Rob Walker writes about technology, design, business, the arts, and other subjects. His column The Workologist appears in The New York Times Sunday Business section. Previously he wrote the Consumed column for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are.    

















































































































































10.03.08
Subconscious Warm-Up
The Speedo LZR Racer suits worn by
Michael Phelps and other world-class swimmers. Promoted as a design breakthrough and worn by the most victorious Olympian in history, it offers a potent blend of functional promise and emotional aspiration.












04.08.07
Back to Basics Egg & Muffin Toaster
In a recent issue of The 
M.I.T. Sloan Management Review, Michael Schrage, a business writer and an M.I.T. researcher, challenged what Bruce Greenwald, has said about the fate of all innovative technologies: “In the long run, everything is a toaster.”




















Observed | March 24

A history of the zipper. [MPL]

Designer vs Developer: Google‘s YouTube and podcast series aims to help bridge understanding. [MPL]

Apple co-founder Steve Wozniak on the early days of design at Apple. [JH]


Observed | March 23

Norway has redesigned its banknotes: here’s a preview. (Via Kevin Hicks.) [JH]

Gurafiku founder Ryan Hageman on Japanese graphic design. [MPL]

How a photo of a tour van became a “lovely graphic tool” in the hands of Harry Pearce. [JH]

The US Supreme Court rules that design elements can be copyrighted ... if you’re a cheerleader, that is. [JH]


Observed | March 22

10 notebooks for designers. (And they‘re not all Moleskines.) [MPL]

All of Frida Kahlo‘s anguish, beauty, and pain in, what else, 160 FridaMoji. [BV]

A collection of East German beer and drink labels. [MB]

"The standards of good design don’t change when designing for doing good.” Why the Resistance doesn’t need another logo. [MB]

“So now is a good moment to think about how protest works and what it can achieve.” An exhibition on the visual history of protest opens tomorrow at the Imperial War Museum in London. [JH]


Observed | March 21

Why Christopher Gray was the witty architectural historian everybody loved. [BV]

The Resistance has a logo. [MB]

Chicago gang business cards from the 70s and 80s. [MB]

Roman Mars ranks government logos. [MPL]

At the Metropolitan Museum of Art, artistic expressions of mathematics over seven centuries. [MB]


Observed | March 20

Black + blue + swoosh = space logo. Cosma Schema wants to blast this to outer space. Meanwhile, SpaceX wants to have internet in space. [MPL]

“That is the great learning tool and the great joy of life: this idea that you sit down and out of nothing, you create something.” On the 50th anniversary of his iconic poster for Bob Dylan, an interview with Milton Glaser. [MB]

Trump’s budget is an assault against creativity in America. [MPL]

A mesmerizing data visualization of educational attainment in America. [MB]

Boot, wheelbarrow, thimble: out. Penguin, ducky, Tyrannosaurus rex: in. [MB]


Observed | March 17

Groovy textiles. [MPL]

Forget the spoonful of sugar. It’ll taste better in a spoon shaped like this. [MPL]

Subversive design ideas for a Trump border wall. [JH]

Elevating junk food, by design. (Via Ken Gordon.) [JH]


Observed | March 15

The articulate and thoughtful Toby Bottorf on “consilient” thinking in design. [JH]

Ciao, ragazzi! E grazie, Delta! [JH]

Design is still having a moment! More here. [JH]

Between cover and content: the overlooked beauty of endpapers. [CCHS]



Jobs | March 26