William Drenttel

William Drenttel|Essays

Defamiliarization: A Personal History

In 1977, I wrote a college thesis about Michelangelo Antonioni. Fueled by illusions of scholarship, I attempted to evaluate this great Italian filmmaker through the lens of Russian formalist literary criticism. Out of nowhere, I single-handedly discovered that Antonioni's films …

William Drenttel|Essays

Typography and Diplomacy

Tom Vanderbilt is a writer whose observations on design I respect: I wish he had written this piece for Design Observer. Instead, we have a very good writer making smart design observations on Slate. Check out this story: the United States State Department has moved from Courier New 12 to …

William Drenttel|Essays

Call for Entries: Periodic Table of the Elements

Jessica Helfand and I are building a collection of Periodic Tables and hope to publish a book on their scientific, visual and cultural history. We are looking for examples — historical or contemporary — of interesting, innovative, unusual, compelling, daring, exotic …

William Drenttel|Essays

Uut, Uup and Away

Uut is the periodic symbol for Ununtrium, element no. 113, while Uup is the symbol for Ununpentium, element no. 115. Their discovery was jointly announced a few days ago by the Institute of Nuclear Research in Dubna, Russia and the Lawrence Livermore National Laboratory in …

William Drenttel|Essays

Rationalizing Absence

[Left: Michael Arad + Peter Walker, Reflecting Absence, 2004. Right: James Turrell, Hover, 1983.]I believe these images speak for themselves. When a German photo agency mistakenly released new renderings of the World Trade Center memorial design yesterday, they opened a pandora's …

William Drenttel|Essays

Adolf Wölfli Invents Design Brut?

[Adolf Wolfli, The Cevelar Mary (Funeral March, p.4038), (detail), 1929]Adolf Wölfli was a mad artist, a schizophrenic who molested three-year-old girls. Born in Bern, Switzerland in 1864, Wölfli died in 1930 at the age of 66. Thus, his life spanned the era of Bismarck, the …

William Drenttel|Essays

Design URLs

Design Observer is not just a name we stumbled upon: we searched hi and low. Delineator was not available, nor was untitled. The Velocity of Modern Life sounded too, well, too obvious and far afield. As a service to our readers over the holidays, here is a list of the twenty URLs we found to be …

William Drenttel|Essays

Shallow Water Dictionary

A number of years ago, I stumbled across an out-of-print tract called the Shallow Water Dictionary: A Grounding in Estuary English by John R. Stilgoe, a professor of landscape architecture at Harvard. This almost-a-book, really-a-long-essay, is of the type described by Lawrence …

William Drenttel|Essays

Information Archaeology

The New York Times recently ran a front page story about a U.S. Justice Department report on the agency's diversity efforts. The final assessment was posted on the web last month, but over half of the report was "blacked out." Obviously, a scandal in the making: the agency responsible for …

William Drenttel|Essays

Edward Tufte: The Dispassionate Statistician II

In a recent interview (here and here) with Edward Tufte by Dan Nadel (I.D. Magazine, November 2003), I was surprised to read Tufte saying that he discovered how "horrifying" PowerPoint was while doing a Google search for people who were teaching his work. In other words, he recognized …

William Drenttel|Twenty Years of Design Observer

Culture Is Not Always Popular

A keynote presentation by Jessica Helfand and William Drenttel at the AIGA conference in Vancouver, October 25, 2003.

William Drenttel|Essays

VAS: An Opera in Flatland

I first saw the work of Stephen Farrell while walking with Richard Meier through the opening of the Cooper-Hewitt National Design Triennial in 2000. Stephen made a 600+ page book about at typeface, Volgare, inspired by a Renaissance manuscript in the Newberry Library in Chicago. That …