Wim Crouwel is recognized for the creation of radical, modular letterforms. Pushing the boundaries of legibility, Crouwel’s innovative type was often supported by easily read sans serif typefaces within a carefully structured framework. His typefaces were digitised by the Foundry in the late nineties and are available for designers to use digitially from the type library. 

Crouwel famously established a grid-based methodology for the Stedelijk Museum, Amsterdam, a system which he applied rigorously from 1963 to 1985. 

Crouwel was one of the five founders of Total Design, a multidisciplinary design studio set up to work on major design commissions. The studio’s diverse experience enables them to execute both complex and wide-ranging projects for a variety of clients, from industry, trade, government and cultural sectors. 

From 1985 to 1993, Crouwel was a director at the Boijmans van Beuningen Museum in Rotterdam, where he commissioned the British studio 8vo to fulfil the design requirements of the museum. Crouwel continues to design intermittently on a diverse range of projects for both graphic and exhibition design commissions. 

Jan van Toorn is one of the most influential Dutch graphic designers to have emerged since the early 1960s. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wants the public to measure the motives of both the client and the designer who mediates the client's message against their own experiences of the world. His work has stimulated a more active and skeptical view of art, communication, media ownership and society. As director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-level educational initiative that urged designers to think harder about design's role in shaping contemporary reality. 







Observed | October 15

Karim Rashid opines on the harsher realities of a life in design. [JH]

Richard Schultz, American pioneer of modernist furniture, dies at 95. [JH]

Pixar movies, and the subtleties of dystopian cities. [JH]

In celebration of their relaunch Print magazine comissioned a wonderful video that you should watch. [BV]


Observed | October 01

Adnan Lotia recreates iconic album covers with ... Lego. [JH]

Designers Verònica Fuerte and Sebastián Londoño turn circles into an international design language. [JH]

Jim Jarmusch, collage artist. [JH]

Posted without comment. [JH]


Observed | September 24

For the ABC Science series Phenomena, the Australian artist and filmmaker Josef Gatti collaborated with the Australian composer Kim Moyes for an amalgamation of art and science exploring ‘naturally occurring patterns, and the fundamental forces of nature that create them’. [BV]

Jack Kerouac, book designer. [JH]

An exquisite memorial by the American artist Suzanne Firstenberg. [JH]




Observed | September 17

From Aunt Jemima to AI, How Racism Creeps Into Design: an insightful video from Bloomberg Equality. [JH]

The 40 winners of this year’s Posterheroes Becoming e-Quals competition have been announced. Congrats to all! [BV]

German artist Max Hattler finds inspiration in the immense size, muted colors, and relentless repetition of the facades of Hong Kong’s apartment high-rises. [BV]

Swatch Bharat—online collections of Indian native aesthetics, created to preserve artifacts disappearing due to globalization—has completed their eighth collection. Get inspired![BV]


Observed | September 10

Rachel Berger’s Shooter Box—an exhibition protesting the United States military’s use of Microsoft Xbox controllers as battle equipment—now on view at California College of the Arts. [JH]

Pantone No. 1837, Jean-Michel Basquiat, and a conspiracy theory about art and commerce. [JH]

Designing a better airport. [JH]

Revisiting a seminal guerilla signage project, twenty years later. [JH]



Jobs | October 23