Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | November 20

Prolific title designer Pablo Ferro is recognized for introducing narrative and nonlinear dimensions to films spanning from Dr. Strangelove to Men in Black. Ferro passed on Saturday. His legacy lives on. [BV]

Because bullshit is almost everywhere, we assume we know how to recognize it and thus what it is. Subjectivity and its discontents. [BV]


Observed | November 19

Super recognizers: the people who never forget a face. (via Blake Eskin) [BV]

Amazon’s “stealth brands” are represented by $299 crowdsourced logos. (via James I. Bowie) [BV]


Observed | November 15

Juan Ángel Cotta’s work, especially a collection of hardback books he illustrated in 1960, is one of the missing links between South American publishing and the European modernist traditions. —Steven Heller. [BV]

Need some inspiration? 25 reasons to keep on making stuff “in this time of rampant assholery.” [BV]


Observed | November 13

Are we confusing readability with literary value? The case for difficult books. [BV]

Big Mike Takes Lunch” by filmmaker Nicolas Heller, is a documentary that captures a day in the life of Michael Saviello, manager for 40 years of the iconic East Village barber shop, Astor Place Hairstylists, who paints on his lunch break. [BV]


Observed | November 12

Artificial Intelligence is mapping the Pacific ocean’s secret soundscape in hopes of building the most comprehensive dataset of its kind – an enormous “sound postcard of the ocean.” [BV]

Metal band accused of quitting a tour because their logo was too small on the flyer responds with a tiny logo t-shirt. (via James I. Bowie) [BV]


Observed | November 09

Brilliant Maps is “making sense of the world, one map at a time” and includes maps of “Countries Which Have At Some Point Claimed To Be Rome’s Successor” and “A Map of Superheroes in NYC & The Areas They Protect”. [BV]

Bob Neill’s Book of Typewriter Art” from 1982 contains instructions for creating a likeness of Queen Elizabeth, Elvis Presley, numerous cats, and a mystery picture all in ascii. (via Blake Eskin) [BV]


Observed | November 08

Should I delete my social media? Five artists + writers weigh in. [BV]

Fabulous 1970s stock photo model shots: these were the archetypal 1970s faces and fashions. [BV]

What do our oldest books say about us? On the ineffable magic of four little manuscripts of Old English poetry. [BV]


Observed | November 07

The epic rise and fall of the name Heather. [BV]

Sixty-four extreme human emotions visualized, long before the emoji. [BV]


Observed | November 05

Almost published a number of times over the last 30 years, Julius Scott’s manuscript about slaves and sailors in the Caribbean has been an underground sensation and is finally being published. [BV]

While rumors of humans wiping out 60% of animal species been widely mischaracterized, the actual news is still grim. [BV]


Observed | October 31

“I see each commission as a challenge: write a piece of music which lasts between fifteen and twenty minutes, for an orchestra comprising the following 65 instruments, and we’d like it by this date.” Nico Muhly on designing music. [BV]

Boo! The spooky evolution of text message-based horror stories. [BV]


Observed | October 30

In case you need a distraction: A database of paper airplanes with easy to follow folding instructions. [BV]

The singular, cultlike status of the Kit Kat bar in Japan. [BV]


Observed | October 29

The use of skulls as design elements in American logos quintupled as the US went to war in Iraq and Afghanistan. (via James I. Bowie) [BV]


Observed | October 26

The question of whether time moves in a loop or a line has occupied human minds for millennia. Has physics found the answer? [BV]

Apple’s radical approach to news curation: have humans make selections rather than machines. [BV]


Observed | October 25

“What you do is you contribute these little background moments to people’s lives, and if you can do it in a way that brings a little beauty or pleasure along the way, it’s a home run.” Michael Bierut on his career as a designer. [BV]

The New York Times was one of the last American daily newspapers to add color to its news pages. Here’s why. (via Steven Heller) [BV]

Why are we still arguing for the business value of design? [BV]


Observed | October 24

Social media is not literature, and tweeting is not writing. Imagining Herzog as status updates. (via Arts and Letters Daily) [BV]



Jobs | November 21