June 2, 2009
Once Out of Chaos
Once Out of Chaos: Pauline Galiana, a video by Richard Devereaux
Natural sounds and natural lighting inform this elegiac mediation on making — on art formulated and gridded from the detritus of painting. This meticulously-paced video by Richard Devereaux takes the time to capture the beauty of hundreds of individually-sewn stitches, softly wavering in the breezes of a warm afternoon.
Pauline Galiana painted Silent Cells in 2004, exploring the repetition of forms on a grid, then the repetition of the paintings as a series. She saved hundreds of paper rags used to wipe her oil brushes, and then in 2008-09 began a new series of collages, Winter of Will. Sewn gently onto organic fabric, she creates a new, breathing grid. Galiana’s work is a mediation on domesticity and the recycling of creative energy. And Richard Devereaux is a patient, thoughtful filmmaker.
Observed
View all
Observed
By William Drenttel
Related Posts
Architecture
Bruce Miller|Essays
A haunting on the prairie
Arts + Culture
Yahia Lababidi|Essays
‘The museum-going cannibal:’ On Francis Bacon
Design Impact
Elizabeth B. Dyer|Essays
The horror between “before” and “after”
The Observatory Newsletter
Delaney Rebernik|Analysis
A story of bad experiential design
Related Posts
Architecture
Bruce Miller|Essays
A haunting on the prairie
Arts + Culture
Yahia Lababidi|Essays
‘The museum-going cannibal:’ On Francis Bacon
Design Impact
Elizabeth B. Dyer|Essays
The horror between “before” and “after”
The Observatory Newsletter
Delaney Rebernik|Analysis