
John Foster|Accidental Mysteries
December 31, 2009
Accidental Mysteries
Nighttime has always held a powerful and integral place in the arts. Literature abounds with the metaphor of night. Writers and poets use the dark as a foil for mystery, intrigue, evil and as a contrast to light in all its forms. Visual artists — painters and photographers stalk the night for sublime and dramatic contrasts. It is where film noir resides, with loneliness, fear, and the unknown its comfortable companion. With midnight called “the witching hour,” it’s no wonder it’s the preferred time that goblins and haints awaken for their work.
Dan Witz; Highland Park, IL. 2006 oil and mixed media on canvas, 38 x 52 inches
Dan Witz: J&J Liquor, 2005, oil and mixed media on canvas, 44 x 68 inches
Todd Hido: Title: 7373, 2009, chromogenic print
Todd Hido: Title: 2045, 1997, chromogenic print
Robert Doisneau, La Fuite des Maries, 1951, gelatin silver print
E.O. Hoppe, Middletown in the Snow, Connecticut, 1926, Vintage silver gelatin print, 9-1/4 x 7-1/4 inches
Weegee, The Critic, 1943, silver gelatin print
Dan Kukla, The Edge Effect, chromogenic print
Robert Joshua Bingaham, Excelsior Pile, 2010, acrylic on linen, 42 x 54 inches
O. Winston Link, Hot Shot East Bound at Laeger, West Virginia, 1956, 16 x 20 inches, silver print
Bryan Haynes, Winter, acrylic on canvas, 20010
Spc. Lee Davis, U.S. Army photo, 2003, Fallujah
Jay Mug, Castelmezzano, Italy, digital photograph
Maxfield Parrish (1870-1966), A Venetian’s Night Entertainment, 1903, oil on canvas
Leonard Koscianski, Good Bad Dog, 2008, Oil on canvas, 45 ¼ x 67 inches
Jay Mug, DC Character Poster, The Dark Knight, 16 x 24 inches, digital print
Bob Staake, Reflection, The New Yorker, November 17, 2008
Mike Noland, War, Oil on Canvas, 46 x 38 inches
Charles Burns, “Big Baby: Teen Plague page 14,” 1989, Ink on paper, 14 1/2 x 14 3/8 inches
Bill Steber, Mississippi Delta Series, Black and White Photograph, 2010
Michael Kenna, Empire State Building, Study 4, New York, 2007, toned silver print, 8 x 7.75 inches
Eduard J. Steichen: The Flatiron, 1905. Photogravure, 12½ x 10¼ inches, Mount: 20 x 16 inches
Observed
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Observed
By John Foster
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