Exposure

Rick Poynor
Exposure: Andy’s Food Mart by Tibor Kalman and M&Co
The virtue of the vernacular


Rick Poynor
Exposure: License Photo Studio by Walker Evans
The building as camera


Rick Poynor
Exposure: Drape (Cavalcade III) by Eva Stenram
Abducted in plain sight


Rick Poynor
Exposure: Mrs. E.N. Todter by Dion & Puett Studio
Art and the Ladies’ Field Club


Rick Poynor
Exposure: Rayograph with Gun by Man Ray
The poetry of the cameraless photo


Rick Poynor
Exposure: Clive Owen in character by Dan Winters
Anatomy of a publicity picture


Rick Poynor
Exposure: Assicurazioni Generali by Tošo Dabac
The textual unconscious of Zagreb


Rick Poynor
Exposure: Motion Efficiency Study by Frank Gilbreth
The ghost in the grid


Rick Poynor
Exposure: Commuter in Tokyo by Michael Wolf
How to cope with compression


Rick Poynor
Exposure: Ford Motor Plant by Charles Sheeler
The cathedral of industry


Rick Poynor
Exposure: Adamanese Man by Maurice Vidal Portman
Photography for anthropologists


Rick Poynor
Exposure: Domestic Interior by Nicole Bachmann
Design for everyday life?


Rick Poynor
Exposure: Cement Sky by Marla Rutherford
A fetish for motels


Rick Poynor
Exposure: Wintery Forest by Yang Yongliang
Building the new China


Rick Poynor
Exposure: Nurse Midwife by W. Eugene Smith
The mystery of birth


Rick Poynor
Exposure: Untitled Film Still #21 by Cindy Sherman
The photographer as performer


Rick Poynor
Exposure: Guts of the Beast by Marcus Nilsson
How to take a food picture


Rick Poynor
Exposure: Woman Mourning by Don McCullin
What are images of suffering for?


Rick Poynor
Exposure: Cabaret de l'Enfer by Harry C. Ellis
The ghoulish cavern in the villa of Ormen


Rick Poynor
Exposure: Chimpanzee by James Mollison
Looking into the face of an ape


Rick Poynor
Exposure: Operating Room by Augustine H. Folsom
Early surgery as public theater


Rick Poynor
Exposure: Francis Bacon by Bill Brandt
Portrait of the artist or photographer?


Rick Poynor
Exposure: Oildale by Rudy VanderLans
The dismal beauty of an oil field


Rick Poynor
Exposure: House #3 by Francesca Woodman
Fabricating a phantom girl


Rick Poynor
Exposure: Copacabana Beach by Thomaz Farkas
A pioneer of Brazilian photography


Rick Poynor
Exposure: Bar in Valparaiso, Chile by Sergio Larrain
The ambiguity of soft focus


Rick Poynor
Exposure: Suburban House at Night by Todd Hido
The pleasure in not knowing


Rick Poynor
Exposure: Man with a Bandaged Head
The aftermath of extreme weather


Rick Poynor
Exposure: Portrait of Space by Lee Miller
Frames within frames in the desert


Rick Poynor
Exposure: H.P. Lovecraft by Lucius B. Truesdell
The master of horror


Rick Poynor
Exposure: Morandi’s Objects by Joel Meyerowitz
The sublime in ordinary things


Rick Poynor
Exposure: Tilda Swinton by Tim Walker
The performance of a picture


Rick Poynor
Exposure: American Hermit by Alec Soth
Alone in the great outdoors


Rick Poynor
Exposure: Pirelli Calendar Model by Peter Lindbergh
The production line of glamor


Rick Poynor
Exposure: Kreuzberg Tower in Berlin by Hélène Binet
The aura of a building


Rick Poynor
Exposure: Marlene Dietrich Billboard by Brassaï
Superhuman mystique of a star


Rick Poynor
Exposure: Crashed Car by Arnold Odermatt
Fast and Furious: a retrofit


