Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | January 20

A facial recognition app with what appear to be endless weaponization possibilities. Truly. [JH]


Observed | January 15

A beautiful remembrance by Melissa Harris about Mercy Cunningham, in the New York Review of Books this week. [JH]


Observed | January 14

Are typefaces political? Researchers find "serif and bold is rated as more conservative, while sans serif and italics is rated as more liberal" [MB]

Congratulations to the entire AIGA community on their wonderful new executive director, Bennie F. Johnson! Here’s to bright futures. [BV]


Observed | January 13

Anyone interested in a “book about the future of human beings, as viewed by some of today‘s most creative minds working at the intersection of biology and technology...Think of it as a guide to your future self.”? Because we are! #FundThis [BV]


Observed | January 10

Donald Norman says we have to change the way we educate designers. [JH]


Observed | January 09

This is a very specific genre and Andrew Cushing is nailing it with Veronica Gent-level skills: “Name a fake startup and I’ll write an ad for it in the style of an NYC subway campaign.” [MB]

Take 2 minutes and ride shotgun through mid-century LA with Ed Ruscha’s photos and Jack Kerouac’s words. [BV]


Observed | January 08

“The short answer is that the intersection of art + science is in my blood... my favorite kind of artist residency is one where I get to work with scientists.” Our very own Jessica Helfand joins Caltech as a Winter 2020 artist-in-residence. [BV]

Royal Mail has released a set of stamps celebrating a golden era of British video game design from the 1980s and 90s. [BV]


Observed | January 07

Los Angeles’ favorite logos. (via James I. Bowie) [BV]


Observed | January 02

Brand New‘s Armin Vit ranks the top twelve clickbait-iest design stories of 2019. [MB]


Observed | December 30

New research finds that typefaces are perceived as having political characteristics, with sans serif fonts seen as more liberal, and serif fonts as more conservative. (via James I. Bowie) [BV]


Observed | December 29

Desperately sad to announce that Vaughan Oliver died peacefully today, with his partner Lee by his side. Great loss of friend and design hero. Vaughan Oliver (1957—2019). [AS]


Observed | December 27

Continuing the blessed holiday tradition that began at Design Observer, now at Curbed, Alexandra Lange + Mark Lamster review the year in design (with a special look back over the decade‘s greatest hits & misses). [MB]


Observed | December 17

A photographer captures the sculptural landscapes of California skateparks. [BV]


Observed | December 11

Matisse felt an intense love for books, and the care and attention he lavished on them included not just his illustrations, but also the selection of paper, typeface, and layout. [BV]


Observed | December 10

Stanford’s d.school attempts to move beyond Post-its on whiteboards. (via James I. Bowie) [BV]


Observed | December 06

“I simply wanted to explore the interiority of both myself and others. I wanted to focus on what connected us rather than what separated us.” Painting friends in mid-conversation, Alex Bradley Cohen hides as much as he reveals. [BV]

Yello is a great new newsletter from journalist Hunter Schwarz “about the culture, branding, and visual rhetoric of politics in America.” Here are his 101 picks for visual moments that defined politics in the 2010s, including Edel Rodriguez’s melting Trump. [MB]


Observed | December 04

How do you bring an 18th-century Agateware teapot to life? Crafting it calls for an intricate process of moulding and layering clay materials, to mimic the agate stone. [BV]

Check out French artist
Paul Sougy’s stunning mid-century scientific illustrations of plants, animals, and the human body. [BV]


Observed | November 29

London-based studio Dorothy has developed a map of the United Kingdom using the titles of more than 1,400 pop songs. #CartographyRules [BV]


Observed | November 21

The icons of our popular culture depicted as ancient ruins. (via James I. Bowie) [BV]


Observed | November 14

“Other bad films fascinate because they define an area of heroic obsession, horrifically misapplied. The heroism and the misapplication are inseparable. Anyone can commit himself body and soul to a clearly formulated project of obvious importance or quality, but to throw your last dollar, your last scrap of energy, into something ill-conceived and absurd from the beginning: That takes a human being.” Phil Christman on the reasons we watch bad movies. [BV]

Congratulations to Côte d’Ivoire-based artist Joana Choumali on being the first photographer from the African continent to be awarded one of the world’s most prestigious photography prizes, the Prix Pictet. [BV]


Observed | November 13

We are very excited for the next chapter of The Great Discontent and send all our congratulations to Hugh Weber and the TGD community: we look forward to new stories and new journeys. [BV]


Observed | November 12

Gorgeous redesign of The Atlantic by Peter Mendelsund and Oliver Munday. [MB]


Observed | November 11

Out TODAY, Jessica Helfand’s FACE: A VISUAL ODYSSEY from MIT Press. From Chuck Close, it’s “Everything you ever wanted to know about the face, plus lots you never knew you would want to know—and a few things you wish you didn’t. A must-read as well as a treasury of images.” [BV]


Observed | November 05

Flo Ngala’s photographs of Figure Skating in Harlem celebrate young skaters of color. [BV]



Jobs | January 22