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Rick Poynor

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Rick Poynor|Essays

The Writings of William Drenttel

Essays from the Design Observer archive show the wide scope of William Drenttel's interests and concerns.

Rick Poynor|Exposure

Exposure: Woman Mailing a Letter by Clifton R. Adams

The spell of vintage color

Rick Poynor|Essays

From the Archive: Surface Wreckage

Why do photographs and images of torn street posters exert such a powerful hold on the imagination and emotions?

Rick Poynor|Essays

Man in a Bowler: Illustration after Magritte

By copying Magritte’s subject matter and method, illustrators ended up making a great artist look hackneyed.

Rick Poynor|Essays

The Conceptual Advertising of J.G. Ballard

J.G. Ballard’s conceptual ads anticipated the emergence of culture jamming, subvertising, design fiction and speculative design.

Rick Poynor|Essays

In Response to An Anatomy of Uncriticism

Alexandra Lange’s article in Print about the sacred cows of graphic design sidesteps the issue it raises.

Rick Poynor|Exposure

Exposure: Striporama street scene by Vivian Maier

How good was the photographer nanny?

Rick Poynor|Essays

Career Prospects in the Pain Business

Freedom from Torture’s “torture recruitment” ads deliver perfectly calculated moments of cognitive dissonance.

Rick Poynor|Exposure

Exposure: Luigi Russolo’s Noise Machines

Sonic conjurors of experimental music

Rick Poynor|Essays

Jan van Toorn: The World in a Calendar

Jan van Toorn’s provocative 1972/73 calendar for the printer Mart.Spruijt has been reprinted by a Dutch design company.

Rick Poynor|Exposure

Exposure: Flypaper and Flies by Jacques-André Boiffard

A cold eye on insect carnage

Rick Poynor|Essays

What Does Critical Writing Look Like?

A report on work by the first graduates from the Royal College of Art’s Critical Writing in Art & Design MA.

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