Category: Audio

Michael Bierut|Audio

From the Archive: Neri Oxman

Neri Oxman leads the Mediated Matter research group at the MIT Media Lab. She treats art, science, and engineering as part of design.

Debbie Millman|Audio

Design Matters from the Archive: Simon Sinek

Debbie Millman talks to optimist, ethnographer, and author Simon Sinek about the fruits of good leadership.

Michael Bierut|Audio

Episode 87: Mortadella and Mortality

Eataly World, HBO’s Succession, Betsy DeVos in McMansion Hell, Little Fires Everywhere, the Coltrane Circle

Debbie Millman|Audio

Design Matters from the Archive: Thomas Kail

Debbie talks to Hamilton director Thomas Kail about his career and about the joys of collaboration.

Michael Bierut|Audio

Episode 86: Home and Away

Wes Anderson in Italy; 3D printed Mars habitat competition; from Hilton to boutique hotels to Airbnb; designer baby names; the Vignelli townhouse

Debbie Millman|Audio

Design Matters from the Archive: Barry Blitt

“Well you want to have your hand on the page, I mean there’s times I walk around and try to think of things, but three-quarters of the battle is scribbling.”

Debbie Millman|Audio

Design Matters From the Archive: Barry Blitt

“Well you want to have your hand on the page, I mean there’s times I walk around and try to think of things, but three-quarters of the battle is scribbling.”

Michael Bierut|Audio

Episode 85: Midsummer Music

Musical theater, soundtracks, Bach’s Goldberg Variations, Rachmaninoff’s Cello Sonata in D Minor, and more.

Michael Bierut|Audio

Episode 84: The Politician’s Gaze

Alexandra Ocasio-Cortez, a White House without culture, John Carreyrou’s Bad Blood, early Ivan Chermayeff book covers

Debbie Millman|Audio

Matthew Carter

Debbie talks to the great type designer Matthew Carter live on stage.

Debbie Millman|Audio

Laurie Anderson

Debbie Millman brings artist Laurie Anderson live on stage to discuss her career, art, life, and politics.

Debbie Millman|Audio

Amy Sherald

Debbie talks to portrait painter Amy Sherald about her emotionally evocative work. “I didn’t know I was doing it until I had a show, and I had like, three people start crying when looking at the work. And I was like, what is …