Dana Arnett + Kevin Bethune | The Design of Business | The Business of Design
S10E8: Norman Teague
Debbie Millman | Design Matters with Debbie Millman
Dr. D’Wayne Edwards
Nancy Sharon Collins | Interview
Mount Street Printers
Susan Morris | Essay
#NYFF2022: Landscape, Design Labor, + NY
Adrian Shaughnessy | Essays
The Designer's Virus
Francisco Laranjo | Essays
Critical Graphic Design: Critical of What?
Adam Harrison Levy | Essays
The History of Being Found
Alexandra Lange | Essays
Dot Supreme
Connect 4 | Audio
Min Lew and Zaiah Sampson: Finding Your Creative Voice
Jessica Helfand | From Our Archive
Total Recall
| Books
The New Art of Making Books
Jessica Helfand + Ellen McGirt | Audio
S9E2: Melanie Keen
Sean Adams | Books
How Design Makes Us Think
The Editors | Terms of Service
Terms of Service: June 2021
Alexandra Lange | Essays
Criticism = Love
Jessica Helfand | Audio
S9E01: Ellen Mirojnick
Scott Berkun | Books
The Powerful Decide
Adam Harrison Levy | Essays
Jump Cut: Thoughts on Editing
Connect 4 | Audio
Natasha Jen and Adnan Bishtawi: How Do You Survive as a Designer?
Jason Grant | Essays
Against Branding: Part 1 — Design and Conflict
Connect 4 | Audio
Kojo Boateng and Brian Jean: Making Decisions, Making Your Mark
Bryan Finoki | Essays
Architecture vs. the People
Adrian Shaughnessy | Essays
Charles Dickens and The BBC
Harriet Gridley | Terms of Service
Terms of Service: March Edition
Adrian Shaughnessy | Terms of Service
Pan Afrikan Design Institute
Ashleigh Axios | Opinions
To Be a Design-Led Company
Alexandra Lange | Essays
Against Kickstarter Urbanism
Jason Hill | Books
Artist as Reporter


Observed


Inclusive design, at Microsoft. [JH]

Best design stories of 2022, from The Guardian. [JH]

Penmanship, cursive, handwriting—what’s the point? [JH]

Set on half an acre in the lovely hamlet of High Falls, New York, the studio that once served Marc Chagall is for sale. [JH]

After escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. (There’s hope for us all!) [JH]

Weird and wonderful artifacts, via Jason Kottke. [JH]

Design fiction—a speciulative pracrtice that combines science fiction, design thinking, and foresight—might be the next innovation in business. [JH]

For the love of drawing. [JH]

Design and sex. [JH]

Design nerds—rejoice! [JH]

In the latest issue of Print, Paul Sahre discusses his grammy nomination with Debbie Millman. [JH]

Both standard and limited collector’s editions of MuirMcNeil’s System Process Form are now available at Volume, together with a range of uniquely seductive rewards.

Also from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. Compiled by Burgess and Louise Colbourne, This Is Hardcore is available for pre-purchase now. [JH]

We were sad to hear that the visionary George Lois, died last week. He was 91. [BV]

Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]

Art and immersion, according to David Hockney. In London, through April. [JH]

Striking art and design faculty at Parsons and The New School make headlines—as they should. [JH]

Wakanda Forever‘s costumes represent a coming together of cultures. [BV]

Japandi! [JH]

Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]

Sirenia, a new font from Felix Braden, is made up of organic shapes and ornamental curves. [BV]



Jobs | December 20