Alexandra Lange is an architecture and design critic, and author of Writing about Architecture: Mastering the Language of Buildings and Cities. (Princeton Architectural Press, 2012). Her work has appeared in The Architect’s Newspaper, Architectural Record, Dwell, Metropolis, Print, New York Magazine and The New York Times.


































































03.26.12
‘Deco Japan’ + Designing Women
The Japan Society's new exhibition
"Deco Japan: Shaping Art and Culture, 1920-1945" displays the surprising globalism of this little-known period in Japanese design, when pent-up post-1923-earthquake desires for new goods and new traditions met up with a new openness to Western arts and the rise of industrialization




































































































09.28.10
Yummy!
I thoroughly enjoyed the exhibition
Appetite, curated by Alexander Tochilovsky at the Herb Lubalin Center at Cooper Union, not least because it was bite-sized.




09.26.10
Masdar: So Many Questions
I was not planning to post anything about 
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.




09.24.10
Rendering v. Reality in Sukkah City
I was not planning to post anything about
Sukkah City. It all just looked like an architecture studio: so much effort, such worked-over results, and an inability to see the forest for the trees.











09.08.10
In Dwell: Hands Off the Icons
In the 
October 2010 issue of Dwell, which celebrates the magazine’s tenth anniversary by revisiting its own (generally happy) homeowners, I offer the following Argument.




09.07.10
Coming to the V&A: Tower of Power
It is not often that 
a museum blogs about Postmodernism, Michael Sorkin (one of the great take-downs) and credits the (female) renderer who made the AT&T Building look the best it ever has.





08.30.10
Lunch with the Critics: Park51 and 15 Penn Plaza
In my 
second critical lunch with Mark Lamster, in the creepy climes of the Hotel Pennsylvania, we discuss the urbanism, politics and skyline posturing of Park51 and 15 Penn Plaza.

















07.27.10
On DO: Lunch with the Critics
Please weigh in on 
Mark Lamster and my new Design Observer feature, "Lunch with the Critics," in which we observe the new Lincoln Center.








07.20.10
Culture Shed: Where’s the Neighborhood?
CultureGrrl 
offers a critique of the NEA grant for Culture Shed, the Diller Scofidio + Renfro and Rockwell Group design for a Kunsthalle with retractable roofs over at Hudson Yards.





07.18.10
Hung Ceilings
Mad Men returns, and now it's time to speculate on the evolution of Peggy’s hair and the meaning of Betty’s dress choices




07.13.10
Time to Move On
A very nice 
house in Montauk embodies the most recent cliches in architecture: floating staircases, pocket doors, and glass floors.







07.06.10
Below Black Rock
While the plaza around the 
CBS Building in Manhattan has always seemed perverse, it is now made worse with the addition of a bank.




07.02.10
The Personality of Parks
Until Pier 6 at 
Brooklyn Bridge Park opened, my only experience of parks as a parent had been of neighborhood parks










06.17.10
Diana Center & Architectural Bull----
Though rave reviews (
Architect, Metropolis, previously New York) are rolling in for Weiss/Manfredi’s Diana Center at Barnard College, every review has praised two things that I quickly dismissed as the most basic architectural bullshit: the copper glass and the street-level transparency.







06.11.10
Op Art Eye Candy
I’m lucky that I get to live with a
Julian Stanczak painting, bought by my father-in-law in 1968, when Op Art was really something.




06.10.10
Pomo Time Machine
I’m writing more about
Warren Platner, my favorite terribly wonderful or wonderfully terrible architect.








06.02.10
Bloggers in the Archive
Geoff Manaugh’s announcement, on
BLDGBLOG, that he would be blogging from the CCA this summer irritated me, partly because the idea is not brand new.




05.27.10
The Plastics
This month’s
Vogue, which had several enraging features, is not yet fully online except for Blake Lively, bathing suits, clear plastic.






05.21.10
The Anti-Enthusiasts
Design Blogs: The Vacuum of Enthusiasm, my Design Observer manifesto on what the world of design on the internet needs, lives on in the comments.








05.14.10
It Was All Yellow
In 
Buying In, author Rob Walker avoids talking about the aesthetics of the Livestrong bracelet.




05.12.10
In Metropolis: The Visceralist
I spent a day and a half with
Peter Bohlin in deepest Pennsylvania and New York State, and was very impressed with his house projects and attitude toward design.






