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Category: The Self-Reliance Project

Showing 25 – 36 of 41 results

Jessica Helfand|The Self-Reliance Project

Responding

Responses are reactions, and reactions demand attention.

Jessica Helfand|The Self-Reliance Project

Distancing

Will social alienation make us a socially alien nation?

Jessica Helfand|The Self-Reliance Project

Surrendering

Surrender is the art of uncertainty: it’s the practice of giving in, not giving up.

Jessica Helfand|The Self-Reliance Project

Sheltering

Shelter is not so much a gesture of imprisonment as an invitation to dream.

Jessica Helfand|The Self-Reliance Project

Canoeing

What is an actor without an audience? A person—that’s what.

Jessica Helfand|The Self-Reliance Project

Burning

To read a poem allows you to visit words, the same way you might, say, go to a museum to visit a particular painting.

Jessica Helfand|The Self-Reliance Project

Recalibrating

To measure your worth against what life looked like until last month is a fool’s errand.

Jessica Helfand|The Self-Reliance Project

Longing

Wanting what is not possible—no matter how you define your object of desire—is a recipe for disappointment.

Jessica Helfand|The Self-Reliance Project

Listening

Sound cuts right through you and tells its own story—whether you like it or not.

Jessica Helfand|The Self-Reliance Project

Harvesting

What kind of work would you make if you thought no one was looking?

Jessica Helfand|The Self-Reliance Project

Breathing

Breathing is one of those things you take for granted. Until you can’t.

Jessica Helfand|The Self-Reliance Project

Looking

What it means to be a maker during this pandemic.

Observed

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Jobs

Latest Podcasts

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Sing Sing group shot
Cinema

Alexis Haut

‘The creativity just blooms’: “Sing Sing” production designer Ruta Kiskyte on making art with formerly incarcerated cast in a decommissioned prison

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Democracy

Sheena Medina

What now?

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Audio

Aimee Allison

Make a Plan to Vote ft. Genny Castillo, Danielle Atkinson of Mothering Justice

the substance
Analysis

Alexis Haut

Black balled and white walled: Interiority in Coralie Fargeat’s “The Substance”