Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | May 24

“Design in this century has little use for anything that can’t be quantified. And yet, here is Apple’s App Store, presenting new, original illustrations several times a week.” [BV]


Observed | May 23

Bill Gold, the seminal designer who created posters for some of Hollywood‘s most famous movies—from A Streetcar Named Desire to The Exorcist—has died. [LS]

Pilot and photographer Christiaan van Heijst captures his stunning view of weather from the cockpit. [BV]

Goodbye Philip Roth, designer manqué. [BV]


Observed | May 22

Sadly we must say goodbye to Robert Indiana, who brought his world-famous LOVE sculpture to NYC in 1971. [BV]

Adherents to Design Thinking believe it will save higher ed. Are they delusional? [BV]

Adieu Interview. Almost 50 years after it was founded by Andy Warhol, the magazine is shutting down. [BV]


Observed | May 18

A Qin dynasty document from the third-century B.C.E, titled “The Volume of Crime Scene Investigation—Burglary,” pointed up fingerprints as a means of evincing whodunnit: The surprising history (and future) of fingerprints. [BV]


Observed | May 16

Glamour shots of chickens. [BV]

This Asian Pacific American Heritage Month, The Smithsonian Asian Pacific American Center presents The Ark. [BV]


Observed | May 15

There’s very little advice or collective wisdom about how to properly end a creative project. (h/t Kottke.org) [BV]


Observed | May 14

Some afternoon eye candy: 1930s interior architecture illustrations. [BV]

Katherine Small Gallery is a new gallery in Somerville, Massachusetts dedicated to small exhibits about graphic design and typography. Their first exhibit is “Ivan Chermayeff: Mostly Early Covers”. [BV]


Observed | May 11

Explore the Marché du Film with the 14 craziest movie posters in Cannes. [BV]

An integral part of NYCxDESIGN, the Design Pavillion opens tomorrow in Times Square and is hosting some amazing talks next week. [BV]


Observed | May 10

How multimodal city councilor Michelle Wu gets around Boston. [BV]

Rather than a golden ratio or a moral judgment, beauty is more like a radical jolt that awakens us to the world. [BV]


Observed | May 09

The rise of the rural creative class. [BV]

Congratulations to design director extraordinaire Fred Woodward on receiving the 2018 SPD Herb Lubalin Award for Lifetime Achievement. [BV]

A thoughtful response to the recent “two spaces after a period” research. (via James I. Bowie) [BV]


Observed | May 08

Opening this Friday, Penguin Random House and Strand Book Store present Be My Cover, an exhibit of contemporary cover design. [BV]

Women, design, New York. Discuss! [JH]


Observed | May 07

Where is design going? [JH]

A brief history of the dust jacket. [JH]


Observed | May 04

Friday Fun: stained-glass windows of R. Crumb comics. [BV]

A lovely profile of Maira Kalman, “for whom image and word are intertwined and of equal importance”. [BV]


Observed | May 03

Truthiness, Kinfolk, and everything you ever wanted to know about the death of authenticity. [JH]

Maps for Good! [JH]


Observed | May 02

Julian Rothenstein’s compendium of rare and wonderful alphabets and signs, A2Z+, is out now from Princeton Architectural Press. [MPL]

Jesse Reed and Hamish Smyth’s newest book is a celebration of the original emoji. More here. [JH]



Jobs | May 25