in real life as well as in cyberspace, to frame any kind of passion as obsessive-compulsive or as an addiction. Addictions ruin lives, the lives of the addicts and often the lives of those around them. I don't think my husband is about to move out because I am passionate about notebooks, journals and scrapbooks ! I haven't had to break the law in order to support this activity. Nor have I got into bazillions of debt trying to do so. THAT is addiction.
And I'm not saying obsessive-compulsive behavior isn't real because I know it is, and I know how difficult it can be for anyone with that condition. But to use those words loosely (I don't mean YOU, Bierut, i don't think you are doing this) is to trivialize a serious and often disabling problem. It's like someone saying they're depressed because they've missed the bus. As someone who has been in the pits of clinical depression more than once, I find that use of the word depressed offensive but also, frankly, laughable.
I think most of the people here LOVE notebooks. Great ! We get a lot of satisfaction from them, and it can be fun (as with all passions) sharing that satisfaction with like-minded folks. WE ARE NOT SICK. . . Or are we ? ;)
02.20.09
06:17
But i certainly agree that everyone wants to own a disorder lately, and with all the research going on... well... unless you've had life changing events happen to you from obsessive compulsive diagnosing over these types of theories, assumptions and ownings, well, whoever cares, just bewares.
The doctor gave me two wishes and mom just told me to wash the dishes. from the song: everything is spinning out of control.
02.20.09
09:25
02.20.09
09:37
The book "Getting Things Done" has been helping me turn over new leaves. The first step is properly collecting "stuff," regardless of what it is. Collecting it in one place- a trusted place and then using a trusted system to organize, process, act on, and deal with the "stuff" later. I can't imagine a PDA or voice recorder ever offering the flexibility and versatility that a notebook offers, be it a pocket-size pad of paper, a slightly larger moleskin, or something larger. As far as I'm concerned, if it has a cover and pages beneath it, it is a notebook- far superior to the notepad or post-it any day.
I too have been numbering and dating my notebooks. I have been getting in the habit of reviewing them.
One difference with my notebooks is that half of what I write down gets crossed off as it is organized into a more useful system. At work I use text files associated with projects to log phone calls, events, actions, and open issues. I use a wiki to store anything that I think I had to learn or look up which I think I might look for again someday when working on another project. Wherever the information may end up it all starts in the notebook.
03.03.09
01:30
03.04.09
04:48
03.06.09
05:10
03.10.09
06:52
03.10.09
07:40
I keep a couple of other comp books where I allocate 20 pages for ideas that merit further exploration -- such as my spec comedy script about the Canadian Mafia, working title "Maple-leaf Mobsters".
My only tweaks have been to switch to Quad Rule 5 squares / inch because I can't draw very well, and to use Post-It tape flags to mark pages because I hate having to search through an entire collection looking for an idea I had previously exorcised to paper.
03.18.09
12:03
Instead of a notebook or sketchbook I use what I call my idea books (4" x 6" hard cover artists sketch books).
In my present position I use these idea books for planning educational programs and communty based art projects. Very seldom will you find and sketches or drawings in these books there are a few. In the past I used these idea books for planning photo projects and exhibitions. I have a seperate studio journal for these projects.
I have been using these idea books for the past fifteen years, prior to this I used lined and unlined note pads. I still have a number of the old notes from photo and art projects that I worked with some twenty years.
I never leave the house or office without my idea books. In fact I carry two with me, the one I am presently using and the last idea book I was working with because there is always overlap of ideas and projects from one idea book to the next.
08.17.09
02:50
08.20.09
01:43
I've been keeping my old sketchbooks as well, although they rarely get looked through, most remind me of how much worse I was.
08.21.09
03:46
08.25.09
10:15
09.20.09
11:20
Thanks,
Jim Barbaro
10.20.09
05:26
10.24.09
04:08
Thankfully around '05 I found a stash of ©94's in Target and bought all of them...I now have a stack of maybe 15 in a holding pattern.
Anyways, never thought about numbering them properly so thanks for that inspiration, this article clipped and taped into #7.
11.13.09
11:46
11.14.09
03:04
regards,
jason.
11.18.09
01:09
Kipp will always be loved and I know he is so near .
11.18.09
04:42
11.24.09
05:09
11.30.09
07:22
11.30.09
07:23
12.17.09
02:21
Great post
12.24.09
04:35
12.27.09
03:59
12.29.09
03:57
Great info here, thanks!
Karen
12.29.09
04:56
Jack
12.29.09
04:58
12.31.09
03:01
12.31.09
01:41
01.03.10
01:49
01.03.10
12:01
01.03.10
03:47
01.07.10
07:06
01.14.10
10:38
01.22.10
07:16
Thank you,
Faith
02.11.10
02:00
03.15.10
01:30
06.09.10
05:44
I picked up eight Norcom's at Wal-Mart last week for 25 cents each. By my reckoning, for the price of another Moleskine, I could have bought enough composition books at that price to last me for the remainder of my life.
07.19.10
06:23
07.30.10
04:13
08.11.10
12:24
08.16.10
11:25
While I love my computers and smaller electronic devices, I love my notebooks too. I've used many, but rarely fill them, switching to new ones for various reasons, none of them rational.
08.23.10
09:39
I have a webpage for composition notebooks for kids -
http://www.squidoo.com/cool-composition-notebook-for-kids-not-those-plain-marble-ones-
Hope it was helpful !
08.25.10
08:39
I love your books. Thanks for sharing them. Inspiring!
09.04.10
12:29