Blake Eskin|Observer Quarterly
June 10, 2016
White Lines
On the subway, where the vast majority of other people are strangers, barriers have their virtues, and before pocket-sized touchscreens, the most effective form of urban insulation was a pair of headphones. The Sony Walkman and its imitators came with wired, foam-covered plastic earmuffs that carried an electric signal from a cassette, converted it into sound waves that travel through the middle ear, then encoded it again and fed the signal to the listener’s brain. Headphones make an individual on a crowded subway or a busy street into an island in the stream. They give the illusion of privacy and solitude in places where there is none, and make the city livable.
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By Blake Eskin
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