Evidence

Sean Adams
Big
Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed


Design, as a professional field, feels broken to some practitioners. A new book, What Design Can’t Do: Essays on Design and Delusion by Lisbon-based designer and writer Silvio Lorusso, offers sanctuary. “What was once a promising field rooted in problem-solving has become a problem in itself,” he writes. “The skill set of designers appears shaky and insubstantial – their expertise is received with indifference, their know-how is trivialised by online services…If you see yourself as a designer without qualities; if you feel cheated, disappointed or betrayed by design, this book is for you.”

Designers are podcasting now! (We know, we know.)

Is it a car? Is it an art installation? Behold solar designer Marjan van Aubel's genre-bending sculptural interpretation of the Lexus Future Zero-emission Catalyst (LF-ZC) concept car.

Art Basel Miami Beach: ain’t nothing but a party

Mice, evidently, are now self-aware. (Which may explain why none are running for U.S. president.)

Leading us ever closer to a landfill-free circular economy, designers are turning to waste as an increasingly flexible material. Using fruit peel, orange seeds, and coffee ground waste collected from businesses in Italy, Krill, a Milan-based design firm, creates products that can be redistributed to the same businesses for use in their offices, instead of furniture made from common plastics. They've created (and patented) a plastic-like biomaterial they call Rekrill: it's fully organic, biodegradable, and can be used over and over again. (Spoiler: it's also expensive.)

Volkswagen, Volvo, Chrysler, BMW, Porsche, Bugatti, Audi, Ford, Kia, General Motors, and Mercedes-Benz all have male design heads, yet women buy more than 60 percent of all new cars sold in the Unted States. Will the rise in the design and production change all that? Debatable.

How Samuel Ross thinks about the design of a park bench as an opportunity to “house” the body.

Did you know that the humble graham cracker was once a symbol of dietary restraint? That chewing gum was once a substitute for rubber? That away from the bar cart, brandy has been used as a cardiac catalyst and a sedative? Design (and intentionality) in food and flavor profiles: a compendium!

The entirety of Logan Airport's candy apple red Terminal E was designed around the concept of efficiency, for travelers and airport workers alike. A curvy structure boasting floor to ceiling windows, ultra-high ceilings, and literally no right angles in sight, Spanish architect Luis Vidal has introduced an iconic structure painted a prismatic red and clad in more than 52,000 square feet of something called photovoltaic glass. (Which, as it turns out, generates its own electricity.) Internal innovations include a sensory room, a space for anxious fliers or neurodivergent travelers who might need a visual and auditory respite from a bustling terminal. “Airports are the cathedrals of the 21st century,” observes the architect. “They serve as the main gateway of countries, requiring a bold presence to leave a positive and lasting impression on the traveler. They must be design-focused because ultimately, everything in a well-designed airport revolves around the freedom of the passenger.”

Through December 16, The Italian Cultural Institute in Lima, Peru is exhibiting a series of posters designed by graphic designers and artists between 1923 and 2022, which collectively tell the story of the 23 editions of the Triennale Milano International Exhibition to date. (You can explore the posters online here.)

Nigerian designer Nifemi Marcus-Bello is an empath, an optimist, and an (aptly) self-described archivist. In addition to his own robust and increasingly global practice, his personal research project (entitled Africa – A Designer)  will be exhibited in Europe next summer. The project looks to document and archive unauthorized Indigenous designed objects that have found their way into our daily lives. 

Long-time Design Observer contributor (and self-professed "student of mall history") Alexandra Lange reviews The Well, a mixed-use space in Toronto. “The result,” Lange observes, “is a bit like adaptive reuse gone Vegas: bigger, smoother, and more mechanically “different” from building to building than a neighborhood that has grown organically.”

An overwhelming amount of media is disproportionately owned by a uniform, wealthy class of global industrialists. Which makes Nukhu—a model and forum for community minded cinema, based in New York—an etraordinary thing to behold. Founded in 2016 by Sanjay Singh, Nukhu's mission empowers independent BIPOC artists and in so doing, nurtures an enlightened artistic community. In an industry where financial backing and recognition remain formidable challenges for independent filmmakers, Nukhu emerges as a beacon of hope and empowerment, standing at the forefront of a movement dedicated to facilitating opportunities and reshaping the narrative for independent artists. (Read more about their Nukhu-powered celebration—called Nukhufest—here.)

