William Drenttel is a designer and publisher, and editorial director of Design Observer. He is a partner at Winterhouse, a design consultancy focused on social change, online media and educational institutions, and a senior faculty fellow at the Yale School of Management.


































































11.01.06
Polling Place Photo Project
The
Polling Place Photo Project seeks to advance innovation in citizen journalism by documenting local voter experiences during the U.S. midterm elections on Tuesday, November 7...

















































Observed | January 18

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]

Shepherd Fairey’s protest posters. [JH]

Beautiful data: NYC-style but open and available to all. [JH]


Observed | January 12

The newly-minted field of “behavioral design” looks to have pretty much nothing to doing with design. Is taking design’s name in vain OK? I’m starting to wonder. [JH]

Sleep Mode is an exhibition on the art of the screensaver at Het Nieuwe Institute, Rotterdam. [MB]

Engineers at UCLA have come up with a design that offers unlimited phone bandwidth. [JH]

Everything you ever wanted to know about publishers, design, and newsletters. [JH]

Forget about robots taking our jobs: in Australia a new fashion startup lets customers design their own products. [JH]

The irresistible narrative behind the legendary napkin sketch that upended US tax policy. [MB]


Observed | January 11

The folk power of Jamaican dancehall signs. [MB]

Seven ways for architecture and design firms to attract top talent. [MB]

Is Thomas Heatherwick’s iconic update to the London double decker bus being discontinued? [MB]

The shopping experience at every mall in America can be traced back to one second-tier city in the Midwest. [MB]

In honor of his 86th birthday, a quick overview of Massimo Vignelli‘s enduring NYC subway legacy. [MB]

Meet Galina Balashova, the woman who spent three decades designing the interior of Soviet spacecraft. [MB]


Observed | January 10

Photographer Michael Wolf and the dazzling and depressing architecture of density in megacities. [MB]

Thomas Hine‘s Populuxe once imagined a sedan where four people could sit in the back seat and play bridge. That moment may be coming soon: the future of the “occupant” experience in self-driving cars, from BMW. [JH]



Jobs | January 18