Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | July 19

Today’s New York Times feature on the fire at Notre Dame has superb photography & dazzling interactive animations, but nothing is more mesmerizing than these sketches made at the scene by French firefighter Laurent Clerjeau. A landmark piece of visual journalism. [MB]

Everyone at this new advertising agency has served time in prison. [BV]


Observed | July 18

From ancient art to modern manuscripts, Harvard digital collections provides free, public access to over 6 million objects. #Explore! [BV]


Observed | July 17

Can a typeface embraces uncertainty and celebrates differences? Ambiguity is up to the challenge. [BV]


Observed | July 16

New out today from Shutterstock: Elements video effects. And some pretty fun behind the scenes footage. [BV]

Get Up, Stand Up Now is a major new exhibition at Somerset House celebrating the past 50 years of Black creativity in Britain and beyond. The exhibition explores migration, psychological and social borders, the body and participation, power and resistance. [LY]


Observed | July 15

Congratulations! Acclaimed Dutch typographer Wim Crouwel has just received the 32nd TDC Medal from the Type Directors Club. [BV]


Observed | July 12

Ikea claims to have created the World’s Comfiest Font, Soffa Sans, where each letter is formed by pieces from a sofa! Free download here. [LY]

Can you imagine the cereal isle? Kellogg’s has temporarily made the packaging for its most popular cereal varieties black and white in a new partnership with Crayola. [BV]

Not over the hill: Design With Nature, Ian McHarg’s landmark book of ecological design turns 50. [LY]


Observed | July 11

Congratulations to Collins, Ad Age‘s first design agency of the year! [BV]

Our privacy crisis is a crisis of design. [JH]


Observed | July 09

A wonderful deep dive online Bauhaus exhibition from Getty Research Institute. [BV]

Featuring upside-down pages, illegible interviews, and appearances from Sonic Youth, Björk, and David Bowie, Ray Gun, 90s America’s bible of music and style, shook up US publishing in the ‘90s. [BV]


Observed | July 08

Pioneering video artist Gretchen Bender predicted our obsession with screens. [BV]


Observed | July 02

“Not having anything to do sounds terrible. I fear that more than anything else. It’s greater than the fear of death.” Anne Quito interviews Milton Glaser on his 90th birthday. [MB]

70% of graphic design students are women, yet only 11% are Creative Directors. Discuss. [JH]


Observed | July 01

What a better way to kick off July than with some new art? And what better place to get it than the 20x200 weeklong sitewide semi-annual sale? Starting tomorrow their vintage & space editions are on sale. [BV]

Congratulations to our co-founder, Jessica Helfand, and all the Fall 2019 Bogliasco Fellowship recipients! [BV]

What’s as satisfying as a good book? Seeing one made the old-fashioned way, by hand. [BV]


Observed | June 28

Matthew Carter will discuss his ambitious new Latin superfamily of serif, sans, slab, and rounded typefaces at the Katherine Small Gallery. [BV]


Observed | June 27

The enduring appeal of mustard yellow. (via James I. Bowie) [BV]


Observed | June 26

Color theory explored by Peter Kraus in three jewels of book-making. [BV]


Observed | June 25

Jessica Helfand gave a poster design workshop to scientists at Yale a few years ago and was told by one that if he followed her advice, nobody would take him seriously as a scientist. Behold: the future! A graphic design revolution for scientific conference posters. [BV]

The new ghost museums of China. (via James I. Bowie) [BV]


Observed | June 20

Poster House, the first museum in the US dedicated exclusively to posters, opens today! Listen here to their first audio newsletter and guide narrated by Steven Heller. [BV]


Observed | June 19

Remembering the Bantam paperback of The Greening of America with its truly relentless deployment of Bookman Swash Italic. Quintessential 70s. RIP Charles Reich, 1928-2019. [MB]

Here’s your chance to hear Debbie Millman on the other side of the mike. Recorded live on stage at the famous Design and Advertising festival in London in May, Debbie is interviewed on episode 14 of This Way Up. [BV]


Observed | June 17

The School of Visual Arts has donated nearly 100 of its beloved Subway Series posters from the past three decades to the brand new Poster Museum, opening Thursday, June 20. These, as well as all new posters created in the future, will live in the Museum’s permanent archival collection. [BV]

Can a small Italian village point the way to more livable modern cities? A conference of urbanists aims to find out. [BV]



Jobs | July 23