Climate TRACE (Tracking Real-time Atmospheric Carbon Emissions) is a global coalition of nonprofits, tech companies, and universities working to make meaningful climate action faster and easier by independently tracking greenhouse gas (GHG) emissions, harnessing satellite imagery and other forms of remote sensing, artificial intelligence, and data science expertise to identify human-caused GHG emissions when and where they happen. The website is fast, responsive and frankly, brilliant.

Also in Miami this week, the Japanese female wrestling league Sukeban will be taking over Miami’s Lot 11 Skatepark for one night only to crown its first-ever World Champion. (Stream it here.) In Japanese, Sukeban translates as “delinquent girl,” a nod to the female equivalent of the male banchō in Japanese culture. According to Olympia Le-Tan, a fashion designer and the league’s creative director, the importance of projecting each wrestler’s personality and character through their costume was crucial. (Don't miss the belts.)

Remember Tilly Talbot—billed as the world's first AI designer? She was first announced by our friends at Dezeen last spring, made an appearance at Milan Design Week and beginning today, is “in residence” at The Standard in Miami, for Miami Art Week. Tilly—a bot—was invented by Snoop Studio founder Amanda Talbot after “pondering the relationship between AI and human loneliness, programming her under the studio’s principles of human-centered design that prioritizes nature.” Adds the human Talbot: ”Tilly will challenge you on materials." 

Seventh-generation Diné (Navajo) designer, textile artist, and weaver (and according to her Instagram, part time skater and model) Naiomi Glasses is the inaugural artist in residence … at Ralph Lauren.

The 22nd annual ArtReview 100 is here — click through for an eclectic and inspiring array of artists, many of whom use their platforms to speak truth to power. Photographer Nan Goldin tops the list; her most recent work has been dedicated to exposing the art world’s complicity in the opioid epidemic by accepting money from the Sackler family.  

Love Odih Kumuyi offers an excellent blueprint for designing meetings for inclusion and innovation. It’s all about the psychological safety. “Based on current dynamics or past experiences, individuals have a generalized sense of whether their voices will be received with respect or silenced and dismissed. Leaders asking for individuals to vulnerably share ideas must carefully curate an environment where the rules of engagement are in alignment with principles of psychological safety.” 

The controversial president of the COP28 climate summit, Sultan Al Jaber, does not seem to be on board with fossil fuel targets. “[P]lease, help me, show me a roadmap for a phase-out of fossil fuels that will allow for sustainable socio-economic development, unless you want to take the world back into caves,” he said at last month's She Changes Climate summit. 

London-based designer Brendan Callaghan obscures typography through a series of imagined destinations in his project, Untold Roads—an exquisite site for adventurers—or, frankly, for anyone who appreciates a beautifully articulated demonstration of what happens when form reinforces content. See the case study here.

In Boston, Northeastern University is looking for a full-time Professor in Design, Civic/Social Values and Democracy. Details here.

Minnesota flag finalists' entries into a statewide competition all reflect common themes and elements: all of them have a star, a nod to the state's motto "L'Etoile du Nord," and some shade of blue (for the land of 10,000 lakes). FairVote Minnesota—an organization which advocates for implementing ranked choice voting—conducted the election, and more than 12,000 people cast their vote. Here's the winner.

The first graphic appeared on a Kansas plate in 1942, with sunflowers on the lower left and right sides. Since then it's been a wild ride. (If you're late to the Plategate party, here's a primer.)

“This is her fifth long-form visual project,”writes Wesley Morris in his review of Renaissance, Beyoncé’s newest movie, out now in theatres. “We’re now talking about an auteur.” Morris doesn’t stop there. “Simply at the presentation level, coherence and visual imagination are in the house.” Observes Vanderbilt Professor Michael Eric Dyson—who calls Beyoncé a process theologian—"her secular sites have offered spiritual nourishment, providing a venue for uplifting holy praise in thanks for the vibrant variety of life."

Did you know that the Institute for Scrap Recycling sponsors a design award? And that it has done so for more than three decades? Friends, you have until February 12 to submit your game-changing ideas. Get cracking.

Legendary architect William McDonough—who was one of the first proponents of “circular” design—thinks we’re talking about the issue all wrong. And on that same topic, this year's Business of Design summit brings together policymakers, business executives, and creative leaders to identify critical challenges, innovative ideas, and smart design processes driving circular design. (More here.)

Thanks to a number of new collective projects in Paris, Ukrainian design is becoming a fully-fledged part of the global creative industry.

This just in from the Department of Dystopian Prognostications! A new AI tool— called COLE, named in honor of Henry Cole (the creator of the first graphical Christmas card in 1843) lets you type in a graphic design project idea and have an AI generate not only the image, but the text to support it baked in. 



Jobs | December 07