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Observed | March 05

The Center for Urban Pedagogy now has a program in Public Access Design. Meet their newest design fellows here. [JH]


Observed | March 04

On the brink of nuclear war, America’s bold response to the Soviet Union depended on Juanita Moody, an unknown spy agency operative, whose story can at last be told. [BV]


Observed | March 03

For his piece Quantum Fluctuations: Experiments in Flux, London-based artist Markos R Kay set out to visually express a quantum interaction – a phenomenon that’s notoriously unobservable. [BV]


Observed | March 02

The beautiful, origami-like art of letterlocking. [JH]


Observed | March 01

See what other people are reading—quite literally. [JH]

Old photos of famous artists and scientists animated into ‘living portraits’ using AI. [BV]

From the brilliant Ariel Avissar, a supercut of the everlasting typewriter. (Via Kottke.) [JH]

Art, activism, and the Xerox machine. [JH]


Observed | February 25

The story of designer/Marxist Enzo Mari, the role of value creation, and a tale of two bookcases. [JH]


Observed | February 24

Vintage clothes, bright colors, and empowerment for Black women: one graphic designer’s sartorial adventure. [JH]


Observed | February 23

A revolutionary artist and the former minister of culture for the Black Panther Party, Emory Douglas used graphic design to build a culture of resistance. [JH]

OUCH, or, why UX design matters. [JH]


Observed | February 22

The story of Ford’s first African-American designer, McKinley Thompson, who sketched the original 1966 Bronco [BV]


Observed | February 19

Magazines and The American Experience, on view at the Grolier Club in New York. (View the exhibition online here.) [JH]

Bruce Blackburn, designer of the iconic NASA “worm” logo, dies at 82. [JH]


Observed | February 18

Everything you ever wanted to know about stamps, but were afraid to ask. [JH]

The extraordinary, long overlooked story of artist and sculptor, Selma Burke. [JH]


Observed | February 12

NYCxDesign’s inaugural breakout grant will provide a lifeline to three independent designers (or businesses) with a product or project that’s ready to go to market. Applications are due March 26. [JH]


Observed | February 11

For its inaugural year of 2020-2021, Caltech’s Critical Intersections: Conversations on Race, History, and Science online seminar series is dedicated to the history leading up to—and beyond—eugenics. For this week’s event, artists Edgar Arcenaux and Kurt Forman will create a printed artwork in conversation with the topic, which will be mailed to early registrants (who provide their mailing addresses) when registering. [JH]


Observed | February 10

Just in time for Valentine’s Day: our very own Jessica Helfand in the newest issue of Lovers Magazine. [BV]


Observed | February 09

Toying with design, in India (and online) [JH]


Observed | February 07

Our friends Wix launched a great new development tool: EditorX offers powerful collaboration, flexible grids and full breakpoint control. Watch a video of all the new functionality. (Thanks for the demo!) [BV]


Observed | February 04

Beautiful green helix or glass poop emoji covered in trees? You decide. [BV]


Observed | February 03

We seek beauty in nature, art, and philosophy but also in our phones and furniture. Now scientists search for the neural basis of how the brain responds to beauty. [BV]


Observed | February 02

Black Art Library is a resource of rare publications highlighting the work of Black artists. [BV]


Observed | February 01

John Maeda breaks up—then reconciles—with design. [JH]

The 1-year-old company Formr sells furniture made by formerly incarcerated people, using discarded materials from construction sites to help fix America’s massive waste problem. [BV]

“At worst, cover letters strain one’s faith that words convey meaning at all” [BV]


Observed | January 28

Designer Inga Plönnigs new font, Magnet, is the latest family from Frere-Jones Type, a sans-serif in thirteen styles. [JH]


Observed | January 26

What are dreams? Just the theater of the unconscious? Our brains’ attempts to impose a semblance of structure on the chaotic imagery we retain? Random epiphenomena? Responses to potential threats? [BV]



Jobs | March 05