The Town That Corbusier Built

Take the Open Hand, for example. This monument, designed by Le Corbusier but not built until 1972, is an abstract copper-clad “hand” held aloft by a steel column — “open to give, open to receive,” in the architect’s vision. The sculpture swings in the wind, like a gigantic weather vane. At its base, Corbu designed the “Pit of Contemplation” as an area for citizen debates, theater and other aspects of civic life.

For many years, though, the Open Hand was deserted, its surrounds used for cricket matches or as an occasional strolling ground by occupants of nearby villages. Of civic activity, there was none. The only regular visitors were architects and aficionados of Modernism, who came to gaze at this iconic anomaly in the middle of an empty landscape. More recently, a security-conscious local government barred visitors from the capitol who lacked official business there.


Activities at the Open Hand, Winter 2009

Today, however, Chandigarh’s citizens are beginning to wake up to this magnificent structure. A series of initiatives promises to bring life to the capitol and the Open Hand. Hum Log (“We the People”) is a citizens’ initiative working to “reclaim” the Open Hand by organizing street theater, debates and conferences at the venue. (On August 15, India’s Independence Day, it assembled townspeople for a group sing-along of patriotic songs.) Hum Log’s founder, Dr. Gaurav Chhabra, lays emphasis on the relationship of people with architecture, and on the importance of group action. “Participation,” he says, “is the essence. Once people start to participate, the rest follows.” He and his team have collected activists from around the city and beyond to highlight the monument and give visibility to its restricted access.

On January 29, 2010, their efforts paid off. Chandigarh’s government lifted the ban on social gatherings at the Open Hand and allowed it to be open to citizens daily between 10:30 and 3:30. Tourists and other outsiders, however, must still apply to the city’s administration for permission to visit, a burdensome stipulation that Chhabra believes undermines Le Corbusier’s vision.


Ramp at the High Court


View of the Capitol Buildings, Chandigarh

Sangeeta Bagga-Mehta, an associate professor at the Chandigarh College of Architecture, which is housed in a Le Corbusier–designed building, believes in working within the existing regulations to provide easier access for the growing number of visitors who make inquiries. “What has really changed Chandigarh’s position in the eyes of the world is its nomination for World Heritage status,” she says. Though the city’s 2006 placement in the “tentative” category of that elite list still remains to be approved, attention from UNESCO has produced a larger body of international visitors than ever before. Bagga-Mehta doubts that demonstrators at the Open Hand will persuade government officials to drop their security concerns. Rather she suggests that the capitol open a tourist information/interpretation office for issuing passes on the spot.

These days, on a Saturday, when courts are out of session and offices are closed, it is easy to visit the capitol, and even enter some of the buildings. The security apparatus is visible, and permits are still required for the more important buildings. But the capitol can be seen in its somewhat neglected state, a magnificent testament to modern architecture on a par with the Acropolis and Roman Forum. In the tussle over the question of who really “owns” the capitol — citizens or government — something vital has been neglected: the magnificent buildings themselves. It seems that finally Le Corbusier’s Open Hand, constructed for a city “free from the fetters of the past,” is fulfilling its purpose. Modern architecture is winning in this modern city in the most ancient of civilizations.