Rick Poynor
Exposure: Grace Jones by Jean-Paul Goude
Beauty, androgyny, and threat


Rick Poynor
Exposure: Beauty Salon in Kraków by David Hlynsky
The Surrealism of window displays


Rick Poynor
Exposure: Crime Scene in Paris by Alphonse Bertillon
The killing of a bank messenger


Rick Poynor
Exposure: Children at Play in the City by Shirley Baker
The freedom of the street


Rick Poynor
Exposure: Rossellini and Lynch by Helmut Newton
A primal lovers’ tryst


Rick Poynor
Exposure: Woman Mailing a Letter by Clifton R. Adams
The spell of vintage color


Rick Poynor
Exposure: James Nachtwey by Antonin Kratochvil
Portrait of a war photographer


Rick Poynor
Exposure: Dysturb poster in Paris by Jeanne Frank
Taking photojournalism to the street


Rick Poynor
Exposure: American Family by Ralph Eugene Meatyard
The otherness of other people


Rick Poynor
Exposure: Bookstore in Barcelona by Gabriel Casas
A new vision of the book


Rick Poynor
Exposure: Invisible Man by Gordon Parks
The view from an electric cave


Rick Poynor
Exposure: Kuwait, 1991 by Sophie Ristelhueber
The scars of a desert war


Rick Poynor
Exposure: Newport Baths by Max Dupain
Sun, sea, and disconnection


Rick Poynor
Exposure: The Eiffel Tower by Germaine Krull
A Paris icon made abstract


Rick Poynor
Exposure: Reem-B Robot by Vincent Fournier
The mental life of a machine


Rick Poynor
Exposure: Salvation Army Barracks by Jack London
Down and out in early 20th-century London


Rick Poynor
Exposure: Flypaper and Flies by Jacques-André Boiffard
A cold eye on insect carnage


Rick Poynor
Exposure: The Gamble by Peter Kennard
The clandestine operations of power


Rick Poynor
Exposure: Pages from Fabrik by Jak Tuggener
The dark undercurrents of industry


Rick Poynor
Exposure: Head below Wires by Roger Ballen
Absurdity in the South African outland


Rick Poynor
Exposure: Surface Transit by Eva Fuka
The shock of New York in the sixties


Rick Poynor
Exposure: Rue du Temple, Paris by Gail Albert Halaban
The lure of a lighted window


Rick Poynor
Exposure: J.G. Ballard by Brian Griffin
The science fiction of the ordinary


Rick Poynor
Exposure: Brodsky, the Tie Seller in Paris
Every photograph is an enigma


Rick Poynor
Exposure: Lens bookshop in Sutton by Lloyd Rich
The rediscovery of lost moments


Rick Poynor
Exposure: Luigi Russolo’s Noise Machines
Sonic conjurors of experimental music


Rick Poynor
Exposure: Butlin’s holiday camp by Edmund Nägele
A sixties vacation in glowing color


Rick Poynor
Exposure: Cat and I by Wanda Wulz
Modernity, femininity and the feline


Rick Poynor
Exposure: Restaurant de la Réserve by Jean Gilletta
Wonder and yearning by the sea


Rick Poynor
Exposure: Berlin scene by Wolfgang Zurborn
The hidden order of the random


Rick Poynor
Exposure: Mother and Child by Philip Jones Griffiths
The gendered power relations of war


Rick Poynor
Exposure: The Colossi of Memnon by Francis Bedford
Mysterious emanations from the desert


Rick Poynor
Exposure: The Simulator by Dora Maar
The chamber of Surrealist visions


Rick Poynor
Exposure: El Paso Street by Stephen Shore
The street corner: an uncommon place


Rick Poynor
Exposure: Rise Up You Are Free by Dominic Hawgood
A post-photographic view of exorcism


Rick Poynor
Exposure: Striporama street scene by Vivian Maier
How good was the photographer nanny?


