Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | July 23

Need a little more Saul Bass on your walls? [BV]


Observed | July 20

Been enjoying GLOW? Check out the gorgeous ladies of Japanese wrestling. [BV]

Looking back at the design of the African Writers Series. [JH]


Observed | July 19

Let children play outside. Let them make mud pies and get dirty. [BV]


Observed | July 18

15 of the best illustrations of the 2018 World Cup. [BV]

Looking for a place to visit this summer? Marvin’s Marvelous Mechanical Museum looks amazing. [BV]


Observed | July 17

Interesting: Open offices result in less collaboration among employees. [BV]

Tim Berners-Lee, the man who created the world wide web, has seen his creation debased by everything from fake news to mass surveillance. But he’s got a plan to fix it. [BV]


Observed | July 13

Traveling this summer? 22 ambassadors recommend the one book to read before visiting their country. [BV]

Can cottage cheese follow Chobani’s lead and rebrand>a? to achieve the unthinkable—some curb appeal? [LS]


Observed | July 12

What’s Eating the World? The fifth issue of
Weapons of Reason, a publication with a limited run of eight issues, explores the effects of the food industry on our planet with saturated colors and infographics that any designer would appreciate. [LS]

Congratulations to Karen Hofmann, the new Provost of ArtCenter College of Design. She‘s the first woman to hold the position in the 88-year history of the College. [BV]


Observed | July 11

What is the meaning behind the Thin Blue Line flag? (via James I. Bowie) [BV]


Observed | July 09

One full hour of 1980‘s video game ads! [BV]

Women running for office are changing the campaign design landscape. [BV]


Observed | July 06

The U.S. Navy once had a concrete ice cream barge that sustained sailors on the high seas. [BV]


Observed | July 05

Addiction + rehab instilled in photographer Nan Goldin a passion for truth and desperate determination to expose the world’s underbelly in all its flawed beauty and harsh realities. [BV]

Illustrator Jean Jullien may change the definition of “dog days of summer” with her new game Dodgy Dogs. [BV]


Observed | July 03

McMansion Hell goes to Texas and you‘re invited to play along! [BV]

How design is helping people with dementia find their way around. [BV]


Observed | July 02

A belated Happy Canada Day to our Canadian readers. Celebrate with Design Canada, a new documentary film, looks at how graphic design has helped to shape Canada’s national identity. (via James I. Bowie) [BV]


Observed | June 28

City Identities, a new exhibition in London, examines the process of branding cities. (via James I. Bowie) [BV]


Observed | June 26

Martin Amis on many things, including why complex, long reads can‘t find an audience today. Does design play a role? Does how we read matter? [BV]

Tired of those boring UPC codes on everything? Turn them into art. [BV]


Observed | June 22

In partnership with over 30 museums and institutions from around the world, Google Arts & Culture has launched Faces of Frida, a massive collection of art, letters, essays, videos, and other artifacts about the life and work of Frida Kahlo. (via Kottke.org) [BV]


Observed | June 21

Can design help New York City go zero waste? [BV]

Despite modernism being recognised as an important architectural movement in the UK, many examples have been demolished. Here‘s an illustrated tribute to lost modernist buildings. [BV]

Today’s rainbow-colored logos reflect the joy and optimism inherent in the rainbow in a multitude of new expressions. [BV]


Observed | June 19

How punk rock changed the course of design history. [BV]

Adobe is releasing five fonts based on designs by Bauhaus figures, “lost to history”, which have been revived by German typographer Erik Spiekermann and a group of students. [BV]



Jobs | July 23