Jessica Helfand, a founding editor of Design Observer, is an award-winning graphic designer and writer. A former contributing editor and columnist for Print, Eye and Communications Arts magazine, she is a member of Alliance Graphique Internationale and a recent laureate of the Art Director’s Hall of Fame. Jessica received both her BA and MFA from Yale University where she has taught since 1994. In 2013, she won the AIGA medal.


























































































































































11.27.06
How Hollywood Nailed The Half-Pipe
Pixar
and Animal Logic have mastered a particularly persuasive (and as it turns out, rather literal) form of spin that makes Road Runner look like dryer lint.







09.21.06
Death 'N' Stuff
Smoking Kills: The label days it all. Or does it? Once the allegedly chilling skull and crossbones is marketed as a decorative pattern
on a silk bowtie, its credibility as an mark of peril seems, well, somewhat questionable, begging the question: have we become so bored by life that we've inadvertently become inured to death?

































06.22.05
The Adventures of Cynic Boy and Design Mom in 3D
Brainwashed I may be, but I distinctly noted an homage to
Salvador Dalí — with perhaps a gentle nod to René Magritte — last night while sitting through Robert Rodriguez's ludicrous, yet oddly luscious new movie, The Adventures of Shark Boy and Lava Girl in 3D.




06.10.05
The Cut: When Life Imitates Art (I Mean Design)
CBS Television debuted its new series,
The Cut, (modeled after other reality shows such as NBC's The Apprentice)about "16 aspiring designers."







03.24.05
The Design Police
As unlikely as it sounds:  
Graphic Junkies is a photo blog by  "an active law enforcement officer in the state of Georgia." The photographs are remarkable; the context compelling.






02.18.05
My Friend Flickr
Flickr is a digital photo sharing website and web services suite that was developed by Ludicorp, a Vancouver, Canada company founded in 2002. It's a utopian oddity — a culture enabled by a technology that in turn enables a culture — and it's a brilliant example of socially networked software because it's free, its easy, and it makes sense.




02.16.05
The New Paper Chase: Cyberspace on The Auction Block
On February 23,
Christies in New York will auction more than 1,000 items dating as far back as the early 17th century, all of it tracing the history of cyberspace.














































Observed | February 17

As the White House aims to stifle climate science, cities cooperate globally and plan locally, standing up to climate change. [BV]

The crude, vulgar, and celebrated art of Jean Dubuffet. [MPL]

Donald Judd on the relationship of artists and politics, 1970. [MB]

The most despised piece of furniture in the world has a name: Peggy. [MB]


Observed | February 16

The Statue of Liberty was modeled after an Arab woman. [MB]

Pratt Institute President Tom Schutte is the recipient of the 21st Rowena Reed Kostellow Award. [JH]

Why symbols matter. [MB]

Detroit, Design and the Future of Work—Detroit’s first exhibition as a UNESCO City of Design  [BV]

A Bug‘s Life meets Mulan and takes the form of this chair. [MPL]

Why do we have Wingdings and Dingbats? This short video explains all! [MB]


Observed | February 15

In the New Yorker this week, Design Observer contributor Rob Walker reviews the new Netflix series on design. [JH]

Charles and Ray Eames: a remembrance. [JH]

Fast Company‘s list of 2017‘s most innovative companies is out! [MPL]

What does industrialization look like? Take an aerial view.. [MPL]

Vasjen Katroi, a designer in Albania, makes a poster a day for a year. [JH]

Can corporate culture be designed? [JH]


Observed | February 14

Ikea’s best designed product of all time, according to it’s design chief. [JH]

If “design” becomes a synonym for “negotiate” we’re all in trouble. [JH]


Observed | February 13

“Almost alone among his countrymen, Johnson carried off his noxious politics with style.” Philip Johnson and the new American Fascism. [MB]

Journalist, curator, and longtime Head of Design at the V&A in London, Kieran Long is named Director of the Swedish Centre for Architecture and Design. [JH]

From The Atlantic, a deep dive into Apple’s flawless design aesthetic—and why it may just be a myth. [JH]

Madeline Stuart, who has Down Syndrome, designs and launches her own fashion line. [JH]


Observed | February 10

Timely explainer: what does the US Department of Housing and Urban Development actually do? [MB]

Creative dissent is central to political change. [MPL]

Ads, shorts, and the creative process of PES. (You have to watch “Fresh Guacamole.” You just have to.) [MPL]

“Anti-homeless” spikes have been removed in Manchester after locals kept covering them with cushions. [MB]


Observed | February 09

Next week in New York City: the remarkable Cliff Kuang on the untold story of design thinking. [JH]

Wallow in the beautiful custom version of Didot used by CBS in the 1960s, and don’t miss the comments. (Via Alexandra Lange.) [MB]

An interview with Obama‘s White House photographer. [MPL]

Using design to drive student performance. [JH]



Jobs | February 20