William Drenttel is a designer and publisher, and editorial director of Design Observer. He is a partner at Winterhouse, a design consultancy focused on social change, online media and educational institutions, and a senior faculty fellow at the Yale School of Management.


































































11.01.06
Polling Place Photo Project
The
Polling Place Photo Project seeks to advance innovation in citizen journalism by documenting local voter experiences during the U.S. midterm elections on Tuesday, November 7...

















































Observed | December 02

Design is the best weapon we have against fake news. [MB]

Frank Gehry’s design for Washington DC’s Eisenhower Memorial, long resisted by the former president’s grandchildren, inches towards approval. [MB]

“I myself am a color man; I love colors. When I see colors, my heart and emotions are taken.” Swiss design takes Shanghai! [JH]


Observed | December 01

Intentionally ugly design! Discuss amongst yourselves. [JH]

Forget the cyborg. Meet the eyeborg! [JH]

Windows new design language, set for release in 2017, is being described as a cross between holographic and augmented reality. [JH]

Design in the age of Napoleon. [JH]


Observed | November 30

From graphic design to ... pediatric oncology! One student’s inspiring and decidedly non-traditional path. [JH]

The convergence of design and development. [JH]

Exquisite, hand-printed books by Romano Hanni. [JH]


Observed | November 29

Does design come from crocodiles? [JH]

How the Toronto Symphony Orchestra uses graphic design. [JH]

Graphic Design 101—a pretty good description of what designers do, and how to attract a good one. [JH]

Buckingham Palace, as you’ve never seen it—rendered in gelatin—and more unusual design materials. And on the subject of food design, I give you: the enduring mystery of the Oreo! [JH]

The always amazing Rafael Esquer: Alfalfa Studio lights up New York! [JH]


Observed | November 28

How can a DIY design platform be valued at $345 million? Here’s how! [JH]

2017 Biomimicry Global Challenge announced: you have until the end of April to submit your proposals. [JH]

This week: with a particular look at science, experts on visual culture analyze a group of ten news and media photographs. Free and online. [JH]

Are creative directors really just ‘false messiahs’? Here’s one top executive who values data over design. [JH]

The untold story of Disaster Girl. [MB]


Observed | November 25

Launching next year: Norway’s new banknotes, designed by Metric and Snøhetta. [MB]

These quotation marks are why I have trust issues. [MB]

Quote of the week, from the CEO of Jaguar, Dr. Ralf Speth: “If you think good design is expensive, you should look at the cost of bad design.” [JH]

Can robots be designed to be responsible? [JH]

History’s most powerful protest art. [MB]


Observed | November 23

It’s another amazing OK Go video! “The One Moment” is mostly made up of 4.2 seconds of action, slowed w-a-y down. Explanation here. [MB]

Question for the long weekend ahead: Can good design be measured? [JH]

How to design a design museum. [MB]

DIY graphic design! [JH]

“His art has been one long warning that liberal democracy is a frail moment of light surrounded by forests of shadow and evil.” A new show of Anselm Kiefer’s work at the White Cube in Bermondsey. [JH]



Jobs | December 04