Theory + Criticism

Rick Poynor|Essays

Critics and Their Purpose

Pulling a 1960s art magazine from the shelf, I opened it at random to find a long list of thoughts about art criticism assembled in 1966 by students at the Royal College of Art in London. Many of these ideas apply to design.

Jessica Helfand|Essays

One Person, One Vote, One MRI?

In our little New England village, voting takes place at the local Town Hall, a small building on Main Street with two entrances that lead to one large room containing a single voting booth. In the last primary, local officials placed …

Rick Poynor|Essays

Theory with a Small "t"

A critical writing determined by the need to shape practice will be limited in the cultural insights it can offer. This is the last thing that design writing needs when ways to engage a wider public could be opening up.

Rick Poynor|Essays

How to Say What You Mean

There is a crucial difference between subtle and complex ideas and needlessly convoluted forms of expression. The challenge now for design writing is to move outwards into a world in which design is everywhere.

Jessica Helfand|Essays

Regarding the Photography of Others

In an interview published in yesterday's Guardian, David Hockney makes a case for the implausibility of photographic truth: asserting that photography is as fictional as painting, his argument is an odd sort of inversion of Susan Sontag's …

William Drenttel|Essays

Defamiliarization: A Personal History

In 1977, I wrote a college thesis about Michelangelo Antonioni. Fueled by illusions of scholarship, I attempted to evaluate this great Italian filmmaker through the lens of Russian formalist literary criticism. Out of nowhere, I …

Jessica Helfand|Essays

The Crisis of Intent

Victor Schrager's photographs currently on view at Edwynn Houk Gallery in New York are dream-like and unsettling: richly saturated, they're a cross between the urban drama of a Hugh Ferris drawing and the sobering stillness of a Gerhard …

Jessica Helfand|Essays

You're Going to Hollywood, Baby

Jessica Helfand|Essays

The Span of Casual Vision

Rick Poynor|Essays

Notes on Experimental Jetset

Experimental Jetset’s argument that design should have a certain autonomy and an inner logic separate from tastes and trends makes sense, but as a rationale for defaulting to Helvetica, is it convincing?

Jessica Helfand|Essays

On Visual Empathy

In a world besieged by unpredictable atrocities, don’t we all feel a little emotionally raw? Two recent articles in suggest that visual empathy may more critical to a productive imagination than we thought.

Rick Poynor|Essays

Those Inward-looking Europeans

Three American design teachers visit London and the Netherlands. European designers, they say, are not paying attention to design history. Maybe the visitors are missing local factors and broader global issues.