05.07.10
On Archpaper: Saccharine Design
My review of
Marcel Wanders’ exhibition Daydreams at the Philadelphia Museum of Art for The Architect’s Newspaper just went online and let’s just say I was not impressed.








05.02.10
What I Learned @dcritconference
The
D-Crit Conference is just a memory, so as a tribute to the afternoon presentations I saw, I offer a set of tangents.













04.15.10
All in the Execution
Ian Baldwin's review of The Grid Book calls out the coffee-table book format and it's middlebrow achievements.










04.03.10
Has the High Line Ruined Us?
I went to
Brooklyn Bridge Park on opening day in the pouring rain with stroller.






03.31.10
Moynihan on Design
At
tonight’s lecture at D-Crit, Casey Jones, director of design excellence and the arts for the U.S. General Services Administration, quoted from Daniel Patrick Moynihan’s Guiding Principles for Federal Architecture, written in 1962.




03.30.10
Texts Without Context
I keep thinking about Michiko Kakutani’s piece,
Texts Without Context, that begins the discussion of what is being lost to culture by the supremacy of the web.












03.16.10
Things of Beauty
Saul Bass matchbook covers are about the most beautiful things I have seen in some time.








03.08.10
Not A Learning Experience
The Privileges finally gives a real satire of almost-present day New York City, in which money is discussed and no one has to learn their lesson.






03.03.10
The (Architectural) Anthologist
After some digressions weird and
wonderful, the Nicholson Baker I loved from The Mezzanine and U and I and Room Temperature seems to be back, cranky and at sea and procrastinating.















02.03.10
In AN 02: As the Tide Turns
In MoMA’s 
Rising Currents exhibition, certain tropes of contemporary waterfront design immediately surfaced.

















01.13.10
The Yuck Factor
Watch
District 9 as a palate cleanser after the visual feast of Avatar.






01.07.10
On DO: Skating on the Edge of Taste
The American Restaurant in Kansas City, designed by Warren Platner, is subject of a long essay on that architect and interior designer’s career.




01.06.10
I Heart Huxtable
Ada Louise Huxtable is still the most knowledgeable, elegant, thoughtful critic out there.







12.31.09
Last Post of 2009: Interview, Casey Jones
I interviewed the GSA’s newish head of Design Excellence,
Casey Jones, earlier this month about the future of this government program to ensure better architecture for government buildings






12.21.09
Exciting Multi-Generational Moment
An essay and slideshow on the
design of James Joyce’s Ulysses by my mother, Martha Scotford, appears on Design Observer, where I was recently made a contributing writer.






















11.22.09
Another New York
Every time I get an issue of
New York Magazine lately I ask myself: is Adam Moss turning it into a men’s magazine?



















10.24.09
Petting Zoo
On Thursday I took my class on a field trip to
One Bryant Park, the sustainable skyscraper that is almost complete at the northwest corner of 42nd Street and Sixth Avenue.























































































Observed


“This is her fifth long-form visual project,”writes Wesley Morris in his review of Renaissance, Beyoncé’s newest movie, out now in theatres. “We’re now talking about an auteur.” Morris doesn’t stop there. “Simply at the presentation level, coherence and visual imagination are in the house.”

Did you know that the Institute for Scrap Recycling sponsors a design award? And that it has done so for more than three decades? Friends, you have until February 12 to submit your game-changing ideas. Get cracking.

Legendary architect William McDonough—who was one of the first proponents of “circular” design—thinks we’re talking about the issue all wrong. And on that same topic, this year's Business of Design summit brings together policymakers, business executives, and creative leaders to identify critical challenges, innovative ideas, and smart design processes driving circular design. (More here.)

Thanks to a number of new collective projects in Paris, Ukrainian design is becoming a fully-fledged part of the global creative industry.

This just in from the Department of Dystopian Prognostications! A new AI tool— called COLE, named in honor of Henry Cole (the creator of the first graphical Christmas card in 1843) lets you type in a graphic design project idea and have an AI generate not only the image, but the text to support it baked in. 

The Female Design Council names a new director: Angharad Coates previously served as director of communications at the New York Academy of Art and was most recently a managing partner at Camron, a design-focused public relations agency.

Designing better (and more inclusive) (and more innovative) meetings.

"It’s interesting, highly random, and even has the excitement of gambling and card drawing." A designer uses MidJourney to explore new dimensions in typography. 

