Evidence

Sean Adams
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Sean Adams found the best examples of the next generation of designers and artists in the field of large scale environmental graphics.



Sean Adams
Bad Color
Advice on creating color palettes from the author of The Designer’s Dictionary of Color.


Sean Adams
The Strange Case of the Designer
What makes a graphic designer strange? Is it the obsessive attention to kerning on street signs, arguing whether PMS 172 is orange or red, or collecting odd scraps of paper on every European vacation?


Sean Adams
The Design of Comfort
What I found in the typography of Disneyland was an incredibly dense design solution beyond typography with intentional choices to create a specific experience.


Sean Adams
Blinded by The Light
I found the world of black light posters in late 1978, when I was in middle school. At the time, the fluorescent posters represented rebellion and a bad-ass attitude.


Sean Adams
Smiley Smile
“The image we have would be impossible for Mickey Mouse to maintain. We’re just normal people.”


Sean Adams
When the World Was Young
When I started in the profession, I was the youngest such and such for a long time. Somewhere along the line as the generation before me retired or moved on to greener pastures, I became the old guard. This happens to all of us, which is better than being hit by a bus.


Sean Adams
Fake News: Blow Up
We are conditioned to understand that a photograph is an honest record of an object, time, and place.


Sean Adams
Hope is The Thing with Feathers
A closer look at NBC’s peacock.


Sean Adams
The Meticulous Bruce Rogers
Classical structure and typography, paired with a modern aesthetic, typified Bruce Rogers work.


Sean Adams
Gateway Drug of Dessau
The typography and graphic design at the Bauhaus represent the most religious allegiance to Modernism. But, it is the photography at the Bauhaus that serves as a gateway drug.


Sean Adams
Admiration for the Bland Subject (and Beautiful Design)
When presented with dull content, Sean Adams recommends designers “reframe, augment, or interpret the content and redesign.”


Sean Adams
Remembering Clive Piercy
Without Clive the world will be a little less colorful.


Sean Adams
Mixing Metaphors
This conceptual approach of the “fused metaphor” combines symbol “A” with symbol “B” to produce a new result.


Sean Adams
Hey
Sean Adams extolls the virtues of a narrative told with minimal means and a strong ideas.


Sean Adams
Joe Orton: Dangerous Collage
Is it graphic design?


Sean Adams
Manifesto of Surrealism: 3 Tragedies
We pass through our days creating fictions to make sense of the world.


Sean Adams
Return of the Standards Manuals or Revenge of the Rigid
These are not systems to be messed with.


Sean Adams
John Astrop and Eric Hill, Booze, 1967
Historic design work, linked to the cultural standards of its time, is often unacceptable now. Does that make it bad? Should the creator be vilified? Should the offending design work be eliminated from a classroom or book?


Sean Adams
Mary Blair: The Grand Canyon Concourse Mural
Mary Blair’s Grand Canyon Concourse mural in the Contemporary Resort at Walt Disney World is a super-graphic that transforms the architecture.


Sean Adams
Phyllis Tanner
“It is a cut-throat business. Be good at negotiating. It is not just about ART.”


Sean Adams
Jennifer Morla: El Museo Mexicano, 1995
As a designer, does the work we create subjugate and presume superiority over another culture, or does it attempt to authentically represent it?


Sean Adams
Marget Larsen
Marget Larsen’s design work bridged post-war American modernism and 1960s hedonist psychedelia.


Sean Adams
Will Burtin
Will Burtin was a graphic designer with no sense or boundaries in media.



Observed | March 20

From Tristram Shandy to black holes, from Coco Chanel to Johnny Cash, from Francisco Goya to Mark Rothko: Ten ways to look at the color black. [BV]

With storage spaces filled with works that may never be shown, some museums are rethinking the way they collect art, and at least one is ranking what it owns. [BV]


Observed | March 19

In response to last week’s Christcurch mosque shootings, Meena Kadri teamed up with her former Māori language teacher Te Ataahia Castorina to compile a set of Māori words + English translations celebrating unity. If you learn and share 10 Māori words this week, make it these. [BV]


Observed | March 18

Journey back to a time when serifs were Antique, sans serifs were Grotesque, and extra bold faces were Fat. [BV]

“A six-year-old could have drawn that logo!” Well, in this case, he did. (via James I. Bowie) [BV]


