Observed
Corn husks were just the start:
a Mexican designer in London writes his own rules. [JH]
Wieden+Kennedy London launches standalone branding and design studio—called—
NOT Wieden+Kennedy. (Play their logo generator yourself,
here.) [JH]
Inclusive design, at Microsoft. [JH]
Best design stories of 2022, from
The Guardian. [JH]
Penmanship, cursive, handwriting—what’s the point? [JH]
Set on half an acre in the lovely hamlet of High Falls, New York,
the studio that once served Marc Chagall is for sale. [JH]
After escaping from a creatively-repressed and unsatisfactory graphic design career, Sticht became a public safety officer at the University of Rochester. (There’s hope for us all!) [JH]
Weird and wonderful artifacts, via Jason Kottke. [JH]
Design fiction—a speciulative pracrtice that combines science fiction, design thinking, and foresight—might be the next innovation in business. [JH]
For the love of
drawing. [JH]
Design and sex. [JH]
Design nerds—
rejoice! [JH]
In the latest issue of
Print,
Paul Sahre discusses his grammy nomination with Debbie Millman. [JH]
Both standard and limited collector’s editions of MuirMcNeil’s
System Process Form are now available at Volume, together with a range of uniquely seductive rewards.
Also from Volume: a never-before-seen selection of Paul Burgess photographs documenting the British band, Pulp. Compiled by Burgess and Louise Colbourne,
This Is Hardcore is available for pre-purchase now. [JH]
We were sad to hear that the visionary
George Lois, died last week. He was 91. [BV]
Chicago Design Through the Decades opens today and runs through the end of the year. The project starts with Art Deco in the 1920s and goes through the 2020s with digital portraits produced using neural networks. [BV]
Art and immersion, according to David Hockney. In London, through April. [JH]
Striking art and design faculty at Parsons and The New School
make headlines—as they should. [JH]
Wakanda Forever‘s costumes represent a coming together of cultures. [BV]
Japandi! [JH]
Memorials are retrospective but also aspirational: They are statements about who we mourn and prescriptions for how we mourn; in a way, they are self-portraits. [JH]
Bonnie Siegler is an award-winning graphic designer. She is the founder of Eight and a Half, a multidisciplinary design studio based in New York, and before that, was the co-founder of Number Seventeen. She got her degree at Carnegie Mellon University, has taught in the graduate design programs at Yale University, RISD, and the School of Visual Arts and was the 2014 Koopman Distinguished Chair in the Visual Arts at the University of Hartford. 
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