Rob Walker writes about technology, design, business, the arts, and other subjects. His column The Workologist appears in The New York Times Sunday Business section. Previously he wrote the Consumed column for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are.    

















































































































































10.03.08
Subconscious Warm-Up
The Speedo LZR Racer suits worn by
Michael Phelps and other world-class swimmers. Promoted as a design breakthrough and worn by the most victorious Olympian in history, it offers a potent blend of functional promise and emotional aspiration.












04.08.07
Back to Basics Egg & Muffin Toaster
In a recent issue of The 
M.I.T. Sloan Management Review, Michael Schrage, a business writer and an M.I.T. researcher, challenged what Bruce Greenwald, has said about the fate of all innovative technologies: “In the long run, everything is a toaster.”




















Observed | September 30

A comprehensive (and vividly presented) proposal to redesign NYC’s Penn Station from our friend Vishaan Chakrabarti at PAU. [MB]

Fortunato Depero’s extraordinary 1927 monograph Depero Futurista, also known as "The Bolted Book," is being reissued thanks to a Kickstarter campaign starting next month. [MB]

This weekend, an ambitious conference celebrates America’s most unlikely design capital, Columbus, Indiana (with beautiful graphics by Thirst). [MB]

“Bloom” is a credit-card sized, portable inhaler designed for asthma sufferers. It’s also a finalist for the James Dyson Award. See the other finalists here. [JH]

“The internet is part of my life. I’d miss it terribly if it wasn’t there” 84% of 65 to 99 year-olds also felt the same way: why ageism is a design problem. [JH]

Forbes share their list of the best design books to read before 2017. [JH]

Moviemakers love architects. As long as they are white men. [MB]

Michael Kimmelman reviews the new exhibition By the People—opening this week in New York at the Cooper-Hewitt Museum. [JH]

How a hashtag defined a movement: an interview with the founders of #BlackLivesMatter. [MB]


Observed | September 29

MoMA announces a three-day symposium to mark the 50th anniversary of the publication of Robert Venturi’s Complexity and Contradiction in Modern Architecture, November 10-12. [MB]

More on Target’s iconic pill bottles, designed by Deborah Adler, now sadly replaced with more conventional ones. [MB]

Banking on simplicity and good design principles, Figma wants to be the GitHub of design—and more. [JH]

The humanitarian core of design—and why it matters. [JH]

Design, politics, and the future. [JH]

A wrist watch for the visually impaired. [JH]


Observed | September 28

The relationship between design environments and cognitive function. Here’s the original study. [JH]

An exhibition in New York celebrates the accomplishments of the working designer while framing a larger conversation about a defining moment of creative syncretism. [JH]

Design fans? Look no further! [JH]

"When you start tinkering with things ... the consumer kind of gets a little testy.” A plea to return to the "vastly superior design" of Target (pill) bottles. [JH]

“Visually, anyway, there was a discernible arc to the event, with Mr. Trump growing more agitated as the night wore on, and Mrs. Clinton becoming almost giddy with what felt increasingly like genuine pleasure.” One reporter watches the first US Presidential debate—with the sound off. [JH]


Observed | September 27

Audi’s longstanding design flaw—and its failure to admit it. [JH]

Le Corbusier once said, “If you want to see bad taste, go into the houses of the rich.” On design—and disease. [JH]

Cory Doctorow explains design fiction. [JH]

Times Higher Education explains what a design degree is actually worth. [JH]


Observed | September 26

Design. And desire! [JH]

“The future is already here,” says Fiat design chief Ralph Gilles. ”It’s just not here. It’s in different places.” [JH]

The Art Directors Club, a fixture on the New York advertising and design scene since 1920, is closing down to be acquired by The One Club. [MB]

The Comic Book Legal Defense Fund fights censorship, protects First Amendment rights, and provides legal representation for comic creators facing prosecution. [JH]

One word: plastics! [JH]

A fashion guide for today’s stylish federal employee. [MB]



Jobs | September 30