Category: Interviews

Betsy Vardell|Interviews

Hopscotch Design Festival

What to expect from a new design festival in North Carolina.

Jennifer Kabat|Interviews

Exhibition as Inquiry: An Interview with Kieran Long

Guns, shoes and cheap jeans: Kieran Long has added all of these to the Victoria & Albert Museum’s permanent collection.

Adam Harrison Levy|Interviews

The Falling Man: An Interview with Henry Singer

The Falling Man is a 90-minute documentary that tells the story of a controversial image. Who took it? Why was it censored? And who was the man in the photograph?

Observed|Interviews

Q&A with Alice Twemlow, Chair of the SVA Department of Design Research, Writing + Criticism

Observed|Interviews

Artisinal Advertising

The book, the movie and a new interview.

John Thackara|Interviews

Ecuador, Open Knowledge, and ‘Buen Vivir’: Interview With Michel Bauwens

John Thackara interviews Michel Bauwens, founder of the P2P Foundation, is to lead a strategic policy project for Ecuador’s government called Free/Libre Open Knowledge (FLOK), also known as the social knowledge economy project.

Rick Poynor|Interviews

Collage Culture: Nostalgia and Critique

An interview with David Banash, author of Collage Culture: Readymades, Meaning, and the Age of Consumption.

Alexandra Lange|Interviews

Home Improvement

The Sweethome, where Consumer Reports and Amazon product reviews meet.

Francesca Granata|Interviews

“Women’s Work”: An Interview with Judith Thurman

Francsca Granata interviews Judith Thurman about fashion criticism and her own foray into it for The New Yorker.

Observed|Interviews

Ronald Shakespear

Unit Editions interview with Ronald Shakespear.

Mark Lamster|Interviews

The Rise and Fall of Polaroid: An Interview with Christopher Bonanos

A conversation with Chrisopher Bonanos on Instant, his history of Polaroid and Edwin Land

Michelle Hauser|Interviews

Pop Photographica: An Interview with Daile Kaplan

Daile Kaplan’s comprehensive collection all has one unifying trait: a photographic element that was not intended for viewing on the wall.