As the talent pool for luxury artisans in Europe dwindles, fashion brand LVMH has created a unique apprenticeship program in the US in partnership with Tiffany & Co., the  Fashion Institute of Technology in New York City, the trade school Studio Jewelers, and RISD. “We are teaching the next generation of craftspeople how important the details are,” says Dana Naberezny, chief innovation officer of jewelry at Tiffany and head of its workshop in Manhattan.

Loon-loving Minnesotans, this is your last chance.

Hundreds of documents related to chattel slavery — including wills that bequeathed enslaved people to relatives —have been discovered among probate records in Fulton County, Ga. "We were able to uncover some interesting stories about slave owners," says Chief Probate Judge Kenya Johnson. "A story that I hadn’t heard before: Slave owners paid for their slaves to go back to Africa."

Due to climate change, the U.S. Department of Agriculture has been forced to update its "plant hardiness zone map," an essential tool for gardeners (and anyone wondering why native plants are dying.)

Russia’s Supreme Court has banned "the international LGBT public movement," calling it an extremist organization.

There’s another Mona Lisa. Or is there?

Michael Latt, a film marketing consultant who had become a beacon for social justice, was murdered by an intruder in his Los Angeles home. Latt, 33, was the founder and CEO of Lead With Love, a social impact marketing agency that deftly married activism and art. His collaborators included directors Ryan Coogler, Ava DuVernay, and Barry Jenkins.

Save the date: Riyadh, the capital city of the Kingdom of Saudi Arabia, has been selected to host the 2030 World Expo, according to the Bureau International des Expositions.  "Expo 2030 Riyadh, The Era of Change: Together for a Foresighted Tomorrow,” will run between October 2030 and March 2031.

Acclaimed American photographer Larry Fink, the self-described “Marxist from Long Island,” has died at 82. His black-and-white photographs ranged from portraits of working-class people to the entertainment elite. “He was a dear friend and a free spirit,” said his longtime gallerist, Robert Mann.

Uh, what’s wrong with networking? The COP28 president-designate Sultan Al Jaber is facing accusations that his team has been using this year’s climate convening as an opportunity to make fossil fuel deals for the UAE’s state-owned oil and gas company, allegations he vehemently denies.

New data from McKinsey & Co. show companies are no longer promoting Black professionals into leadership jobs at the rate they were two years ago. And that’s a problem. “If you were borderline committed, you’ve just kind of exhaled and retreated,” said Michael C. Bush, CEO of Great Place to Work, a research and consulting firm.

It may surprise you to learn that £88 billion of UK pension savers' money is invested in fossil fuels. Still unconvinced? Climate deniers, meet Oblivia Coalmine

A Japanese economist, Tatsuyoshi Saijo is at the forefront of the Future Design movement, which aims to figure out how to get the world to care more about future generations. He is one of the fifty individuals shortlisted on Vox's Future Perfect list—identifying the  thinkers, activists, and scholars working on solutions to today’s (and tomorrow’s) biggest problems.

We are all redesigners, now—or at least we're all becoming engaged design critics. In the US, Kansas citizens reject their state's proposed new license plate design (claiming, among other things, that it looks too much like New York's plate) while in the UK, residents of Gloucester dispute the design of a Covid memorial. 

Every front page in the New York Times—since 1852.

Design thinking has missed the mark, says Anne-Laure Fayard and Sarah Fathallah in this must-read piece in the Stanford Social Review. “We reject design thinking as a singular tool kit prescribed to solve social problems,” in part because, it has failed to do so. “Instead, we call for a critical stance on design, where critical means both discerning and important.”

The United States, Britain and more than a dozen other countries on Sunday unveiled what a senior U.S. official described as the first detailed international agreement on how to keep artificial intelligence safe from rogue actors, pushing for companies to create AI systems that are "secure by design." .

Dasha Tsapenko is one of a growing number of designers growing clothing from mycellium. (More here.) 

A brief respite of eye candy: this exquisite scrapbook—with typography made from matchboxes, dating from 1875—will bring you a rare moment of analogue joy. (Thanks to Debbie Millman for sharing it!)

Design Observer's approach to paying it forward includes supporting big dreams for those who deserve to see those dreams become a reality. (Spoiler alert: you won't find any “top fifty gifts for creatives” lists here this, or any holiday season.) Instead, we'll be sharing ideas over the next few weeks for ways that you can help someone else. Start here.

South African designer Thebe Magugu incorporates vintage (family) photos into a new line of clothing. (Read more about the Heirloom Shirt Project here.)

Remembering George Tscherny, the graphic design powerhouse whose work defined a post-war golden age of corporate growth, innovation, and consumerism.



Jobs | December 02