Rick Poynor
Exposure: Viktoria Modesta by Nadav Kander
Changing perceptions of impairment



Observed | November 20

Because bullshit is almost everywhere, we assume we know how to recognize it and thus what it is. Subjectivity and its discontents. [BV]


Observed | November 19

Super recognizers: the people who never forget a face. (via Blake Eskin) [BV]

Amazon’s “stealth brands” are represented by $299 crowdsourced logos. (via James I. Bowie) [BV]


Observed | November 15

Juan Ángel Cotta’s work, especially a collection of hardback books he illustrated in 1960, is one of the missing links between South American publishing and the European modernist traditions. —Steven Heller. [BV]

Need some inspiration? 25 reasons to keep on making stuff “in this time of rampant assholery.” [BV]


Observed | November 13

Are we confusing readability with literary value? The case for difficult books. [BV]

Big Mike Takes Lunch” by filmmaker Nicolas Heller, is a documentary that captures a day in the life of Michael Saviello, manager for 40 years of the iconic East Village barber shop, Astor Place Hairstylists, who paints on his lunch break. [BV]


Observed | November 12

Artificial Intelligence is mapping the Pacific ocean’s secret soundscape in hopes of building the most comprehensive dataset of its kind – an enormous “sound postcard of the ocean.” [BV]

Metal band accused of quitting a tour because their logo was too small on the flyer responds with a tiny logo t-shirt. (via James I. Bowie) [BV]


Observed | November 09

Brilliant Maps is “making sense of the world, one map at a time” and includes maps of “Countries Which Have At Some Point Claimed To Be Rome’s Successor” and “A Map of Superheroes in NYC & The Areas They Protect”. [BV]

Bob Neill’s Book of Typewriter Art” from 1982 contains instructions for creating a likeness of Queen Elizabeth, Elvis Presley, numerous cats, and a mystery picture all in ascii. (via Blake Eskin) [BV]


Observed | November 08

Should I delete my social media? Five artists + writers weigh in. [BV]

Fabulous 1970s stock photo model shots: these were the archetypal 1970s faces and fashions. [BV]

What do our oldest books say about us? On the ineffable magic of four little manuscripts of Old English poetry. [BV]


Observed | November 07

The epic rise and fall of the name Heather. [BV]

Sixty-four extreme human emotions visualized, long before the emoji. [BV]


Observed | November 05

Almost published a number of times over the last 30 years, Julius Scott’s manuscript about slaves and sailors in the Caribbean has been an underground sensation and is finally being published. [BV]

While rumors of humans wiping out 60% of animal species been widely mischaracterized, the actual news is still grim. [BV]


Observed | October 31

“I see each commission as a challenge: write a piece of music which lasts between fifteen and twenty minutes, for an orchestra comprising the following 65 instruments, and we’d like it by this date.” Nico Muhly on designing music. [BV]

Boo! The spooky evolution of text message-based horror stories. [BV]


Observed | October 30

In case you need a distraction: A database of paper airplanes with easy to follow folding instructions. [BV]

The singular, cultlike status of the Kit Kat bar in Japan. [BV]


Observed | October 29

The use of skulls as design elements in American logos quintupled as the US went to war in Iraq and Afghanistan. (via James I. Bowie) [BV]


Observed | October 26

The question of whether time moves in a loop or a line has occupied human minds for millennia. Has physics found the answer? [BV]

Apple’s radical approach to news curation: have humans make selections rather than machines. [BV]


Observed | October 25

“What you do is you contribute these little background moments to people’s lives, and if you can do it in a way that brings a little beauty or pleasure along the way, it’s a home run.” Michael Bierut on his career as a designer. [BV]

The New York Times was one of the last American daily newspapers to add color to its news pages. Here’s why. (via Steven Heller) [BV]

Why are we still arguing for the business value of design? [BV]


Observed | October 24

Social media is not literature, and tweeting is not writing. Imagining Herzog as status updates. (via Arts and Letters Daily) [BV]

So. Is “hipster design” really a thing? [BV]



Jobs | November 20