Connect 4 | Connect 4: Design Bridges

Eddie Opara and Tyriq Moore: How Do You Build Knowledge as a Designer?




The Editors | Books

Self-Reliance

To think through making, to know yourself better through the process of producing something....
Debbie Millman | Audio

Tanya Selvaratnam

Tanya Selvaratnam has said that when life throws you lemons, make art—and she has profoundly done just that in the face of unimaginable circumstances over the course of a long career blending activism and creativity....
Connect 4 | Audio

Man-Wai Cheung and Angel Blanco: “Mom, Dad, I Want to Be a Designer”

Man-Wai Cheung, founder and creative director of Adolescent and design student Angel Blanco, talk about choosing a creative career as first generation immigrants—and how they each explained that choice to their parents....
| Books

The New Art of Making Books

Founded in Philadelphia in 2016, Ulises is a collectively run art bookstore and exhibition space, who edited the recently published Publishing As Practice....
Adrian Shaughnessy | Terms of Service

Pan Afrikan Design Institute

In this month’s Terms of Service, Adrian Shaughnessy explores contemporary African graphic design....
Debbie Millman | Audio

Ethan Hawke

Ethan Hawke discusses a life spent celebrating creativity in its many forms....
Connect 4 | Audio

Jonathan Jackson and Avalon Garrick: Time for Change

Jonathan Jackson, Creative Director at We Should Do It All, and design student Avalon Garrick talk about the joys and challenges of finding their footing as creatives....
Jason Hill | Books

Artist as Reporter

In the 1940s the New York daily newspaper PM’s experimented with the then already "lost art" of sketch reporting....
Susan Morris | Essays

Design + Architecture at SXSW

Susan Morris rounds up the design and architecture films at SXSW, including The Queens Gambit, Mau, Lily Topples the World, and Them....
Debbie Millman | Audio

Design Matters From the Archive: Lisa Congdon

From finding and focusing in on your artistic voice to staying passionate and purposefully driven, creative sherpa Lisa Congdon once again helps listeners take their work to new heights....


Observed | May 06

Last week Microsoft announced that they wanted the Twitterverse‘s help picking a new default font. This seemingly trivial choice by Microsoft will determine what works looks like for hundreds of millions of people. (via Blake Eskin) [BV]


Observed | May 05

In conjunction with the Walker Art Center, BluDot announces OpenStudio: a free design program for kids aged 9 to 14. [JH]


Observed | May 04

Titus Kaphar signs with UTA where he’ll start developing film projects based on his paintings. [JH]


Observed | May 03

A new site celebrating the Uruguayan publication La Semana highlights the personal and public triumphs of this memorable newsweekly. (In English and Spanish.) [JH]

Rhode Island’s license plate—known affectionately as the wave, and designed by Rhode Island native and RISD graduate Tyler Smith—will be redesigned by the, um, public. Holding an open design contest is bold and exciting;, writes architecture critic Will Morgan. It is also a recipe for disaster. [JH]

Wallpaper offers a superb roundup of advocacy and support groups working for equity, inclusion, and change in deisgn and related industries. [JH]


Observed | April 28

Lehrer Architects LA‘s second Tiny Home Village project has opened this week to residents in North Hollywood. Yet tiny houses aren’t always loved. Discuss! [BV]

How to really look at art: an eight-step guide by Antwaun Sargent. [JH]


Observed | April 27

Dwight Garner reviews the new novel by Rachel Cusk and notes its unusual (and seemingly deliberate) type choice: Optima! “Optima is unusual to see in a novel,” Garner observes. “I tried using it to type this piece. It made me feel I was working on Laurie Anderson’s laptop.” [JH]

At the nation’s newspaper of record, the term “Op-Ed”—a relic of an older age and nod to an older print newspaper design—is being retired from duty. [JH]

How mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline: a new book by photographer Jessica Wynne. [JH]


Observed | April 21

Astrid Cooper is a curator in Bath, England. Also, she is five years old. [JH]

A new illustrated children’s book—featuring a flying gherkin—from Foster + Partners. [JH]


Observed | April 20

Introducing the whitest paint ever invented. [JH]

Just in time for Earth Day: Belgian artist Alain Verschueren’s Portable Oasis lets you spend quality time in the garden while social distancing at the same time. [JH]


Observed | April 19

Influential American architect Donald P. Ryder—who in partnership with J. Max Bond, Jr. was widely regarded as the most influential African-American architect in New York—has died at the age of 94. [JH]

Design ... and tasers. (Via Jeffrey Kittay) [JH]

Italy, meet Baltimore! [JH]


Observed | April 16

When wayfinding meets letterpress. [JH]


Observed | April 15

From trade catalogues to children’s stories, Dutch graphic designers during the first half of the 20th century produced a memorable body of work that deserves revisiting. [BV]


Observed | April 14

Everything you need to know about what’s happening in type today, from Monotype. [BV]

A collection of hand-lettered Marvel Comics titles, curated by Reagan Ray. (via James I. Bowie) [BV]


Observed | April 13

Plagiarism? Target? Discuss! [JH]

When good design makes bad cities—and how it can make them safer for women. [JH]


Observed | April 12

Behold: the cyborg—sorry, fashion mask. [JH]


Observed | April 08

The Huntington Library has a history of inequity. Can it pivot toward inclusivity? (via Blake Eskin) [BV]


Observed | April 07

Memory as inventory: a beautiful tribute in the New York Times. [JH]


Observed | April 06

Overlooked no more: The IBM Poster Program: Visual Memoranda features work by Ken White, John Anderson, Tom Bluhm and photographer Rodger Ewy among others like, um, Paul Rand. [JH]


Observed | April 05

Blending is the new branding. (Blend = Brand ± Transparency ± Framing ± Bespoke ± Blur) [BE]


Observed | April 01

Harvard’s GSD Introduces its own design imprint. [JH]



Jobs | May 08