Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | June 15

Everything you ever wanted to know about, well, everything (design-related, that is). Or so they claim! [JH]


Observed | June 09

Is protest more potent when you adopt the typeface of your subject? Don’t miss these photos. [JH]


Observed | June 08

Artist Corita Kent’s famed Hollywood studio is saved in a landmark historical preservation victory. [JH]


Observed | June 01

A fascinating look back at the internet’s major milestones. [JH]


Observed | May 27

Next week marks the 100 year anniversary of the Tulsa Race Massacre, the focus of a new historic center, Greenwood Rising, opening next week. “Greenwood Rising honors the icons of Black Wall Street, memorializes the victims of the massacre, and examines the lessons of the past to inspire meaningful, sustainable action in the present.” [BV]


Observed | May 26

How Colonial Pipeline’s archaic branding told us all we needed to know about the company. (via James I. Bowie) [BV]

President Biden revokes Trump‘s controversial classical architecture order. [JH]


Observed | May 25

Design Twitter goes wild over David Hockney’s typographic reworking of the Picadilly Circus logo. [JH]


Observed | May 19

Join the Society of Design Arts (SoDA) and AIGA Baltimore for an online talk by Rafael Cardoso, part of a virtual series created to promote the rich and plural histories of Latin American production in design. Free registration here. [JH]


Observed | May 18

After a decade of design and planning, +Pool has been approved by the city of New York. Listen to Michael Bierut’s conversation with founder and designer, Archie Lee Coates IV, on Season 6 of DBBD. [JH]


Observed | May 12

Kerby Jean-Raymond will be the first Black designer to show at Couture Week in Paris. Listen to Michael Bierut’s interview with him on Season 6 of The Design of Business | The Business of Design here. [JH]

The kind of speculative mashup you need right now. [JH]


Observed | May 10

“Nothing is unaffordable in a C.G.I. dreamscape, and rent is never due.” Anna Weiner on the speculative design world of “renderporn”. [JH]


Observed | May 09

Ellen Degeneres launches a new reality show to find the next great furniture designer. [JH]


Observed | May 07

Infusing design with equity: one designer’s perspective. [JH]


Observed | May 06

Last week Microsoft announced that they wanted the Twitterverse‘s help picking a new default font. This seemingly trivial choice by Microsoft will determine what works looks like for hundreds of millions of people. (via Blake Eskin) [BV]


Observed | May 05

In conjunction with the Walker Art Center, BluDot announces OpenStudio: a free design program for kids aged 9 to 14. [JH]


Observed | May 04

Titus Kaphar signs with UTA where he’ll start developing film projects based on his paintings. [JH]


Observed | May 03

A new site celebrating the Uruguayan publication La Semana highlights the personal and public triumphs of this memorable newsweekly. (In English and Spanish.) [JH]

Rhode Island’s license plate—known affectionately as the wave, and designed by Rhode Island native and RISD graduate Tyler Smith—will be redesigned by the, um, public. Holding an open design contest is bold and exciting;, writes architecture critic Will Morgan. It is also a recipe for disaster. [JH]

Wallpaper offers a superb roundup of advocacy and support groups working for equity, inclusion, and change in deisgn and related industries. [JH]


Observed | April 28

Lehrer Architects LA‘s second Tiny Home Village project has opened this week to residents in North Hollywood. Yet tiny houses aren’t always loved. Discuss! [BV]

How to really look at art: an eight-step guide by Antwaun Sargent. [JH]


Observed | April 27

Dwight Garner reviews the new novel by Rachel Cusk and notes its unusual (and seemingly deliberate) type choice: Optima! “Optima is unusual to see in a novel,” Garner observes. “I tried using it to type this piece. It made me feel I was working on Laurie Anderson’s laptop.” [JH]

At the nation’s newspaper of record, the term “Op-Ed”—a relic of an older age and nod to an older print newspaper design—is being retired from duty. [JH]

How mathematicians use their chalkboards to reveal the conceptual and visual beauty of their discipline: a new book by photographer Jessica Wynne. [JH]


Observed | April 21

Astrid Cooper is a curator in Bath, England. Also, she is five years old. [JH]

A new illustrated children’s book—featuring a flying gherkin—from Foster + Partners. [JH]


Observed | April 20

Introducing the whitest paint ever invented. [JH]

Just in time for Earth Day: Belgian artist Alain Verschueren’s Portable Oasis lets you spend quality time in the garden while social distancing at the same time. [JH]



Jobs | June 22