Chain Letters


Lilly Smith
Chain Letters: Celene Aubry
“The natural path to solving any design problem is rarely straight.”


Lilly Smith
Chain Letters: Melissa Deckert + Nicole Licht
"We really enjoy the ideation stage of a project because it is where we can be thoughtful and considered, but also allow ourselves to entertain crazy ideas."


Lilly Smith
Chain Letters: Victor Melendez
This December, we’re elevating the act of gift giving by pondering the items inside the box: examining design as craft, poring over process, and picking the brains of designers whose technical skill turn products into objets d’art.


Lilly Smith
Chain Letters: Dana Chisnell
You might think these aren’t design questions, but you’re in the business of culture change.


Lilly Smith
Chain Letters: Toni L. Griffin
I strongly believe—and have seen firsthand—how shared ownership in creating a vision plan inspires greater collective action.


Lilly Smith
Chain Letters: Chelsea Mauldin
“Most broken government systems are not designed—they accrete, bits and pieces stuck on to address problems.”


Lilly Smith
Chain Letters: Steven Heller
“Design is a profession that has grown out of its stereotypes.”


Lilly Smith
Chain Letters: Elysia Borowy-Reeder
“Information is everywhere now. We need educated, well-versed curators to make sense of it.”


Lilly Smith
Chain Letters: Alexander Tochilovsky
"Reading the imprint of past choices can teach us a lot about how to be a designer today."



Lilly Smith
Chain Letters: Sean Adams
The point regarding design history is about documentation. If the work is not documented and disseminated, it disappears.


Lilly Smith
Chain Letters: Margaret Gould Stewart
Margaret Gould Stewart is Vice-President of Product Design at Facebook where she leads a global team of product designers and researchers for teams such as Artificial Intelligence and Privacy & Data Use.


Lilly Smith
Chain Letters: Arthur Cohen
I support a world in which design is not elevated and codified into some idealized “other,” but rather integrated into everyday practice that is just good business.


Lilly Smith
Chain Letters: Randy J. Hunt
“There are examples of designs that were the spark of an innovation and there are examples of designs that added to and evolved an otherwise already innovative idea.”


Lilly Smith
Chain Letters: Grace Jun
“Design is way of seeing and a way of doing. A unique perspective and method that combined can lead to innovation.”


Lilly Smith
Chain Letters: Zachary Lieberman
“Tools and jobs will always change but the fundamentals stay the same.”


Lilly Smith
Chain Letters: Paul Pangaro
In my experience, an understanding of the processes of design and the means for expanding techniques and capabilities are a matter of practice and critique, tightly coupled.


Lilly Smith
Chain Letters: Dori Tunstall
“Designing is not about a job. Design is one of many pathways for doing meaningful work in the world.”


Lilly Smith
Chain Letters: Gail Anderson
“As a designer, I am sensitive to the way people consume information, and very concerned about the survival of print.”


Lilly Smith
Chain Letters: Joan Wong
“I’m not sure the experience between print and ebooks is really that different.”


Lilly Smith
Chain Letters: Jennifer 8. Lee
“In my line of work, sometimes you have to wait for the future to catch up.”


Lilly Smith
Chain Letters: Anna Gerber
“Readers and writers are open, adventurous, and eager to try new things. Even if those experiences are not always perfect.”


Lilly Smith
Chain Letters: Paul Moore
“Streaming has shocked new life into the music industry and the vinyl we all hold dear to our hearts. Now the platform is finding a new generation of ardent fans. As designers, that’s where we can influence a movement.”


Lilly Smith
Chain Letters: Emily Batson
“A key part of my job is collaboration. I enjoy the negotiation of finding a concept that truly works.”


Lilly Smith
Chain Letters: Frank Ockenfels 3
“I am a true believer of creating in the moment.”


Lilly Smith
Chain Letters: Lawrence Azerrad
It‘s June, and you know what that means—the unofficial kick-off of summer concert season. This month, we examine design and music, and why fans everywhere benefit when these creative industries work in concert.


Lilly Smith
Chain Letters: Jamer Hunt
“And it’s likely the case that most design criticism today focuses on ideology more than aesthetics, as we’re going through a period of long-overdue self-scrutiny.”


Lilly Smith
Chain Letters: Molly Heintz
Labeling design, or anything, “good” is a slippery slope—good for whom?



Lilly Smith
Chain Letters: Andrew Blauvelt
Criticism allows for self-reflection, and that is necessary when we use words like discipline and field to talk about design.


Lilly Smith
Chain Letters: Alice Twemlow
“Of course design criticism is still relevant—it just inhabits formats that we might be less familiar with.”


Lilly Smith
Chain Letters: Karin Fong
“A bit of uncertainty is good for the design process. I would hate to be trapped in the sureness of my own thoughts.”



Lilly Smith
Chain Letters: Deva Pardue
“I don’t believe that being an artist or a designer by definition makes you an activist. I think the responsibility arises when you have something relevant to say.”


