
February 11, 2015
Dispatch from Helsinki
Kruunuvuorenselkä, a Helsinki new town that utilizes pneumatic waste systems
Somehow Finland also missed the second wave, thirty years later, when tubes were installed in eco-neighborhoods and historic city centers in Europe and in new high-rise cities in Asia and the Middle East. Despite this, Finland may have a hand in what could someday be seen as pneumatic waste-collection’s third wave: tube networks that make modern garbage collection infrastructure so accessible that it becomes as ubiquitous as the bentwood furniture Finnish designers brought to living rooms in the 1950s and ’60s. A Finnish company, MariMatic, recently developed a new generation of pneumatic technology whose innovations can be traced back not to cities and sanitation but to a source less obvious: the sea.
Shipworks at Turku, Finland, where some of the world’s largest cruise ships are built and outfitted with MariMatic’s food waste collection system, “Taifun”
Cruise ships are billion-dollar mini-cities that carry thousands of passengers and crew, in addition to all of the food, drink, and other supplies they will consume, and, of course, all the waste those passengers produce. Many of the world’s largest are built in Finland and employ a unique fire prevention system developed by Göran Sundholm, an Elon Musk-type figure who has over a thousand patents to his name and an airplane hangar-sized research-and-development facility he calls “Legoland.” In the 1970s Sundholm developed a system for joining steel pipes so that offshore oil derricks could be assembled underwater without torch welding (thus lessening both risk and costs). Sundholm applied his experience with high-pressure pipelines to develop the first commercially viable application of a system that smothers fires with water vapor instead of streams of water—efficient not just in practice, but in the tight confines of cruise ships.
Rendering of Marimatic’s planned project in Mecca
System inlets for residential use in the new town of Vuores | photo: Benjamin Miller
The terminal in Vuores | photo: Benjamin Miller
Observed
View all
Observed
By Juliette Spertus
Related Posts

Civic Life
Ellen McGirt|Audio
DB|BD Season 12 Premiere: Designing for the Unknown – The Future of Cities is Climate Adaptive with Michael Eliason

Arts + Culture
Alexis Haut|Cinema
About face: ‘A Different Man’ makeup artist Mike Marino on transforming pretty boys and surfacing dualities

Design As
Lee Moreau|Audio
Designing for the Future: A Conversation with Don Norman (Design As Finale)

Arts + Culture
Alexis Haut|Analysis
Innies see red, Innies wear blue: Severance’s use of color to seed self-discovery
Recent Posts
DB|BD Season 12 Premiere: Designing for the Unknown – The Future of Cities is Climate Adaptive with Michael Eliason About face: ‘A Different Man’ makeup artist Mike Marino on transforming pretty boys and surfacing dualities Designing for the Future: A Conversation with Don Norman (Design As Finale) Innies see red, Innies wear blue: Severance’s use of color to seed self-discoveryRelated Posts

Civic Life
Ellen McGirt|Audio
DB|BD Season 12 Premiere: Designing for the Unknown – The Future of Cities is Climate Adaptive with Michael Eliason

Arts + Culture
Alexis Haut|Cinema
About face: ‘A Different Man’ makeup artist Mike Marino on transforming pretty boys and surfacing dualities

Design As
Lee Moreau|Audio
Designing for the Future: A Conversation with Don Norman (Design As Finale)

Arts + Culture
Alexis Haut|Analysis