Rachel Lehrer + Lee Moreau | The Futures Archive
The Futures Archive S2E1: The Disco Ball
Susan Morris | Essay
Robert Mapplethorpe and Patti Smith
Lee Moreau | The Futures Archive
The Futures Archive S2E0: Introductions
Sloan Leo | Books
The Infrastructure of Care
Francisco Laranjo | Essays
Critical Graphic Design: Critical of What?
Alexandra Lange | Essays
Against Kickstarter Urbanism
Susan Morris | Essays
MoMA’s Documentary Fortnight
Adrian Shaughnessy | Essays
The Designer's Virus
Debbie Millman | Audio
Celebrating Pride
Susan Morris | Essays
Design+ at Sundance, Slamdance, and the NYFF
Jessica Helfand | Essays
All Things Matter
Susan Morris | Essays
Design + Architecture at SXSW
Sean Adams | Books
How Design Makes Us Think
Connect 4 | Audio
Jonathan Jackson and Avalon Garrick: Time for Change
Steven Heller | Essays
Incompetence Is a Skill
Harriet Gridley | Terms of Service
Terms of Service: March Edition
The Editors | Watch This Space
Design Observer Community Session: Barbara Glauber
Jason Grant | Essays
Against Branding: Part 2 — Design and Happiness
Jason Grant | Essays
Against Branding: Part 1 — Design and Conflict
Steven Heller | Essays
WAR! What’s it Really Good For?
Adrian Shaughnessy | Books
Impact
Steven Heller | Essays
The Thrill is Gone: A Collector’s Lament
Connect 4 | Audio
Victor Newman and Ana Amaro: Becoming an Animator
Chappell Ellison | Essays
You’ll Never Guess the Amazing Ways Online Design Writing and Criticism Has Changed
Connect 4 | Audio
Eddie Opara and Tyriq Moore: How Do You Build Knowledge as a Designer?
The Editors | Terms of Service
Terms of Service: February Edition
Eugenia Bell | Essays
Eliot Noyes
Adrian Shaughnessy | Essays
Charles Dickens and The BBC


Observed | March 11

The 2020 National Security Law, slogans, and the art of the pictogram: a thread on Twitter. (via Blake Eskin.) [JH]

Owning the apple—one logo at a time. [JH]


Observed | March 04

Emeline King, Ford’s first black female transportation designer, has a few things to say about trailblazing. [JH]


Observed | February 25

The value of well-designed work. [JH]

In Berlin: Konstantin Grcic on design, function, and the new normal. [JH]

How to design a bike lane. [JH]


Observed | February 11

A love letter to Garamond. [JH]

Maria Nicanor is appointed director of the Cooper Hewitt Museum in New York.[JH]


Observed | January 28

An extraordinary list of speakers just announced for the State of Black Design conference, at Texas State University. (h/t Rebecca Breuer) [JH]

When design fails—according to Reddit users. [JH]

When Build Back Better becomes Design Back Better: a speculative scenario for employee retention, one “innovation space” at a time. [JH]


Observed | January 21

How a design museum unearthed a treasure trove of classic Slovak games. [JH]

“Someone out there ... came up with the emoji grid as a spoiler-free way of sharing her results with other people.” Josh Wardle, creator of the internet word game Wordle, on the game’s minimalist design. (via Blake Eskin) [JH]

In other design news, the green M&M has been redesigned so that she will be “better represented to reflect confidence and empowerment, as a strong female, and known for much more than her boots.” (via Jeffrey Kittay.) [JH]

Colgate’s designers have spent more than five years redesigning their toothpaste tubes so they can be recycled in curbside bins. [JH]


Observed | January 14

Cooper Union is looking for a new architecture dean. [JH]

In a year of cancelled film and theatrical productions all over the world, production design gets a nice shout-out. [JH]

Meet the woman preserving 125 years of black history in Baltimore. [BV]


Observed | January 07

“It seems to me that designers, bringing evermore astonishing prowess to bear, too often outshine the work they are meant to support.” Another pitch-perfect review by Jesse Green. [JH]

Design and the Chinese bookstore: a saga! (h/t to Jen Renninger) [JH]

From Mad magazine to B-Movies: An Oral History of Beastie Boys’ Artwork. [BV]


Observed | December 30

Book jackets as optical echoes. [JH]

Design and Healing, a new exhibition at Cooper Hewitt in New York, “helps us appreciate optimism amid hopelessness, and celebrates extraordinary accomplishments under duress”. [JH]

The long read: Craig L. Wilkins on the questionable role of the architectural biennial. [JH]

Why is a typeface named Jim Crow? (via Mike Errico.) [JH]



Jobs | March 18