Observed | March 15

Street art used to be the voice of the people. Now it’s the voice of advertisers. [BV]

Scientists have not kept pace with the work of discovering new species. Now, a growing number of committed hobbyists – ranging from a Belgian bus driver to a California cybersecurity expert – are out in the field, igniting a boom in documenting the world’s biodiversity. [BV]


Observed | March 14

In a week where the transportation department is facing some of its most pointed criticism, Transportation Secretary Elaine Chao wants to speed the commercial adoption of untested technologies like driverless vehicles and hyperloops—without addressing the dramatic, necessary changes needed today. [BV]

In 1927, the Italian Futurist artist and designer Fortunato Depero created a monograph of his work unlike any book that had been seen before. Called Depero Futurista, or “Depero the Futurist,” it is also known as The Bolted Book, because it is famously bound together by two large industrial aluminum bolts. And you can have an exact replica! [BV]


Observed | March 13

Olympic Games sport pictograms were first introduced at the Tokyo 1964 Games, and have been a part of the games ever since. The Tokyo 2020 pictograms were designed by Masaaki Hiromura who “tried to express the dynamic beauty of the athletes through these pictograms, while respecting the legacy bequeathed by the pioneers of the Japanese design industry in their designs for the Tokyo 1964 Games.” [BV]


Observed | March 12

Our collective wisdom is perhaps one of humanity’s greatest accomplishments ... this is because people—no matter where they are, no matter from where they come—possess intrinsic curiosity, creative souls and inquiring minds. [JH]


Observed | March 11

Art powered by disability: ‘I fear being trapped in the statue of my own body, whilst my mind gazes out.’ [BV]

A grand collection of the tiniest of books — 950 of them — is now on display at the Grolier Club in New York City. [BV]


Observed | March 08

Neighborhood Golf Association, a new film from Nicolas Heller, highlights “Tiger Hood”, a NYC photographer who created a street version of golf to help pass the time while he sold his work. [BV]


Observed | March 07

Reckoning with design’s role in the production of more and more objects and more and more waste. [BV]

Net neutrality gets a power-up! [BV]


Observed | March 06

The Architecture & Design Film Festival returns to DTLA next Wednesday at the Los Angeles Theatre Center. 24 outstanding films are on the schedule. [BV]

‘A Sense of Place’ is a graphic art project that reveals how places can develop deeply felt strong identities and culture and includes an interview with the lovely Debbie Millman. [BV]


Observed | March 05

Out today from Penguin Random House: Follow This Thread. A twisting journey through the world of mazes, real and imagined, unraveling our ancient, abiding relationship with them and exploring why they continue to fascinate us. [BV]

A wildly popular mobile game allows users to decorate virtual spaces with real-life (and easily purchasable) furniture. It’s the future of advertising—but what does ‘Design Home’ say about the future of the people who play it? [BV]


Observed | March 04

The scion of a storied Amsterdam family rediscovered Rembrandt paintings that lead to an art-world feud. [BV]

Artist Katie Holten has created a New York City Tree Alphabet. (A is for Ash, B for Birch...) She’s encouraging people to download the free font and create tree messages that will be planted with live trees this spring. [BV]


Observed | February 28

A flip through Playboy France reveals experimental layouts, an innovative use of typefaces, and, a design direction that can absolutely be described as “tasteful.” It’s more about typography than titties. [BV]


Observed | February 27

Underwater photographer of the year awards announced. The winners don’t disappoint! [BV]


Observed | February 26

Saint Louis designers celebrate America’s 60th National Park through typographic focused posters. Type Hike, started by designers James Walker and David Rygiol, continue their type-focused collaborative nonprofit with their 5th installment, ARCH. Vote for your favorite poster here through March 24. (via John Foster) [BV]


Observed | February 25

An argument against modern architecture. [BV]

When the %$#@! did we start to use obscenicons? Belive it or not, as early as 1901. [BV]


Observed | February 21

Science answers the age old question: Why does a grape turns into a fireball in a microwave? [BV]


Observed | February 20

The Sunset Strip occupies a short stretch of Sunset Boulevard, but its reputation as a stomping ground of gangsters, glamour girls, rock stars and hell-raisers has held an oversized fascination for decades. Curbed LA dives deep. Part One. Part Two. [BV]

Should historic logos be protected in the same way as historic buildings? (via James I. Bowie) [BV]



Jobs | March 22