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Alexis Haut|Cinema
It’s Not Easy Bein’ Green: ‘Wicked’ spells for struggle and solidarity
On the ruby-slippered heels of DO editor-in-chief Ellen McGirt’s conversation with Wicked director Jon M. Chu, columnist Alexis Haut decipherates the film’s lessons for a design community going through shiz.
Alexis Haut|Cinema
About face: ‘A Different Man’ makeup artist Mike Marino on transforming pretty boys and surfacing dualities
On the cusp of Oscar Sunday, we’re talking award-winning makeup that gets under the skin.
Alexis Haut|Analysis
Innies see red, Innies wear blue: Severance’s use of color to seed self-discovery
With Apple’s most beloved show back on the airwaves after three long years, DO’s film columnist pens a valentine to all the ways season one used red to spell Innie liberation.
Alexis Haut|Cinema
‘The creativity just blooms’: “Sing Sing” production designer Ruta Kiskyte on making art with formerly incarcerated cast in a decommissioned prison
Sing Sing is a movie that takes place in a prison, but it’s not a prison movie.
Jez Owen|Cinema
Open the book, Hal
The Making of Stanley Kubrick’s 2001: A Space Odyssey
Ava Kofman|Cinema
The Animal That is 3-D
On Godard’s Goodbye to Language
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