July 22, 2016
Paris One Forty: Week Two
For 140 days in 2014, Jessica Helfand tweeted an image a day about her observations. Herewith, the second week of her visual diary.
Above a bookstore, a filagreed sign jutting out from a classic building. And about as far from Amazon as you can get. pic.twitter.com/ptHJK6UXoX
— Jessica Helfand (@ParisOneForty) August 26, 2014
Vintage postcards for sale in a shop that sells nothing else — French history as seen through a very particular lens. pic.twitter.com/QiykLHSDkG
— Jessica Helfand (@ParisOneForty) August 27, 2014
True — New York City may have its Fountain Pen Hospital — but here in Paris, there is actually a Fountain Pen Palace. pic.twitter.com/ZbgAWdJgM5
— Jessica Helfand (@ParisOneForty) August 28, 2014
At first glance, a foreigner might take these for non-stop sardines. But in fact, they are “arête” — yes, boneless. pic.twitter.com/kodir7PxVA
— Jessica Helfand (@ParisOneForty) August 29, 2014
To some, a mushroom is a hallucinogen. To others, a sad excuse for a vegetable. Here in Paris, they’re actually pink. pic.twitter.com/CDtC8HHd8A
— Jessica Helfand (@ParisOneForty) August 30, 2014
Airy confections — inversely proportionate to the trim patrons who buy them. An aesthetic (and affordable!) delight. pic.twitter.com/P1sNimRdeu
— Jessica Helfand (@ParisOneForty) August 31, 2014
In the Paris of my youth, there was always a pigeon on the statue of Benjamin Godard in the Square Lamartine. And is. pic.twitter.com/cvtdiYgXDE
— Jessica Helfand (@ParisOneForty) September 1, 2014
Observed
View all
Observed
By Jessica Helfand
Related Posts
Design Juice
Rachel Paese|Design Juice
Katie Conry on building public programming for San Francisco’s most historically rich — and most misunderstood — communities
Business
William Richardson|Commentary
Brands cannot afford to speak in the same voice as countless others right now. Typeface designers can help.
The Observatory Newsletter
Ellen McGirt
We’re joyfully receiving your feedback. Here’s where we’re headed:
Design Juice
Rachel Paese|Design Juice
Becoming a better observer has defined John Ball’s 40-year design career
Recent Posts
Katie Conry on building public programming for San Francisco’s most historically rich — and most misunderstood — communities Brands cannot afford to speak in the same voice as countless others right now. Typeface designers can help. We’re joyfully receiving your feedback. Here’s where we’re headed: Becoming a better observer has defined John Ball’s 40-year design careerSubscribe to The Observatory
Related Posts
Design Juice
Rachel Paese|Design Juice
Katie Conry on building public programming for San Francisco’s most historically rich — and most misunderstood — communities
Business
William Richardson|Commentary
Brands cannot afford to speak in the same voice as countless others right now. Typeface designers can help.
The Observatory Newsletter
Ellen McGirt
We’re joyfully receiving your feedback. Here’s where we’re headed:
Design Juice
Rachel Paese|Design Juice
Jessica Helfand is an artist and writer based in New England. A former critic at Yale School of Art and one of the founding editors of Design Observer, she is the author of several books on visual culture including Self Reliance, Design: The Invention of Desire, and Face: A Visual Odyssey.