Rob Walker writes about technology, design, business, the arts, and other subjects. His column The Workologist appears in The New York Times Sunday Business section. Previously he wrote the Consumed column for The New York Times Magazine, and has contributed to many publications. He is co-editor (with Joshua Glenn) of the book Significant Objects: 100 Extraordinary Stories About Ordinary Things, and author of Buying In: The Secret Dialogue Between What We Buy and Who We Are.    

















































































































































10.03.08
Subconscious Warm-Up
The Speedo LZR Racer suits worn by
Michael Phelps and other world-class swimmers. Promoted as a design breakthrough and worn by the most victorious Olympian in history, it offers a potent blend of functional promise and emotional aspiration.












04.08.07
Back to Basics Egg & Muffin Toaster
In a recent issue of The 
M.I.T. Sloan Management Review, Michael Schrage, a business writer and an M.I.T. researcher, challenged what Bruce Greenwald, has said about the fate of all innovative technologies: “In the long run, everything is a toaster.”




















Observed | February 22

The depressingly rapid decay of a neglected piece of ambitious modern architecture. [MB]

“One badly kept secret is that hardly any art school graduates go on to become professional artists. If you have decided to be one of them, give yourself a pat on the back. Next, develop a reputation as a team player.” Artists on pain, struggle, and eventual success. Also, um, stamina! [JH]

Iconic furniture = timeless investments? The Evening Standard thinks so! [JH]


Observed | February 21

The alienating personal technology device of the Victorian age: umbrellas. [MB]

Dutch author and illustrator Dickl Bruna, creator of the exquisite series of Miffy books, has died. [JH]

Students in Norway consider the future of prison design. [JH]

Are the decorative arts making a comeback because of 3D printing? [JH]

“Instead of asking what the design should look like, I wish we’d asked, ‘What can we do for you?’” What Robert Hammond learned from the High Line. [MB]

"Design is not an object or thing. Design is not taste.” An interview with Design Museum director Deyan Sudjic. [MB]


Observed | February 20

The Batbot Xtreme takes toy design to another level. [MPL]

Gerald Haltom‘s original 1958 sketches for the peace symbol. [MB]

Ugly buildings always photograph better at night (and other confessions of a former design magazine editor). [MB]

How Steven Heller redefined the design world. [MB]

Happy President‘s Day...? Ten times that Trump stirred up the design and architecture world. (And counting.) [MPL]


Observed | February 17

As the White House aims to stifle climate science, cities cooperate globally and plan locally, standing up to climate change. [BV]

The crude, vulgar, and celebrated art of Jean Dubuffet. [MPL]

Donald Judd on the relationship of artists and politics, 1970. [MB]

The most despised piece of furniture in the world has a name: Peggy. [MB]


Observed | February 16

The Statue of Liberty was modeled after an Arab woman. [MB]

Pratt Institute President Tom Schutte is the recipient of the 21st Rowena Reed Kostellow Award. [JH]

Why symbols matter. [MB]

Detroit, Design and the Future of Work—Detroit’s first exhibition as a UNESCO City of Design  [BV]

A Bug‘s Life meets Mulan and takes the form of this chair. [MPL]

Why do we have Wingdings and Dingbats? This short video explains all! [MB]


Observed | February 15

In the New Yorker this week, Design Observer contributor Rob Walker reviews the new Netflix series on design. [JH]

Charles and Ray Eames: a remembrance. [JH]

Fast Company‘s list of 2017‘s most innovative companies is out! [MPL]

What does industrialization look like? Take an aerial view.. [MPL]

Vasjen Katroi, a designer in Albania, makes a poster a day for a year. [JH]

Can corporate culture be designed? [JH]



Jobs | February 22