John Foster and his wife, Teenuh, have been longtime collectors of self-taught art and vernacular photography. Their collection of anonymous, found snapshots has toured the country for five years and has been featured in Harper’s, Newsweek Online and others.
















































































































































07.07.13
Wartime ID Badges
Mark Michaelson, author of the book 
Least Wanted, has a fabulous photostream on Flickr with hundreds of photographic mugshots, ID badges, and other similar examples of identification. 






















02.03.13
Accidental Mysteries
From 1935 to 1944, the 
Farm Security Administration hired economist Roy Stryker to set up what would become one of the most important photographic documentary projects in the history of the nation.





01.13.13
Accidental Mysteries
Jason D'Aquino is a miniaturist who creates on an incredibly small scale and whose preferred canvas is, perhaps not surprisingly, a matchbook.




12.30.12
Accidental Mysteries
Comic selections from the 
Lewis Wayne Gallery in Dallas, Texas — one of the nation’s largest galleries of comic book art. 



















































































































Observed | January 19

Design as a proactive response to disaster, and the challenges for climate change. [JH]

In a design exploration that has taken nearly two years and six significant iterations of the prototype—during which the app’s usage has grown eightfold to 4 million daily active users—Slack introduces threaded conversations. Meanwhile, Mozilla (remember them, before Netscape?) introduces a revamped design identity. [JH]

In the US, nuclear plant design goes modular. [JH]

The lost signs of Montreal. [MB]

Paula Scher, Christoph Niemann and more visionary designers: coming soon on Netflix. Watch the trailer here! [JH]

Apple vs.Samsung: it‘s not over! [JH]

Design, detente—and defiance. [JH]

“Trump sits for hours with architects and designers, instinctively pointing to what he likes and doesn’t like.” The President-elect as design client. Sad! [JH]


Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]

Shepherd Fairey’s protest posters. [JH]

Beautiful data: NYC-style but open and available to all. [JH]


Observed | January 12

The newly-minted field of “behavioral design” looks to have pretty much nothing to doing with design. Is taking design’s name in vain OK? I’m starting to wonder. [JH]

Sleep Mode is an exhibition on the art of the screensaver at Het Nieuwe Institute, Rotterdam. [MB]

Engineers at UCLA have come up with a design that offers unlimited phone bandwidth. [JH]



Jobs | January 20