Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | September 21

Tomorrow is museum day in the US! Get your free tickets here. [BV]


Observed | September 20

6,240 photos taken across a 155 degree view over 24 hours = 24 Hour London: the biggest ever time-lapse of London’s skyline, taken from the roof of Canary Wharf’s One Canada Square. [BV]

How to design tech so nobody’s left behind. [BV]


Observed | September 19

Remembering the Village Voice: Drugs delivered to the office, back stabbings, headlocks... [BV]

A brief history of product sound design. (via Blake Eskin) [BV]


Observed | September 18

We know music is pleasurable, but it’s incredibly difficult to discern just how this comes to pass. [BV]


Observed | September 14

Extraordinary gas stations From John Margolies’ archive of Americana architecture. [BV]

Spend some time listening this weekend: Designed this Way explores design in India. [BV]


Observed | September 13

Goodbye to bits and atoms. Uber has rebranded for the second time in less than three years. (via James I. Bowie) [BV]


Observed | September 12

Congrats to Michael Bierut + Jessica Helfand! The Design of Business | The Business of Design was named one of the 15 best graphic design podcasts. [BV]

How the hardware store orders things, neighborhoods, and material worlds. [BV]


Observed | September 11

“Most pleasant to the ear”: W. E. B. Du Bois’s itinerant intellectual soundscapes. [BV]


Observed | September 10

Anatomy of an AI System. (via Blake Eskin) [BV]


Observed | September 07

Laugh and the world laughs with you. But not everyone LOLs. How people around the world laugh online. [BV]

What colors define historical periods? Color Leap creates color palettes from 2000 BC to the 1960s. (via Blake Eskin) [BV]


Observed | September 06

Inside America’s abandoned theaters: the curtains have been called. [BV]


Observed | September 05

Ken Kocienda: “I invented the iPhone’s autocorrect. Sorry about that, and you’re welcome.” [BV]

How magazine cover design may be more important than ever. (via James I. Bowie) [BV]

The Cooper Hewitt received the London Design Biennale 2018 Emotional States Medal for “Face Values”, curated by Ellen Lupton. Our very own Jessica Helfand is one of the participating artists. Congratulations all! [BV]


Observed | August 31

In Helsinki, a new design museum opens underground. [BV]

From schools to sand piles: In her new book, critic Alexandra Lange tracks how design has shaped kids and kids have shaped design. [BV]


Observed | August 30

Integral thinking: design in four dimensions. [BV]

With ‘bookstagramming’ becoming a force in marketing, are designers making covers more colourful, bolder and cleaner, to stand out on our screens? [BV]


Observed | August 28

The Church of Jesus Christ of Latter-Day Saints faces a divinely inspired rebranding challenge. (via James I. Bowie) [BV]

“When we talk about queering design pedagogy we need to talk about reproduction(s).” [BV]


Observed | August 27

A look at how to design for senior citizens: both in the macro scale of cities and the small scale of dwellings. [BV]

With her elegant 3-D subway schematics Candy Chan joins a long line of graphic designers and artists who have tried to explore—and explain—mass transit systems through visuals. [BV]


Observed | August 24

An ode to the color gray. [BV]


Observed | August 23

7 reasons the design industry may have forgotten Yves Béhar. [BV]

In the fight for net neutrality: Verizon under fire for ‘throttling’ firefighters’ data in California blaze. [BV]



Jobs | September 21