Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | March 20

From Tristram Shandy to black holes, from Coco Chanel to Johnny Cash, from Francisco Goya to Mark Rothko: Ten ways to look at the color black. [BV]

With storage spaces filled with works that may never be shown, some museums are rethinking the way they collect art, and at least one is ranking what it owns. [BV]


Observed | March 19

In response to last week’s Christcurch mosque shootings, Meena Kadri teamed up with her former Māori language teacher Te Ataahia Castorina to compile a set of Māori words + English translations celebrating unity. If you learn and share 10 Māori words this week, make it these. [BV]


Observed | March 18

Journey back to a time when serifs were Antique, sans serifs were Grotesque, and extra bold faces were Fat. [BV]

“A six-year-old could have drawn that logo!” Well, in this case, he did. (via James I. Bowie) [BV]


Observed | March 15

Street art used to be the voice of the people. Now it’s the voice of advertisers. [BV]

Scientists have not kept pace with the work of discovering new species. Now, a growing number of committed hobbyists – ranging from a Belgian bus driver to a California cybersecurity expert – are out in the field, igniting a boom in documenting the world’s biodiversity. [BV]


Observed | March 14

In a week where the transportation department is facing some of its most pointed criticism, Transportation Secretary Elaine Chao wants to speed the commercial adoption of untested technologies like driverless vehicles and hyperloops—without addressing the dramatic, necessary changes needed today. [BV]

In 1927, the Italian Futurist artist and designer Fortunato Depero created a monograph of his work unlike any book that had been seen before. Called Depero Futurista, or “Depero the Futurist,” it is also known as The Bolted Book, because it is famously bound together by two large industrial aluminum bolts. And you can have an exact replica! [BV]


Observed | March 13

Olympic Games sport pictograms were first introduced at the Tokyo 1964 Games, and have been a part of the games ever since. The Tokyo 2020 pictograms were designed by Masaaki Hiromura who “tried to express the dynamic beauty of the athletes through these pictograms, while respecting the legacy bequeathed by the pioneers of the Japanese design industry in their designs for the Tokyo 1964 Games.” [BV]


Observed | March 12

Our collective wisdom is perhaps one of humanity’s greatest accomplishments ... this is because people—no matter where they are, no matter from where they come—possess intrinsic curiosity, creative souls and inquiring minds. [JH]


Observed | March 11

Art powered by disability: ‘I fear being trapped in the statue of my own body, whilst my mind gazes out.’ [BV]

A grand collection of the tiniest of books — 950 of them — is now on display at the Grolier Club in New York City. [BV]


Observed | March 08

Neighborhood Golf Association, a new film from Nicolas Heller, highlights “Tiger Hood”, a NYC photographer who created a street version of golf to help pass the time while he sold his work. [BV]


Observed | March 07

Reckoning with design’s role in the production of more and more objects and more and more waste. [BV]

Net neutrality gets a power-up! [BV]


Observed | March 06

The Architecture & Design Film Festival returns to DTLA next Wednesday at the Los Angeles Theatre Center. 24 outstanding films are on the schedule. [BV]

‘A Sense of Place’ is a graphic art project that reveals how places can develop deeply felt strong identities and culture and includes an interview with the lovely Debbie Millman. [BV]


Observed | March 05

Out today from Penguin Random House: Follow This Thread. A twisting journey through the world of mazes, real and imagined, unraveling our ancient, abiding relationship with them and exploring why they continue to fascinate us. [BV]

A wildly popular mobile game allows users to decorate virtual spaces with real-life (and easily purchasable) furniture. It’s the future of advertising—but what does ‘Design Home’ say about the future of the people who play it? [BV]


Observed | March 04

The scion of a storied Amsterdam family rediscovered Rembrandt paintings that lead to an art-world feud. [BV]

Artist Katie Holten has created a New York City Tree Alphabet. (A is for Ash, B for Birch...) She’s encouraging people to download the free font and create tree messages that will be planted with live trees this spring. [BV]


Observed | February 28

A flip through Playboy France reveals experimental layouts, an innovative use of typefaces, and, a design direction that can absolutely be described as “tasteful.” It’s more about typography than titties. [BV]


Observed | February 27

Underwater photographer of the year awards announced. The winners don’t disappoint! [BV]


Observed | February 26

Saint Louis designers celebrate America’s 60th National Park through typographic focused posters. Type Hike, started by designers James Walker and David Rygiol, continue their type-focused collaborative nonprofit with their 5th installment, ARCH. Vote for your favorite poster here through March 24. (via John Foster) [BV]


Observed | February 25

An argument against modern architecture. [BV]

When the %$#@! did we start to use obscenicons? Belive it or not, as early as 1901. [BV]


Observed | February 21

Science answers the age old question: Why does a grape turns into a fireball in a microwave? [BV]


Observed | February 20

The Sunset Strip occupies a short stretch of Sunset Boulevard, but its reputation as a stomping ground of gangsters, glamour girls, rock stars and hell-raisers has held an oversized fascination for decades. Curbed LA dives deep. Part One. Part Two. [BV]

Should historic logos be protected in the same way as historic buildings? (via James I. Bowie) [BV]



Jobs | March 22