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Rick Poynor

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Rick Poynor|Exposure

Exposure: American Family by Ralph Eugene Meatyard

The otherness of other people

Rick Poynor|Exposure

Exposure: Morandi’s Objects by Joel Meyerowitz

The sublime in ordinary things

Rick Poynor|Exposure

Exposure: Oildale by Rudy VanderLans

The dismal beauty of an oil field

Rick Poynor|Exposure

Exposure: Untitled Film Still #21 by Cindy Sherman

The photographer as performer

Rick Poynor|Exposure

Exposure: Nurse Midwife by W. Eugene Smith

The mystery of birth

Rick Poynor|Reviews

Barney Bubbles: Optics and Semantics

“Get Happy!!” poster for Elvis Costello and the Attractions, 1980Barney Bubbles has a unique place in British graphic design. Even more than Robert Brownjohn, who also died much too soon, Bubbles feels both known and unknown. If only …

Rick Poynor|Dialogues

We Found It at the Movies: Part I

Rick Poynor: Looking back, it’s surprising how long we’d known each other before it emerged that we shared an obsession for film.  Adrian Shaughnessy: Your obsession with film came as a surprise. Before lending you …

Rick Poynor|Dialogues

We Found It at the Movies: Part II

The second installment of Rick Poynor and Adrian Shaughnessy’s conversation about film. Can genre movies express a personal vision? Are films blurring into other media? And what’s the state of film culture today?

Denise Gonzales Crisp|Dialogues

A Critical View of Graphic Design History

Now comes yet another historical survey, Graphic Design History: A Critical Guide by Johanna Drucker and Emily McVarish. Denise Gonzales Crisp and Rick Poynor have been marking pages, making notes and exchanging views...

Rick Poynor|Essays

Lost America: The Flamingo Motor Hotel

I found this old photo in a box at the back of my attic. It shows a motel in Flagstaff, Arizona where I stayed for a couple of nights in May 1978. I was 20, it was my first visit to the US, and for three weeks I had been touring around on …

Rick Poynor|Essays

Dancing to the Sound in Your Head

We might not appreciate advertising conducted like a saturation bombing campaign in public spaces. Yet now, to complicate things, the personal stereo is being used as a way of reasserting spontaneity, exuberance and passion in …

Rick Poynor|Essays

Emigre: An Ending

Issue 69 of Emigre will be the last. In its heyday, it was the most consistently interesting design publication produced by anyone, anywhere. By 1990, it was one of those magazines you simply had to get hold of and read straight away.

Observed

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