Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | April 03

Can computer chips design themselves? [JH]

From Frasier to Veep: Imagining your favorite television characters in a pandemic. [JH]


Observed | April 02

NASA’s “Worm” logo has returned! But the sad old “Meatball” remains the primary mark. (via James I. Bowie) [BV]

Annals of virus visualization: Center for Disease Control designers create branding coordinated to work with the now-iconic illustration. [JH]


Observed | April 01

Mad Max meets Little House on the Prairie: how to make your own face mask. [JH]


Observed | March 31

Michael Sorkin’s list of two hundred fifty things every architect should know. [BV]

Well, it took four years…but the Library of Congress solved another Mystery Photo Contest entry! [BV]


Observed | March 27

When the SXSW Film Festival was cancelled, many filmmakers were left without a way to debut their work—so our friends at Mailchimp stepped in. Watch them all now. [JH]


Observed | March 24

The final lecture in the Walker Art Center’s Insights Design Lecture Series with Amsterdam-based designer Ruben Pater will be streamed live and for free on March 31. [JH]


Observed | March 23

British experience designers Bomoas and Parr launch The Fountain of Hygiene competition, calling for designers to propose new forms of hand-sanitizer pumps as well as more creative hygiene solutions. [JH]

Los Angeles-based artists Juan Delcan and Valentina Izaguirre created an animated video (shot with a iphone) that uses matches to illustrate the impact of social distancing. [JH]


Observed | March 20

Emerging artists pay it forward during the health crisis by buying each other‘s work on Instagram. [JH]

Watch Charles and Ray Eames ‘Solar Do-Nothing Machine’ because ‘toys and games are the prelude to serious ideas’. [BV]

On this week’s New Yorker cover Christoph Niemann takes on the spread of the novel coronavirus, evoking a world in which the health of an individual and the health of the public seem, increasingly, to be interdependent. [BV]

“I can’t recall another time when a painting dominated headline news so incessantly; when the public came together to express love and hate for an artwork so passionately; or certainly, when curation was a nationwide discussion.” — George Millership on John William Waterhouse’s “Hylas and the Nymphs” [BV]


Observed | March 19

Graphic design for public health. [JH]


Observed | March 13

Seeing wonder in the small - looking at Ernst Haeckel found in his illustrations of microscopic life. [BV]


Observed | March 12

National Parks posters featuring quotes from one-star reviews. (via James I. Bowie) [BV]

Property of Opaqueness is a collaborative dance performance by artist and choreographer Takahiro Yamamoto and is part of The Unknown Artist, an exhibition at the Center for Contemporary Art & Culture, curated by Lucy Cotter. [BV]


Observed | March 10

Photographer Larry Racioppo spent the ’90s capturing NYC’s makeshift streetball courts: ’the closer I looked, the more interesting they became. Many are really a form of folk art.’ [BV]


Observed | March 06

Friday afternoon eye candy (literally): Jonny Trunk’s book, Wrappers Delight, provides a window into classic sweet package design. [BV]


Observed | March 05

Process Music is the second Kenneth FitzGerald album (of writing) and so worthy of your support! [BV]

Erica Walker studies urban noise at Harvard’s T.H. Chan School of Public Health and her goal is to raise awareness about how constant sound is affecting people’s lives and health. (Spoiler: there’s a lot of noise and it’s not good.) [BV]


Observed | March 04

Do we need a completely new approach to marketing books? Part one of a thought-provoking series from Designers and Books. [BV]

Design fiction is a mix of science fact, design, and science fiction...it recombines the traditions of writing and storytelling with the material crafting of objects.” (via Blake Eskin) [BV]


Observed | March 03

Museums and the Duomo cathedral in Milan reopened Monday, but visitors are asked to stand three feet apart. [BV]

Beyond the Visible: Space, Place, and Power in Mental Health is a symposium later this month at Yale School of Architecture that seeks to make designers and architects aware of their capacity to improve access to and perceptions of mental health. [BV]


Observed | February 26

The current NYC subway map is one of the most consulted in human history. In 1979 Michael Hertz, helped design it. He died last week at 87. [BV]

Why are music-streaming interfaces becoming visually indistinguishable? (via James I. Bowie) [BV]


Observed | February 21

Katie Holten has created a New York City Tree Alphabet. Each letter of the Latin alphabet is assigned a drawing of a tree from the NYC Parks Department’s existing native and non-native trees, as well as species that are to be planted as a result of the changing climate. For example, A = Ash. [BV]



Jobs | April 03