Lilly Smith
Chain Letters: Rhea Combs
“I believe art has many functions, and one of them is to interrogate the status quo.”


Lilly Smith
Chain Letters: Lindsay Peoples
Celebrating Women’s History month and how to better design for inclusivity with The Cut’s fashion market editor, Lindsay Peoples.


Lilly Smith
Chain Letters: Julian Alexander
What made Julian Alexander become a designer, and what was it like working with 50 Cent during the start of his career?



Lilly Smith
Chain Letters: Jason Murphy
“Inclusivity. That is the cliché. Where are they doing that?”


Lilly Smith
Chain Letters: Ced Funches
“Admitting you may not be the best person to bring a vision to life is the hard part.”



Lilly Smith
Chain Letters: Dian Holton
"As designers, we are problem-solvers, visionaries, and teachers," says Holton. "It’s important for us to be empathic and proactive in learning about our audience, so that we can provide meaningful experiences. This means getting to know the people who may not be like you."


Lilly Smith
Chain Letters: Briana Como
“We make an effort to be aware of and remove bias by focusing on behaviors instead of demographics when creating distinct personas.”


Lilly Smith
Chain Letters: Sarah Doody
“With anything we create, the first step in the design process must be to understand. This happens through research.”


Lilly Smith
Chain Letters: Richard Ting
Richard Ting, Global Chief Experience Officer at R/GA, continues our Chain Letters interview series.


Lilly Smith
Chain Letters: Jessica Gaddis
This interview is part of a new Design Observer series, Chain Letters, in which we ask leading design minds a few burning questions—and so do their peers, for a year-long conversation about the state of the industry.



Observed


At MIT on June 27—Designing With, Not For: a conversation between Richard Perez, founding director of the Hasso Plattner School of Design Thinking at the University of Cape Town; Amy Smith, founding director of the MIT D-Lab; Surbhi Agrawal, 2022 MAD Design Fellow, urban planner, and data scientist at Sasaki; and Aditya Mehrotra, instructor of Mobiles for Development at MIT. This event is part of this year's Design Research Society (DRS) conference, on the theme of recovery, reflection, and reimagination.

Multi-Species Worlding is an experiment, for no more than twenty people, into the felt perspective of another species, in which participants will practice speaking as that species, and build shared worlds that serve all of life.  This workshop brings together multi-species artists, architects, researchers, storytellers, communicators, educators, entrepreneurs, designers, and anyone curious about co-creating worlds where all species thrive. 

Coming this fall, join a pivotal gathering of minds from Italy, Netherlands, Ireland, UK, China, Kenya, Germany, Denmark, Turkey, Brazil, Canada, Mexico, Poland, Spain, Finland, Hong Kong, and the United States for Designing Nature and Humanity-Centered Future,  at ISMAT Portimão (in Portugal's Algarve) from 8 to 11 of October. Interested? You have until the end of July to submit an abstract.

“Must be buff, charged with the emblem of the State, a pine tree proper, in the center, and the North Star, a mullet of 5 points, in blue in the upper corner; the star to be equidistant from the hoist and the upper border of the flag, the distance from the 2 borders to the center of the star being equal to about 1/4 of the hoist, this distance and the size of the star being proportionate to the size of the flag .”  The State of Maine is seeking design ideas before voters in November determine whether to adopt a new, more distinctive flag.

Picture this: A photographer wins an AI Image competition with a real photo. "I wanted to show that nature can still beat the machine and that there is still merit in real work from real creatives," said Digital Artist Miles Astray before he was disqualified. 

The American artist Kehinde Wiley—whose work he describes as “shedding light on the inequities Black and Brown people face in our society,”—has been accused of sexual misconduct. Wiley has denied the charges, but two museums have canceled upcoming exhibitions of his work.

In tandem with this exhibition (on view through the end of January 2025),  a new, five-episode podcast—hosted by British design critic and author Alice Rawsthorn—traces the evolution of Gae Aulenti through the voices of friends, curators, and a range of international architects.

The Los Angeles Design Festival is looking for new board members.

The Obama Foundation is looking for a new VP of Communications.

An Idaho pub owner celebrates “Homosexual Awesomeness Month” because “Pride is too extreme.”

SCOTUS gets it right on tribal health care:  In Becerra v. San Carlos Apache Tribe, the justices ruled that the federal government will have to pay more for health care on the reservations, making it a ruling on sovereignty

Something’s going on at Baraboo High School, y’all. Wisconsin? Thoughts?

Anne H. Berry, whose work focuses on representation and diversity in design as well as ethnic and racial disparities in the field, has been selected to be the next Director of the School of Design in the College of Architecture, Design, and the Arts at UIC Chicago.

Read about the fifty people helping to shape Chicago. (Gensler's Andre Brumfield leads the charge!)

You need a Wall Street Journal digital subscription to view this in its entirety, but the story needs to be shared whether you read it or not: high-profile school shootings, and the fear they spread, are shaping how architects design the modern American school.

