
July 3, 2006
Absolut Signage
Photograph by Jessica Helfand, 2006.
You’d have to have been asleep for a good part of the last decade to miss the Absolut advertising campaign that has plastered the world (and which, for that matter, has left the world that much more plastered.) Artists from Eric Adigard to Lisa Yuskavage have lent their visions to the now-ubiquitous bottle, a sort of anthropomorphized vessel that lends itself to a host of interpretations.
Including this one, photographed at the miniature golf park not far from where we live in the Berkshires. I’m deeply in touch with my inner schoolmarm, particularly when it involves typos set in stone — or in this case, emblazoned in metal. I call it: Absolut Boo-Boo.
Observed
View all
Observed
By Jessica Helfand
Related Posts

Business
Courtney L. McCluney, PhD|Essays
Rest as reparations: reimagining how we invest in Black women entrepreneurs

Design Impact
Seher Anand|Essays
Food branding without borders: chai, culture, and the politics of packaging

Graphic Design
Sarah Gephart|Essays
A new alphabet for a shared lived experience

Arts + Culture
Nila Rezaei|Essays
“Dear mother, I made us a seat”: a Mother’s Day tribute to the women of Iran
Recent Posts
Candace Parker & Michael C. Bush on Purpose, Leadership and Meeting the MomentCourtney L. McCluney, PhD|Essays
Rest as reparations: reimagining how we invest in Black women entrepreneurs Food branding without borders: chai, culture, and the politics of packaging Why scaling back on equity is more than risky — it’s economically irresponsibleRelated Posts

Business
Courtney L. McCluney, PhD|Essays
Rest as reparations: reimagining how we invest in Black women entrepreneurs

Design Impact
Seher Anand|Essays
Food branding without borders: chai, culture, and the politics of packaging

Graphic Design
Sarah Gephart|Essays
A new alphabet for a shared lived experience

Arts + Culture
Nila Rezaei|Essays