Jessica Helfand, a founding editor of Design Observer, is an award-winning graphic designer and writer. A former contributing editor and columnist for Print, Eye and Communications Arts magazine, she is a member of Alliance Graphique Internationale and a recent laureate of the Art Director’s Hall of Fame. Jessica received both her BA and MFA from Yale University where she has taught since 1994. In 2013, she won the AIGA medal.


























































































































































11.27.06
How Hollywood Nailed The Half-Pipe
Pixar
and Animal Logic have mastered a particularly persuasive (and as it turns out, rather literal) form of spin that makes Road Runner look like dryer lint.







09.21.06
Death 'N' Stuff
Smoking Kills: The label days it all. Or does it? Once the allegedly chilling skull and crossbones is marketed as a decorative pattern
on a silk bowtie, its credibility as an mark of peril seems, well, somewhat questionable, begging the question: have we become so bored by life that we've inadvertently become inured to death?

































06.22.05
The Adventures of Cynic Boy and Design Mom in 3D
Brainwashed I may be, but I distinctly noted an homage to
Salvador Dalí — with perhaps a gentle nod to René Magritte — last night while sitting through Robert Rodriguez's ludicrous, yet oddly luscious new movie, The Adventures of Shark Boy and Lava Girl in 3D.




06.10.05
The Cut: When Life Imitates Art (I Mean Design)
CBS Television debuted its new series,
The Cut, (modeled after other reality shows such as NBC's The Apprentice)about "16 aspiring designers."







03.24.05
The Design Police
As unlikely as it sounds:  
Graphic Junkies is a photo blog by  "an active law enforcement officer in the state of Georgia." The photographs are remarkable; the context compelling.






02.18.05
My Friend Flickr
Flickr is a digital photo sharing website and web services suite that was developed by Ludicorp, a Vancouver, Canada company founded in 2002. It's a utopian oddity — a culture enabled by a technology that in turn enables a culture — and it's a brilliant example of socially networked software because it's free, its easy, and it makes sense.




02.16.05
The New Paper Chase: Cyberspace on The Auction Block
On February 23,
Christies in New York will auction more than 1,000 items dating as far back as the early 17th century, all of it tracing the history of cyberspace.














































Observed | January 20

Five months after becoming director of the Museum of Arts and Design, Jorge Daniel Veneciano is stepping down on Jan. 31 to turn his attention to the cultural sector. [JH]

From Portland-based designer Ilisha Helfman, a color palette tool for fountain pens with a custom-cut Canson paper top so you can make notes for each pen or sample ink vial. [JH]

On this historic day in America, as we struggle to honor truth, tolerance, and a deeply uncertain future, let us remember that inclusiveness is not only a matter of race and gender and nationality, but also a question of mutual respect and cross-disciplinary freedom. Ladies and gentlemen, I give you: doctors who create! [JH]

The day has come. Here’s a reading list for designers in Trump‘s America. [MPL]

“Taking cues from the Girl Scouts, Soviet-era Constructivism, the WPA, and Kara Walker…” Behind the branding of the Women’s March on Washington. [MB]


Observed | January 19

Design as a proactive response to disaster, and the challenges for climate change. [JH]

In a design exploration that has taken nearly two years and six significant iterations of the prototype—during which the app’s usage has grown eightfold to 4 million daily active users—Slack introduces threaded conversations. Meanwhile, Mozilla (remember them, before Netscape?) introduces a revamped design identity. [JH]

In the US, nuclear plant design goes modular. [JH]

The lost signs of Montreal. [MB]

Paula Scher, Christoph Niemann and more visionary designers: coming soon on Netflix. Watch the trailer here! [JH]

Apple vs.Samsung: it‘s not over! [JH]

Design, detente—and defiance. [JH]

“Trump sits for hours with architects and designers, instinctively pointing to what he likes and doesn’t like.” The President-elect as design client. Sad! [JH]


Observed | January 18

“They’re the spiritual successors to the visual metaphors of early graphical user interfaces, but there’s a big difference between an icon shaped like a trash can and the tilt of a robotic eyebrow.” Visualizing AI—and why it may not be as ‘user-friendly’ as you’d think. [JH]

Trump, His Gilded Taste, and Me, a strange and prescient piece by the late Herbert Muschamp (via Paul Goldberger). [MB]

From the Department of Thespian Schadenfreude: when good actors have bad auditions. (Spoiler alert: they’re still pretty good.) [JH]

From The Amplifier Foundation—an extraordinary initiative that needs to be funded, now—before it’s too late. [JH]

From our friends at Continuum, a cogent, level-headed argument explaining why so many corporate-level design thinking initiatives are inevitably doomed to failure. [JH]

Shepard Fairey, Jessica Sabogal, and Ernesto Yerena launch a campaign to fund public art to protest the inauguration and beyond. [MB]


Observed | January 17

Extraordinary motion graphics from the French motion graphics genius Maxime Causeret, with music by Max Cooper. [JH]

The long lost connection between and Marilyn Monroe’s most famous scene and Design Observer’s own Bonnie Siegler. [MB]

Juventus—an Italian soccer team— reveals its pared down, minimalist new logo. You know what happens next. [JH]

“I want to create new things.” A New York Times profile of legendary book designer Irma Boom. [MB]

Peter Mendelsund on family, memory, and W.G. Sebald. [MB]

The suit is dead. Long live the suit! [JH]


Observed | January 16

V&A Head Designer Annabel Judd is taking on science. And here’s what’s happening Stateside. [JH]

Wells Fargo rejects a Black Lives Matter debit card. [JH]

Richard Prince disavows his appropriated Instagram portrait of Ivanka Trump and returns the money they paid him for it. [MB]


Observed | January 13

Yves Béhar designs a robot for the elderly he’s calling a “companion”. [JH]

Mr. Poopie explores the uncanny visual relationship between poop and ice cream. (Via Modes of Criticism.) [MB]



Jobs | January 23