Architecture
Showing 109 – 120 of 398 results

James Biber|Essays
Vestige(s) of Empire
Comparing the repurposing of two monuments to lost Empire: London's Commonwealth Institute and Berlin's Palast der Republik.

Alexandra Lange|Essays
Girard the Magnificent
Is it enough to be gorgeous? If so, Todd Oldham and Keira Coffee's 15-pound Alexander Girard wins Book of the Year.

Alexandra Lange|Lunch with the Critics
Lunch With The Critics: Second-Annual Year-End Awards
From Twitter to Apollo, Barbie to Occupy Everywhere: The best and worst moments in design for 2011.

Alexandra Lange|Essays
Decorating Brutalism: The Interiors of Kevin Roche
How do you decorate a brutalist building? For architect Kevin Roche, the answer was brown, mirrors, and trees.

John Cary|Opinions
Architecture's Internship Requirement Needs a Redesign
An argument for rethinking architecture's internship requirement

Alexandra Lange|Interviews
Architecture Research Office
Interview with Stephen Cassell and Adam Yarinsky on the occasion of their National Design Award

Alexandra Lange|Essays
TWA: Still Kicking
Not a disappointment: a first thrilling visit to Eero Saarinen's legendary flight center.

Alexandra Lange|Essays
Thinking in Tumblr
Don't write a book, make a Tumblr.

Alexandra Lange|Essays
Up From Zero, the Novel
A post-9/11 fiction scooped by reality.

Alexandra Lange|Essays
Reading in Public
A new book club with an unusual topic: architecture and design.

Alexandra Lange|Essays
Welcome Back, Overbite
Albert C. Ledner's mid-century scallops and portholes have staying power.

Nancy Levinson|Essays
A Dream House for Architect Barbie
Just in time for the midsummer heat, Architect Barbie's got a competition-winning new dream house in Malibu.
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‘The conscience of this country’: How filmmakers are documenting resistance in the age of censorship Redesigning the Spice Trade: Talking Turmeric and Tariffs with Diaspora Co.’s Sana Javeri Kadri “Dear mother, I made us a seat”: a Mother’s Day tribute to the women of Iran A quieter place: Sound designer Eddie Gandelman on composing a future that allows us to hear ourselves think