Anna Gerber and Anna Holsgrove's Hurry Up, We're Dreaming is a new quarterly magazine focused on the relationship between technology and an unlikely trio of influences: ancient wisdom, spiritual practices, and natural intelligence. Their first issue is expected later this summer.

Grace Jun's new book on adaptive, wearable design—Fashion, Disability, and Co-design—is,  in her own words, “a practical book on the intricacies of design with examples of the many ways people can collaboratively work together”. Jun will be speaking on May 31st at Rizzoli Bookstore at 6pm in New York City.  (She was our guest on The Design of Business | The Business of Design back in season two.)

At the Business Design Centre in London, New Designers—now in its 39th year—brings together a whopping 3,000 design graduates every year from over 100 universities. The first week (26–29 June) highlights fashion and costume, contemporary design crafts, textiles, ceramics, glass, jewelry, and precious metalwork. The second week (3–6 July 2024) showcases furniture, product design, industrial design, spatial design, graphic design, illustration,  animation, motion art, digital art, and game design.

In a shocking announcement this morning, The University of the Arts in Philadelphia announces it will cease operations effective on June 7, 2024.

In partnership with the IKEA Foundation, What Design Can Do supports creative climate solutions aimed at fostering a more circular society. The winning projects in their latest challenge—Redesign Everything–include approaches such as bio-cement reef structures that mimic oyster reefs, bead alternatives designed to eliminate microplastics, and the use of agro-industrial fruit waste to create sustainable biomaterials.

Can you taste design? Designer, researcher, and author of Why Fonts Matter Sarah Hyndman has been conducting “typosensory research” experiments into how our senses “sway our perception.” 

A Banksy museum… with no Banksys?

Three Black men are suing American Airlines for racial discrimination, alleging all Black male passengers — none of whom were traveling together — were removed from their departing flight "because a white male flight attendant had complained about an unidentified passenger's body odor.” In 2017, the NAACP issued a travel advisory warning Black travelers that the airline had a “corporate culture of racial insensitivity and possible racial bias.” The advisory was lifted in 2018.

How do you know it’s racist if you didn’t watch it? This was largely the response from the three judges on the 7th U.S. Circuit Court of Appeals panel, who appeared unmoved by the accusation of a white former manager that his employer, Honeywell International, had fired him for refusing to attend a brief training session on unconscious bias. “It would be very different if your client had watched it and came in and said, ‘I found it discriminatory for the following reasons,’” Circuit Judge Amy St. Eve said to plaintiff Charles Vavra’s lawyer. Vavra sued Honeywell in 2021.

The not-so-quiet panic from climate scientists.

Donald Trump has been framing Chinese immigrants as mostly “military-age” men, here to stir trouble from within. “And it sounds like to me, are they trying to build a little army in our country? Is that what they’re trying to do?” he said in a campaign stop last month. But one immigrant who traveled through Ecuador to the U.S. border told the AP that it’s not true. “It is impossible that they would walk on foot for over one month” to organize an attack, he said. “We came here to make money.” Another, who hopes to make enough to bring his wife and children, said, “This trip is deadly. People die. The trip isn’t suitable for women — it’s not suitable for anyone.” 

“You need to kick that f***ing door down!” Vice President Kamala Harris was the guest of honor at an AAPI Heritage Month event this week and encouraged attendees to break through the barriers they still face. “We have to know that sometimes, people will open the door for you and leave it open, sometimes they won't. And then you need to kick that f***ing door down," as the audience cheered. "Excuse my language," she laughed.

This is why we can’t have nice things. An art installation project called the Dublin Portal experience, a 24/7 live cam and screen offering a real-time link between Dublin and New York City, is being ruined by “a small minority of people” doing “inappropriate things.”

More than 100 high-profile French art world figures have signed an open letter supporting the Palais de Tokyo in Paris after longtime patron Sandra Hegedüs withdrew her funding, saying, “I don’t want to be associated with the new, very political direction at the Palais de Tokyo...dictated by the defence of wokeism, anti-capitalism, pro-Palestine, etc.’” At issue was the show Past Disquiet, which focuses on four “museums in exile” and is constructed as a touring exhibit. From the response to Hegedüs: “These words and these methods, using a popular tribunal on social networks… are dangerous for the art world, for artists and for the freedom of institutions, as well as for our democracy.”

The pageant system is a toxic workplace, according to Miss USA Noelia Voigt and Miss Teen USA UmaSofia Srivastava, who announced their resignations last week. Srivastava said her "personal values no longer fully align with the direction of the organization," and Voigt cited mental health reasons in a statement, then later accused the Miss America Organization of providing "a toxic work environment ... that, at best, is poor management and, at worst, is bullying and harassment." Miss Colorado Arianna Lemus resigned in solidarity on Friday, writing that Voigt and Srivastava's "voices have been stifled by the constraints of a contract that undermines their rights and dignity.” 



Jobs | June 18