Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | January 07

“It seems to me that designers, bringing evermore astonishing prowess to bear, too often outshine the work they are meant to support.” Another pitch-perfect review by Jesse Green. [JH]

Design and the Chinese bookstore: a saga! (h/t to Jen Renninger) [JH]

From Mad magazine to B-Movies: An Oral History of Beastie Boys’ Artwork. [BV]


Observed | December 30

Book jackets as optical echoes. [JH]

Design and Healing, a new exhibition at Cooper Hewitt in New York, “helps us appreciate optimism amid hopelessness, and celebrates extraordinary accomplishments under duress”. [JH]

The long read: Craig L. Wilkins on the questionable role of the architectural biennial. [JH]

Why is a typeface named Jim Crow? (via Mike Errico.) [JH]


Observed | December 23

“It’s something that should have been caught in the design phase.” [JH]

A beautiful roundup of forty years of MTV logos, from our friends at It’s Nice That. [JH]

Broken covers: Steve Goldman puts the world’s worst album art on show.[BV]


Observed | December 17

Redesigning the euro—by 2024! [JH]

Brad Pitt, design obsessive, takes on his latest project, in France. [JH]

Design at Apple in the post-Jony Ive era. [JH]

We normally avoid any incoming news item labeled “trends to watch” but there are actually some lovely things in here. ’Tis the season to look at ... beer labels! [JH]

La Patria is a robust online archive of Uruguayan design that includes posters, postage stamps. book and record covers, and more. [JH]


Observed | December 10

Design and traffic. [JH]

In Ghana, a model for design, education, community—and sustainability. [JH]

Insecure—the acclaimed HBO series—makes costume design history. [JH]

Ritesh Gupta launches Useful School, a pay-what-you-can online design curriculum for people of color. [BV]

Spotify Wrapped: a design-cautionary tale. [JH]


Observed | November 26

Dave Hickey, the author of Air Guitar and The Invisible Dragon, has died. The influential art and cultural critic was 82. [JH]

Rethinking design—as a transformative catalyst for change—in the circular economy. [JH]


Observed | November 15

Bob Gill, “bomb-throwing revolutionary”“, “polemicist”, and, yes, the important and influential graphic designer, dies at 90. [JH]

Who designs the city? A compelling, inclusive, and actionable inquiry. [JH]

All hail the mighty ... typewriter! [JH]


Observed | November 12

Periplus* Workshops, offers a new and unique opportunity for emerging designers to respond to nature in the rural and ancient Mani Region, near Kalamata, in Greece. [JH]

A new retrospective of Barbara Kruger’s “endlessly hashtaggable” work opens at the Art Institute of Chicago. [JH]


Observed | November 05

Inspired? Revolutionary? Or just batshit crazy? A consulting architect on a proposed new dormitory at the University of California Santa Barbara claims its design premise is "unsupportable from my perspective as an architect, a parent, and a human being". [JH]

If you think you’re not part of this well-oiled machine of excess—and its dark underbelly—you’re wrong. (Don’t miss the Swedish teapot man.) [JH]



Jobs | January 16